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Whether you are new to film photography or picking it up again after a number of years, it is very easy to get started and a rewarding activity regardless of your level of expertise. Introduction to film photography To get you started we've created a series of animations that will introduce you to the world of film photography. These short 60 second animated videos cover a range of topics and terminologies to quickly get you up to speed. From f-stop to film types, these videos are the perfect entry point...

20th August 2014 ILFORD PHOTO confirm no plans to discontinue XP2 SUPER Film following the recent announcement that Kodak Alaris is discontinuing KODAK PROFESSIONAL BW400CN Film.   ILFORD PHOTO can confirm that there are no plans to discontinue ILFORD XP2 SUPER. This product continues to be in free supply throughout the world from ILFORD PHOTO Distributors and Photographic Retailers, and is available in 35mm and 120 formats as well as a 35mm Single Use Camera. ILFORD XP2 SUPER is an ISO 400/27�...

8th April 2014 Further expanding its capabilities and services, California based ILFORD LAB US now offers Silver Gelatin Prints from digital files with a specially commissioned Fuji Frontier digital laser printer optimized for printing black and white images. This ILFORD LAB US printing service draws on 130 years of ILFORD PHOTO expertise, producing the finest quality Silver Gelatin black and white prints; achieved using traditional ILFORD black and white chemistry and genuine ILFORD silver gelatin photog...

4th December 2013 BORN, ESTABLISHED, DEVELOPED! … A NEW ILFORD MULTIGRADE FIBRE BASE FAMILY ILFORD PHOTO announce a new range of variable contrast Baryta Fibre Base papers, a completely new and improved MULTIGRADE FB and a new COOLTONE FB paper to complement the existing MULTIGRADE FB WARMTONE. For 20 years the best selling ILFORD MULTIGRADE IV FB paper has been the product of choice for creative photographers and printers the world over. BORN following extensive R&D, significant improvements hav...

Film and single use cameras How long after exposing can I leave my film before processing? For best results, we always advise processing soon after exposure although in practice most films can be left for several months. One exception is ILFORD PANF Plus, we would always advise processing this film as soon as possible and certainly within 3 months of the film being exposed. How do I account for film reciprocity during long exposures? This information can be found in the Film Reciprocity Failure Compensa...

Photographic Paper FAQ's Which paper product is best/suitable for photograms.  All of our ILFORD photographic papers will easily produce photograms, so the choice will depend on which surface finish you prefer and whether or not you want fibre or resin coated. Resin coated paper is lower cost, easy to process and dry flat and would be a good choice for starting out. Does reciprocity affect paper? Paper products are designed for much longer exposure times than film and are less sensitive to reciprocity...

This guide focuses on the photo chemicals you can use for processing film. We also have a guide to processing film as well as some handy tips on loading a developing spiral. Choosing photo chemicals We have a range of photo chemicals designed to give different results with our films and papers. The choice of stop bath and fixer is limited but we have several film developers you can use. Film developers come in either liquid and powder concentrate form and have a range of attributes. Some developers giv...

Processing your own film can speed up your workflow and give you quicker access to your negatives. It is also typically more cost effective and best of all there is nothing like the sense of satisfaction you will gain by taking control over the full end-to-end process of your photography. While trying it for the first time might be a daunting prospect, fear not. Below is our guide on what equipment, chemistry and method would be suitable for anyone new to processing films. For more detail, you can downlo...

The first stage of making a darkroom print is to determine the exposure time. If you have already created a contact sheet of your negatives, and they appear correctly exposed, then you should have a rough idea of the necessary exposure (provided you haven’t moved the enlarger head or aperture setting after exposing the contact sheet). Note: If you change the degree of enlargement you will also need to adjust the exposure. Some enlargers have scales printed on their columns to make this easier. Another...

