The store will not work correctly in the case when cookies are disabled.
We use cookies to make your experience better.To comply with the new e-Privacy directive, we need to ask for your consent to set the cookies.Learn more.
My first time in Afghanistan
For the last couple of years, I have been travelling and exploring the people and culture of the Middle East and Central Asia. Visiting these countries is always inspiring and fascinating to me. In 2016, I visited Afghanistan for the first time.
At this time I switched from photographing both digital and analog to one hundred percent analog. The reason is simple. I love the handling, the manual process of film photography. It feels real and timeless. It is also practical, t...
Man of science
I love alternative photographic techniques like dry plates and brushed on emulsions. I am a darkroom fanatic – always exploring new ways to mash up digital with traditional analog techniques. I love all kinds of print processes – cyanotypes, salts, van dykes to name a few. I shoot all formats right from 35mm half frames up to 8×10 large format.
I am also an avid camera collector but prefer to be a user rather than an admirer of my cameras. I currently use a Nikon F3, Leica M-A, Hasse...
At the time I got back into film again I happened to be taking an evening course in portrait photography at a local college. The usual mix of Canon & Nikon shooters with a mirrorless Sony thrown in for good measure. As usual, we were chatting about our weekend shoots and (obviously) latest purchases. When I said that I had bought a Nikon FE and some film (it was Ilford Delta 100) you could have heard a pin drop.
So while we shot our various lighting setups with our D610s, D800s, Canons etc I would o...
Self-portraiture as Catharsis
My photography is a form of therapy, a personal, emotional and sometimes turbulent struggle with the complexity of emotions. I feel my life and art have become intertwined and to bury this mental state deep within would only allow it to thrive but through my use of photography, I am offered a sense of catharsis.
My self-depictions manifest within the same four walls, my bedroom. The room I believe is the keeper of my trapped and repressed emotions. This often heavily constr...
Earlier this year we agreed to take part in @EMULSIVEfilm community interviews and these are the results.
Over to you #EMULSIVE
Back in mid-May 2016, we invited you all to submit your questions to Ilford Photo for the second in a new series of community interviews here on #EMULSIVE. As with the first, the premise is simple: we collect questions from you, the film photography community, package them up and then work with the interview subject to get them answered and published.
Well, we’...
A black and white film community
Since film is no longer the primary domain of professionals, it’s been adopted again in earnest by passionate individuals that produce legitimate work. In this age of instant gratification, infinite dynamic range, and auto-everything, it’s nice to rely on a predictable and high-quality medium.
I shoot HP5+ almost exclusively. It’s everything I want in a black and white film. It’s flexible, widely available and fits right into my workflow. I’ve played both...
A little background
I was born and raised in Caracas, Venezuela. My chosen field of study was production engineering, but was I taking photography classes in the evenings and began working for a super cool magazine called Urbe, which is a bit like what Vice is in the UK now. I quickly became the chief photographer shooting all kinds of amazing and interesting people, and it was then that I knew that this is what I wanted to do with my life. Looking back it was quite an interesting time - I’d be learnin...