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  1. Chemical Landscapes

    Rule breaker The chemigram process allows any photographer to be experimental, free and a little bit of a rule breaker. As a photographer who is passionate about the traditional printing process, I was always taught that my prints should be clean and crisp. So, coming across a process that allows you to be messy, hands […]

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  2. Behind the Film - Mike Bain

    Today in our 8th Behind the Film interview we talk to Mike Bain. One of our longer serving team members, Mike started in our tech team and now looks after North America. He has probably forgotten more about film photography and darkroom printing than some of us will ever learn! Who are you? What’s your […]

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  3. In Focus - Clara Araujo

    This week for our 46th In Focus interview we are talking to Clara Araujo. A fine art photographer from Brazil whose images explore the dualities and other aspects of the human psyche. Section 1 – Background Share your favourite image / print shot on ILFORD film and tell us what it means to you? It’s […]

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  4. Ilford Photo Friday Favourites #35mmxp2

    For this week’s #ilfordphoto #fridayfavourites theme we chose #35mmxp2. We don’t think that this extremely versatile C41 process film gets the love it deserves. It delivers excellent results, including well-defined highlights and shadows, even in unpredictable lighting or high-contrast scenes. And, is also special in that you can shoot at different speeds from ISO 50 […]

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  5. Friday Favourites #boatsonfilm

    Some subjects seem to go hand in hand with black and white film photography and boats in one of them. Which is why we chose #boatsonfilm for this week's #ilfordphoto #fridayfavourites theme.         NEXT WEEK's THEME One of the most versatile films in our range and the only one suitable for C41 […]
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  6. Exposing for the Action

    One of the aspects that took me perhaps the longest to understand about black and white film photography - but, which turned out to have the most impact on my visual style – is that exposure is simply not real in any meaningful way. “Correct” exposure is incredibly subjective, especially true for high contrast lighting […]
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