What are film developers? Film developers are a photographic chemical that turns your exposed film into working negatives as part of a processing workflow. (You will also need a stop bath and fixer - for more information on how to process your film or which chemistry to choose read our guides). We offer a broad range of film developers that are designed to exploit the different characteristics of our films. Developers are available in either powder and liquid concentrate form and have a range of charact...

Filters have long been a popular accessory for photographers and offer a number of different functions or effects. In both analogue and digital photography it is possible to recreate some of these in the darkroom or digital darkroom. However there has always been a benefit to getting it right in camera. In black & white photography, colour filters in particular are useful as they can control how the colours in a scene are reproduced as greys. Normal black & white films are sensitive to all wavele...

General health and safety advice This section provides advice to our customers on the safe handling, use and storage of our photochemical solutions, best practice for waste disposal and specific advice to women who are pregnant or breastfeeding a child. If you are looking for information on the chemical safety of HARMAN photochemistry solutions, please refer to the Safety Data Sheets (known as SDS or MSDS) 24 HOUR OHES emergency line for advice on chemical incidents Safe working practices It is essen...

Split grade printing The version of split grade printing described here is that taught to me by the ILFORD head printers, Mike Walden and Terry Offord, and is the simplest, fastest way to make good darkroom prints from pretty much any negative. (The exception is really underexposed negatives to print these you usually only need high contrast). This is a very powerful technique that can be used routinely with variable contrast (VC) papers, such as ILFORD MULTIGRADE. It makes use of the differing performa...

I always loved celluloid pictures. Maybe I was drawn in as a baby, while the 8mm camera whirred (and the handheld light blinded). Maybe it was being so thankful to my big brother for lending me a 35mm rangefinder and showing me how to use it at age 10. Might have been the Minolta-16 he gave me (as a graduation present?). What a sweet little 16 that is, and I’ve still got it. Can you get those cartridges now? I envied his Pentax Spotmatic as I shot 8mm motion pictures on the point and shoot family camera,...

 A lifelong hobby One of my lifelong hobbies is photography. I have been taking photographs since I was about 10 years old when I was given an old Kodak folding pocket camera that had belonged to an uncle, Bertrand Perrett, who was a professional photographer and painter in England. I learned to develop and print black-and-white film at school when I was a teenager back in the 1970s. The Slower Pace When digital photography came along I moved to that medium, but recently I’ve come back to film aga...

ILFORD PHOTO offer an extensive range of black & white photographic paper. A photographer's choice of paper is a subjective decision based on personal tastes and preferences. It can also be impacted by the type of images you shoot and the final look you want to achieve. Papers all have different characteristics and purposes and so this guide will walk you through the terminology and choices available to help you pick the perfect paper for your darkroom printing. Base: Resin coated versus Fibre base...

Choosing Photo Chemicals We have a range of photo chemicals for printing/processing all of our resin coated and fibre base papers in trays/dishes as well as in processing machines. If you are new to printing the choice could appear excessive yet each liquid or powder paper developer has its purpose or strengths. For an overview of the whole range and what they do we have pulled together an introductory overview. If you are a beginner* and wondering where to get started then read on. *While thi...

One of the best things about film photography is that the creative process doesn't end in the camera. Processing your images in a darkroom is not only great fun, but it also allows you to exercise complete creative control over the final look of your image. We cover some of the essentials needed to set up a darkroom in our beginner's guide and have also developed a series of short animations which cover essential darkroom equipment, darkroom safety tips as well as how an enlarger works. Below, we cov...

All ILFORD Inspires content has a common goal: To inspire people to try traditional analogue black and white photography by showcasing the power and potential of this highly creative medium. New York Silver Stories Working with the talented team at Exploredinary, this series features four short documentaries telling the stories of silver gelatin darkroom printers in New York City. The Bronx Documentary Center - Turning Negatives into Positives Founded by Michael Kamber, the BDC is a non-profit aimed at ...

