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  1. A Chemical Refutation Of Forgetting

    When I Was A Teenager Mine is a common story with photography in that my dad gave me his 35mm camera when I was a teenager. I shot his Minolta until I dropped it a few too many times and the light leaks became punitive. Soon after, I stumbled into the darkroom just as casually […]

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  2. Friday Favourites #halloweenonfilm

    A heartfelt thank you goes out to everyone who emerged from the shadows to participate in this week’s eerily captivating #ilfordphoto #fridayfavourites theme, #halloweenonfilm. The entries for this week were truly outstanding, making the task of narrowing them down exceptionally challenging. Please take a moment to have a look at some of our favourites.   […]

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  3. In Focus - Mandyleft

    Allow us to introduce Mandyleft, our 73rd featured artist in our “In Focus” series. Mandyleft is a talented film photographer known for her deep passion for connecting with people, a quality that has immersed her in the vibrant film community. SECTION 1 – BACKGROUND SHARE YOUR FAVOURITE IMAGE/PRINT SHOT ON ILFORD FILM AND TELL US […]

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  4. Frankenstein-Hasselblad

    Something that I love For the longest time I was aware that I had difficulties reading, writing, and understanding certain things, but it was only when I was diagnosed with Dyslexia and Dysgraphia that is became clear why this was. I have enjoyed the art of photography for so many years and after a triple […]

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  5. Friday Favourites #allonkentmere

    This week’s theme for #ilfordphoto #fridayfavourites is #allonkentmere. Kentmere, with its exceptional quality, is not only an excellent choice for those venturing into film photography for the first time but also a preferred film for seasoned photographers.             NEXT WEEK’S THEME Our theme for next week is #halloweenonfilm. –  Share […]

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  6. Uppies and Downies

    One Specific Speed Rating Us film photographers are used to the limitations of our medium. In fact, we often regard them as strengths, and not weaknesses. But even we can’t really take issue with the suggestion that as soon as we begin to expose a roll of film we are limited to one specific speed […]

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