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Allow us to introduce Mandyleft, our 73rd featured artist in our "In Focus" series. Mandyleft is a talented film photographer known for her deep passion for connecting with people, a quality that has immersed her in the vibrant film community.
SECTION 1 - BACKGROUND
SHARE YOUR FAVOURITE IMAGE/PRINT SHOT ON ILFORD FILM AND TELL US WHAT IT MEANS TO YOU.
I took this photo in a hotel in London. It was a very exciting weekend. I had just been to the theatre and then I had been shooting around the West End...
When I Was A Teenager
Mine is a common story with photography in that my dad gave me his 35mm camera when I was a teenager. I shot his Minolta until I dropped it a few too many times and the light leaks became punitive. Soon after, I stumbled into the darkroom just as casually after I found my dad’s enlarger in the back of a closet and my friend, Joel, taught me the basics of printing in a few hours (I didn’t realize how difficult that would be). I didn’t have or know about filters and had no techniq...
Portraits Of Strangers
I’ve always been fascinated with people on the street and how they carry themselves. Their faces, body language, the clothes they wear - everyone’s walking around with their own unique story, and I can’t help but be curious. I've spent a lot of time working with non-actors in commercials and documentaries, which has been a crash course in connecting with people quickly. It’s not your typical "stand here, do this" directing. It's about getting real people to open up in front o...
Camera And Us
Once I started shooting film, I decided to start creating some photography projects. My first photographic project was called: 'Camera and Us.' This project documented people on the street and which camera they used. I chose to use a film camera to capture all kinds of people with their cameras on the street. Once I approached them, I told them my photographic intentions. We would have a simple chat to make them feel comfortable and more importantly, for them to consent to be photographed.
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Let the beauty of #autumnonilford unfold in every frame, showcasing the diverse and stunning perspectives captured by our global community for this week's #ilfordphoto #fridayfavourites.
@peter_durst. For this weeks #ilfordphoto #fridayfavourites theme of #autumnonilford my submission is: The Yukon River. Hasselblad 500CM, Zeiss Sonnar 150mm f4, PAN F. Whitehorse, The Yukon #believeinfilm
@PlantingCabbag1. Munich on HP5! #ilfordphoto #fridayfavourites #autumnonilford. (I'm @midtonegrey on ...
This week's theme for #ilfordphoto #fridayfavourites is #shotwithdelta400. ILFORD DELTA 400 film is a autumn favourite, thanks to its adaptable ISO. It lets you seize every moment, no matter the weather.
@peter_durst. For this weeks #ilfordphoto #fridayfavourites theme of #shotwithdelta400 my submission is: Icelandic Coastline and the Greenland Sea Hasselblad 500CM Zeiss Sonnar 150mm f4 Delta 400 Miklavatn, Iceland ??. #believeinfilm #filmphotography #blackandwhitephoto.
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We are now heading to HARMAN Lab to speak to Charlie Hill , our 16th Behind the Film interview. Charlie works as a Photo Lab Technician here at HARMAN Technology. Find out more about what his role entails.
WHO ARE YOU? WHAT’S YOUR JOB TITLE AT HARMAN TECHNOLOGY AND HOW LONG HAVE YOU WORKED HERE?
My name is Charlie Hill, I have worked as a Photo Lab Technician since April 2023.
TELL US A LITTLE ABOUT YOUR DAY TO DAY ROLE.
My day-to-day role revolves around Harman Lab where we offer B&W and colou...
Step into Simon Auger's world as he unveils an intimate view of his creative process and the intricate techniques that birthed this stunning architectural masterpiece in this 'How I Got This Picture' interview.
IMAGE TITLE
Downtown Toronto #2 2023
TECHNICAL INFO
Film Used
ILFORD HP5+ shot at 1600 ISO.
FORMAT
35mm.
Camera
Nikon F3.
Lens
17mm Tokina Prime Lens.
Exposure time
Can't Remember.
Location
This shot was taken looking up into the mist-covered buildings at the intersection of King s...
Concrete Jungle
At the crack of dawn, the sleepless vagrant remains glued to the stone of the pavement. A long road with no intersection, apha indlela ayibuzwa kwabaphambili. As the light creeps into the skyline, all a city dweller sees is blood and grime. With so much dog shit in the streets, beggars are still scrapping for bones to chew. A muffled groan & moaning of a trapped miner, buskers are constantly offbeat & in a permanent state of gloom and cynicism. The nostalgic aroma of the communityâ€...