HARMAN TECHNOLOGY LIMITED – PRIVACY NOTICE HARMAN technology Limited is committed to respecting the privacy of our customers and the users of our website ilfordphoto.com (the Website). This notice is to explain how we may use personal information we collect before, during and after your relationship with us. This notice also explains how we comply with the law on data protection and what your rights are. References to you, your and yourself in this privacy notice are to either you as an individual or...

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Welcome to the ILFORD PHOTO online store. Where you place an order via our website, these terms and conditions will apply to that order in addition to the general website terms of use and privacy policy. You should therefore read these terms carefully before you place your order as they explain your and our legal rights and also contain important information about our contract with you and how your order will be dealt with. If you have any questions, please contact us before you place your order by calli...

Introduction I’ve been a photographer for 35 years since I was 11 in fact when I first loaded my Zenith 11 with film and set off for a walk into the wilds of South Yorkshire. 20 years later I turned professional and as soon as digital became a viable option I traded in my Nikon F90x and Mamiya 645 pro for a Nikon digital kit. Digital was for me always a triumph of convenience over real quality in those early years and not much else. It wasn’t until Canon brought out the 5D series that I found myself ...

Zone focusing is arguably one of the quickest and most effective methods of focusing your camera. With a little forethought, practice and pre-visualisation of your shot, it's a method that can reduce problems like shutter lag. Ensure your images are sharp every time. And help you take photos more surreptitiously. It doesn't rely on automation and, in most cases can be put into practice before you've brought the camera to your eye. I believe it's a core skill and a method that everyone who takes photograp...

HARMAN Lab - The new name for ILFORD Lab Direct We have updated the name of our award winning Lab service to HARMAN Lab. The new name reflects our desire to give more recognition to the "HARMAN*" brand, and presents opportunities to further broaden our lab service offerings in the future. We still offer the same high-quality film processing and real Black and White prints as we've always done. Using ILFORD Photo Papers and Chemistry throughout. Operating from our factory site in Mobberley, C...

A black and white film community Since film is no longer the primary domain of professionals, it’s been adopted again in earnest by passionate individuals that produce legitimate work. In this age of instant gratification, infinite dynamic range, and auto-everything, it’s nice to rely on a predictable and high-quality medium. I shoot HP5+ almost exclusively. It’s everything I want in a black and white film. It’s flexible, widely available and fits right into my workflow. I’ve played both...

I’m Anil Mistry and I’m a photographer. I shoot a whole variety of work,  including headshots, documentary, portraits and personally initiated projects. Whatever interests me and helps me to improve my body of work. I’ve been asked to talk about an area of my photographic work that I have a real passion for. In my case, that's the capturing of street portraits. Why do I take street portraits? There’s two main reasons I do it, and I’ll try to go through them succinctly: It’s not easy ...

Sharing my skills I’ve recently started working as a lecturer on BTEC and HND photography courses at Swindon College. A job which I’m enjoying immensely.  Teaching was something I’d never considered before, until I started helping friends who were studying on the same BA Photography course as me.  I enjoyed helping them but most of all I enjoyed seeing them understand and use the skills that I’d shown them. I now teach mainly 16 – 20-year-olds, which is enormously satisfying. Watching thei...

Thank You Thank you to everybody that took the time to enter our #ilfordxmas competition this year. We're really looking forward to getting the finished Christmas cards back from our printer. There were so many images to choose from, and they ranged from traditional Christmas scenes to some that were a little more unusual. You can see the winning image and those that made the final shortlist here

#ilfordxmas Thank you to everybody that took the time to enter our #ilfordxmas competition this year. We're really looking forward to getting the finished Christmas cards back from our printer. There were so many images to choose from, and they ranged from traditional Christmas scenes to some that were a little more unusual. Those shown below are the ones that made our final shortlist. @chardy Christmas prep is off to a good start now that we have an awesome Christmas tree hat. #ilfordhp5 #ilford...

