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  1. Friday Favourites 08th September - Light

    Wow, what a fantastic response to this week’s #ilfordfridayfavourites theme. We’ve struggled to choose from the great images that you shared this week, in our Gallery as well as on Instagram, Twitter, and Facebook but choose we have done and our favourites are shown below. We’re looking for your #Street images for next weeks  #ilfordfridayfavourites. Please […]

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  2. Friday Favourites 4th August #JustAddJoy

    #JustAddJoy must have been a tougher theme than we’d imagined as there weren’t as many #ilfordfridayfavourites as we usually see this week. Thanks to all of those who got involved, these are our top picks. Congratulations to Peter Schön for sharing our favourite image this week. There’s some film on the way to you. I’m sure […]

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  3. How I Got this picture - Dave Kirby

    Jokulsarlon Two For our inaugural ‘How I got this picture’ post, we’re talking to Dave Kirby about Jokulsarlon Two. One of the beautiful images in his Iceland series.   Jokulsarlon Two ©Dave Kirby Film Used – ILFORD FP4+ Format – 120 film in 6×6 format Camera – Bronica SQ-A Lens – 80mm PS Exposure time – 57s […]

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  4. Portrait of the Afghan National Institute of Music

    My first time in Afghanistan For the last couple of years, I have been travelling and exploring the people and culture of the Middle East and Central Asia. Visiting these countries is always inspiring and fascinating to me. In 2016, I visited Afghanistan for the first time. At this time I switched from photographing both digital […]

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  5. The Road to Discovery

    The last six years I picked up my first camera about six years ago, and I haven’t looked back since. Well, not on my choice of beginning Photography, but I have looked back on my choice of cameras. Over the past six years, I’ve achieved quite a bit, and I’ve enjoyed every moment of it – […]

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  6. Split grade printing

    Split grade printing The version of split grade printing described here is that taught to me by the ILFORD head printers, Mike Walden and Terry Offord, and is the simplest, fastest way to make good darkroom prints from pretty much any negative. (The exception is really underexposed negatives to print these you usually only need […]

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