Mobberley, UK: 29th November 2017 HARMAN TECHNOLOGY APPOINTS NEW USA DISTRIBUTOR FOR ILFORD & KENTMERE RANGES HARMAN technology Ltd, the manufacturer of ILFORD photographic film, darkroom paper and chemicals, is delighted to announce the appointment of Roberts Distributors, LP as the new distributor of its products for the United States of America. The appointment marks the expansion of Roberts, a leading photographic retail and e-commerce company based in Indianapolis, into the photo distribut...

Road trip? This Spring three friends and I piled ourselves and a months worth of gear into a 29 foot RV, and hauled it, and 4 snowmobiles into the Chugach mountain range near Valdez, Alaska. During one month we drove roughly 10,000 miles, shot 30 rolls of film, broke 2 snow machines, destroyed a few pairs of skis, and between the four of us broke the world record for hotdogs consumed (unconfirmed). It was challenging at times, but if we’d wanted an easy trip we would never have come this far north...

It is my opinion that some photographers mistakenly regard ILFORD HP5 PLUS and its predecessors to be a somewhat cheaper, lower quality response to Kodak’s Tri-X. I hope to demonstrate in this review that this assumption simply isn’t the case. There’s much more to HP5 PLUS than meets the eye – something that regular shooters of this film will be more than aware of (you folks can leave now, nothing new here). For those of you who haven’t shot this film before, this review will give you my tak...

Tree #8 Technical info: Film Used: Ilford FP4 Format: 6x7 Camera: Mamiya 7ii Lens: 43mm Exposure time: 3 min Other equipment: Lee Filter holder, Lee 4 stop nd, Lee Red #25 filter, B&W 105mm Polarizer, Gitzo Tiopod, Acratech Ballhead. Location: Zion National Park Tell us the story behind this image. What inspired you to shoot it? A couple good friends of mine who know Zion quite well introduced me to this fantastic little tree last Fall. The tree is about 9 feet tall and high up on a ridge ...

Heading West Last September my family and I headed west. It had been a few years since we’d visited the West Country, we had come to love it when our family was young, and now that they were grown we decided to return to see if it still has a special place in our hearts. While my teenagers packed their essentials - clothes and iPhones, and my other half packed enough books to keep a large reading group going, I set about doing the important task of packing my camera equipment. My focus was on which...

Quality, consistency and value We have always been proud of the quality, consistency and value offered by our Kentmere range of black & white films. However, following the recent redesign of our ILFORD film packaging earlier this year we noticed that the Kentmere brand and packaging was looking a little old school (but not in a cool, retro way)! We felt it was time for Kentmere to step out of the shadows and be recognised for the excellent films that they are and so we are pleased to show ...

Beginnings I came to analog photography late. I enjoy being able to feel the film and create with my hands, and the suspense of not knowing how the final shots look until you develop the film. Shooting film changes the style of how I work.  I take less pictures and think more. It is more immersive, I have more time to feel their characters, their experiences. I shoot all my projects in medium format film.  I do use digital, but only for commercial photography or for working on reports. Materials ag...

Thank you In 2018, we invited the global analogue film photography community to take part in our latest film users survey. The survey, which attracted 2100 participants when it was last conducted in 2014, grew to over 6,800 participants from 100 countries this time around.  This was largely due to the help received from the fantastic film community in sharing it far and wide on social media, blogs and forums, so thank you. While many of the results are in line with the growth seen since the re-emergenc...

A beautiful and inspiring place Last year (2018) I was introduced to the Bale Mountains, a part of Ethiopia I had never seen before. Surprisingly, in the 8 years I have been traveling to Ethiopia, I have only recently begun discovering the many treasures this country holds. The Bale Mountains of southeastern Ethiopia is a truly beautiful and inspiring place with rich biodiversity and stunning geography. Bale Mountains National Park (BMNP) sits about 400km from the capital of Addis Ababa. Within the park ar...

Towards the end of 2018 I was reviewing some of my Autumn film photography and feeling put off by the results. I've been working with film for some now in an effort to take advantage of the superior dynamic range. And, when shooting in strongly backlit scenes to move away from silhouettes and ambiguity and towards a more controlled journalistic style. Shades of Autumn I found that because of the diffused cloudy conditions in London I was struggling with my exposures and the overall look of my images. T...

ILFORD PHOTO’s annual student competition has once again unearthed some incredible talent from within the UK’s schools, colleges and universities.  In the competition’s 9th year students were tasked with creating a black & white image that encapsulates an inspiring line from a book, film, poem, quote or song. The image had to be shot on ILFORD or Kentmere film and printed by themselves in a darkroom. And the winner is... With over 630 prints received from 40 different colleges, this is the ...

Spirit of the mountain Spirit of the Mountains ©Darnell Wu Technical info： Film Used：ILFORD HP5 PLUS 400 Format：4 x 10 inch Camera ：CHAMONIX 4*10 N2 Lens ：SINARON S 72° f=300mm Exposure time：1/2S Other equipment：COKIN red filter with SEKONIC 508 light meter with tripod. Location：Minya Konka, Yaha nek, Sichuan Range Firstly, tell us the story behind this image. What inspired you to shoot it? I was still in the first year of high school when I shot this and needed to ask for...

ILFORD PHOTO ULF, CUSTOM & SPECIALIST FILM MANUFACTURE 2019 This year marks the 140th anniversary of the original ILFORD company which was founded by Alfred Harman in 1879. It is also the 14th consecutive year that HARMAN technology has offered their ULF and custom film manufacturing window, giving film photographers the opportunity to place orders for a range of specialist film products and formats. “We’re committed to supporting the film community and this includes photographers who use and ...

I had just stepped out of the subway station when my cell phone rang. It was my father. “I saw on the news that there are protesters gathering in Manhattan over the grand jury decision. Be careful getting home.”  “OK, Dad. Thanks for letting me know. I’ll be careful.” I put my phone back in my pocket, reached for my cameras and felt the weight of them on my neck as I slipped their straps over my head. I adjusted my camera bag on my hip, turned the collar up on my old green army jacket, and took ...

In the summer of 2017 my friends, novice climbers, asked me to climb Elbrus with them. This is the highest mountain peak in Russia and Europe. The idea sounded great, especially because I have loved mountains since my childhood. But my campaign plan immediately included a large-format camera, with which I have been travelling for many years (mostly, of course, by car with a camera in the trunk). For a while I wondered if I should take a big camera with me too. Would it be better to take a Hasselblad? But...

Chris Cheetham has recently carried out a photographic project for the Empordàlia wine cooperative, situated in the beautiful, mountainous region of Catalonia. Capturing Wine Making Equipment on Ilford HP5 Film Rustic Detail The project was inspired when Chris was purchasing a bottle of wine from the wine cooperative “Empordàlia” and saw all of the old wine making equipment at the back of the room. He thought the intricate detail of the rustic machinery would make a great photographic project us...

A belated happy new year to you all.  We let you settle back in to the year and gave you some time to get out and about with your cameras before setting our first #ilfordphoto #fridayfavourites them of the year which was #shotin2020. Thank you to everybody that shared with us., both for this them and in general on our social channels. We really do enjoy seeing what you create with our products. @TimGander Salisbury Plain - Jan 2020. #IlfordDelta400, Ilfotec DD-X #ilfordphoto #fridayfavourites #shoti...

The Photography Show 14-17 March There's not long to go until this years Photography Show at the NEC in Birmingham and it's going to be a great one. (If we do say so ourselves)! There is going to be a far greater analogue / film presence at the show this year as the organisers have agreed to the inclusion of a dedicated ‘Analogue Spotlight’ area which will include some pods for smaller brands and a spotlight speaker area for those brands to do demos. Come and see us! We will be there on stand B93 ...

Our #ilfordphoto #fridayfavourites theme for this week is #happiness. It's been a strange week and we hope you are all well and managing to stay creative and sane in these unusual times. Remember we're asking you to stockpile #filmrollsnotloorolls We wanted to fill our feed with images to make people smile this week and as usual you have all been amazing. Thank you to everybody that shared. ian_onahillroad The #birthdaygirl #ilfordphoto #fridayfavourites#happiness #ilfordfilm #delta400 #analog6x6 #me...

We recently had the pleasure of turning the tables on one of the stalwarts of the film photography community when we asked Em if he'd be the first of our interviews in the 'Lockdown Sessions'.  We're so glad that he agreed. What made you set up Emulsive.org and what were your initial plans for it? My-first-roll...-Of-35mm-film-Fuji-Superia-X-TRA-400-by-EMULSIVE EMULSIVE started as an idea in early 2015. I thought I should put up a blog where I could post a few photos and blog about stuff that I'd lea...

For the second of our Lockdown Session interviews we cornered another well known face in the film community, Hamish Gill. (We're just glad he could fit us into his hectic schedule)! Section 1 - The Beginning Share your favourite image / print shot on ILFORD film and tell us what it means to you? Image by Hamish Gill shot on HP5+ That’s a tricky question. The above image is the one that immediately came to mind. I don’t darkroom print myself, but I did print at a workshop at AG Photographic a few ...

We've been following Dan Rubin's photography for a while now so were really pleased when he agreed to take part in our Lockdown Sessions. SECTION 1 - THE BEGINNING SHARE YOUR FAVOURITE IMAGE / PRINT SHOT ON ILFORD FILM AND TELL US WHAT IT MEANS TO YOU?   Shinagawa Station, Tokyo, 2016. Ilford HP5+ @ 400, Leica M6, Summicron-M 50/2 (Scanned by Canadian Film Lab) This was my first full day in Tokyo, on my first visit to Japan in 2016. The memory of wandering through the station during rush hour...

Early Experiements Many, many years ago I experimented with uprating HP5, I was a student and it fitted the look I was after at the time. In those days, information was difficult to find and I relied on advice from friends. As a student, the mysteries of film and processing were fascinating and strange. I tried all sorts of things, but didn’t know what was really going on. I knew that uprating meant setting a higher speed (ASA in those days) on your light meter and then giving it a longer development tim...

We first met Ray nearly 2 years ago when he agreed to be part of our 'Legends of Skateboarding' ILFORD Inspires YouTube series. We were blown away by not only his talent as a musician, photographer and artist but also his genuine humility as a person. He was one of the first people that we reached out to, to take part in the Lockdown Sessions and we were so pleased when he agreed. Read on to find out how he has been spending his time. SECTION 1 - THE BEGINNING SHARE YOUR FAVOURITE IMAGE / PRINT SHOT ON...

This week for our 9th Lockdown Session we spoke to Ashley Carr, who you may remember was nominated by Hamish Gill in week two. Ashley is a well know member of the film community and is always happy to share his thoughts and experience. SECTION 1 - THE BEGINNING SHARE YOUR FAVOURITE IMAGE / PRINT SHOT ON ILFORD FILM AND TELL US WHAT IT MEANS TO YOU? ©-Ashley-Carr-2016,-Nikon-F3,-PC-Nikkor-35mm-shift,-HP5-@-EI-200,-Ilfotec-HC It was very difficult to choose a single favourite image! I think this photo...

We all have a favourite place that we head to when we have the chance to escape for a while. For this week's #ilfordphoto #fridayfavourites #escapewithfilm film theme we asked you to share images of yours. @thoobill  This is near Mudgee, central west New South Wales. A wine growing region with clear night skies. Our trip was postponed earlier this year. Can’t wait to go back. FP4 plus. Maxxum 5 + Rokkor MD 35/1.8. #ilfordphoto #fridayfavourites #escapewithfilm #shootfilmbenice #believeinfilm  ...

Balance Like many photographers these days, I balance a busy day job alongside a family life. I try to be good a community member, share my thoughts and experiences and sometimes, perhaps, inspire one or two. In the background I have long held an aspiration to become a successful professional photographer, something i'm still working towards. Like all of us I suspect, finding something to focus on, photographically, can be a challenge when life is so busy. The majority of my casual photography currently...

I don't think it will be long before we need to change the title of this series! We really hope that you are enjoying finding out more about some of the members of our community. This week, for our 11th interview, we have Simon King. He is probably best know for is street photography and teaches short course on it at UAL. SECTION 1 - THE BEGINNING SHARE YOUR FAVOURITE IMAGE / PRINT SHOT ON ILFORD FILM AND TELL US WHAT IT MEANS TO YOU? I really find it difficult choosing favourites, so I have to give a bi...

In our 14th and possibly final Lockdown Session (before we move to a new format), we are bringing you Kit Young who was nominated by Ashley Carr back in week 9. We've followed Kit for a while on Instagram. He's a fantastic darkroom printer and is always happy to share how get gets to the finished prints from his negatives. SECTION 1 - THE BEGINNING SHARE YOUR FAVOURITE IMAGE / PRINT SHOT ON ILFORD FILM AND TELL US WHAT IT MEANS TO YOU? There are a lot, so I’ll pick this relatively recent print o...

We have loved finding out more about photographers in our community over the last 3 months in our Lockdown Sessions and hope that you have too. As we move towards less restrictions here in the UK, we felt it was also time for a new focus (sorry).  So we are launching the new series 'In Focus' this week by interviewing professional portrait photographer Craig Fleming. Background Share your favourite image / print shot on ILFORD film and tell us what it means to you? I love this shot that I took it...

We taking a closer look at Brett Hillyard this week who was nominated by Robbie Jeffers in our Lockdown Sessions back in week 12. BACKGROUND Share your favourite image / print shot on ILFORD film and tell us what it means to you? One of my favorite images over the last couple weeks is from a portrait session I had with Jeff Yokoyama. He goes by“Yoki” and his retail store “YokiShop” is located in Newport Beach. His shop is filled with eclectic art and cool custom clothes that he designs in the bac...

For interview number 18 in our Lockdown Sessions / In Focus series we are delighted to introduce you to Shima Rastin, a passionate film photographer from Iran. BACKGROUND SHARE YOUR FAVOURITE IMAGE / PRINT SHOT ON ILFORD FILM AND TELL US WHAT IT MEANS TO YOU? © Shima Rastin, Ilford FP4, Hasselblad 501C, Lavasan, Iran If we have not confronted the Covid-19 pandemic, and this question was asked before this era, it was probably a hard choice to make. Although, now that I experienced such an idiosyncrat...

Lina Bessonova is a passionate film photographer and darkroom printer. She shares her love of photography and printing on her popular YouTube channel as well as through workshops and lectures. One of her recent videos shows how easy setting up a darkroom can be in a small space. BACKGROUND SHARE YOUR FAVOURITE IMAGE / PRINT SHOT ON ILFORD FILM AND TELL US WHAT IT MEANS TO YOU? This image is from my very first roll of 120 film (Delta 100). The other 11 frames are average beginner pictures which make one h...

Our DELTA Professional films have a different grain structure than our more traditional PLUS range giving them exceptional sharpness and a cleaner look when correctly exposed. This week's #ilfordphoto #fridayfavourites theme focused on the middle film in this range with images #shotondelta400. @paulasmithphoto Devils Marbles, Australia. For this weeks #ilfordphoto #fridayfavourites theme #shotondelta400 #believeinfilm #blackandwhitephotography thewarneraesthetic January 24th, 2020 Mamiya 7ii, Ilford...

Better know by his Instagram handle @bostonemulsion and nominated by Tyley Bervy back in July. We've been looking forward to sharing the 21st interview in our In Focus (previously Lockdown Sessions) series.featuring Phil W. Background Share your favourite image / print shot on ILFORD film and tell us what it means to you? This is image was shot on HP5+. It’s an earlier image in my film journey but this day in particular was a turning point when things really started to click as I was developing a metho...

Infamous on Twitter for his enjoyment of biscuits as well as being a well known name in the film photography community, this week we talk to Sandeep Sumal for our 22nd interview in this series. Background Share your favourite image / print shot on ILFORD film and tell us what it means to you? This shot was taken in Covent Garden, London back in 2016.  I had just recently started my film photography hobby.  It was an art installation and it was there over the Christmas period.  My early photos were a r...

Interview 23 is with Michael Weitzman. A film photographer, darkroom teacher and alternate and experimental process enthusiast. Michael was nominated back in June by Brett Hillyard. BACKGROUND SHARE YOUR FAVOURITE IMAGE / PRINT SHOT ON ILFORD FILM AND TELL US WHAT IT MEANS TO YOU? Northern Line. This photograph shouldn’t have happened, but I wanted to shoot in extreme conditions. It was 5 or 10 below zero with 15 - 20 MPH wind off the Missouri River in Great Falls Montana dead of winter. I came up to ...

It's been over 6 months since we launched our first Lockdown Session and in that time we've spoken to many fantastic photographers and darkroom printers. Continuing in that vein, we're thrilled to share this week's In Focus interview with Nashville based, music and portrait photographer Laura E Partain. Background Share your favourite image / print shot on ILFORD film and tell us what it means to you. This photograph is now about 5 years old and I’ve shot many, many images on Ilford films since. Howeve...

As well as being a photographer and darkroom printer, our 27th 'In Focus' interviewee Max Bedov also custom makes darkroom equipment based on his years of experience. Background Share your favourite image / print shot on ILFORD film and tell us what it means to you? This frame was taken in Provence on Ilford film Delta400 exposed as 640. Generally I am not keen on an astrophotography but this particular shot is very memorable to me for a several  reasons. 2016 -Alpa SWA 6x9 -DELTA 400 -Provence - MG...

A bit of history I am now 51 years old and have been faithfully using ILFORD film since first being handed an ILFORD Sport 120 roll film camera from my father. He had used it during National Service in the army in the 1950s and I used it from age 8 onwards and which is what I learnt with. Throughout my professional photography career over the last 18 years, I have regularly used ILFORD film - HP5 Plus, FP4, Delta 100, 400 and 3200 and XP2 Super. Subsequent cameras have ranged from the ILFORD Sport to 35 mm...

The last days of Summer As the last days of summer drew to a close I worried about the stock of low ISO films I'd accumulated. As much as I’ve enjoyed my film only ventures over the last year I do worry about the availability of light in London where I do the vast majority of my shooting. Due to limited storage space I can only commit to shooting so many rolls at once, and with the long, bright days diminishing I needed to make sure I had room for as many 400 speed films for pushing (HP5+ & Delta 400...

Trees have always been a popular subject for black and white film photographers. For this week's #ilfordphoto #fridayfavourites we took advantage of that and set you the theme of #treesonfilm. poloczanski_mikolaj RyteI #hasselbladxpan #xpan #monovisions #monovisionsawards #ilfordphoto #ilfordxp2  #fridayfavourites #ilfordphotopl #friendsinbnw #landscapephotography #treesonfilm   @imkierandoherty Bizarrely was just given 2 x 5 metre bulk tins of Ilford HP3 Panchromatic. It expired in May 197...

My default Choice Colour photography has been my default choice for a long time. It is how my eyes see the world, it’s what catches my attention, and it’s what brought my back to film photography. My first roll in 2018 was a roll of Lomography 400 shot on a week long holiday in Madrid, Spain. The scans that came back from my local lab had me transfixed. I couldn’t tear my eyes away from the vibrancy of the reds and yellows. They popped so brightly against the grey and brown of the city in winter. I w...

An Unexpected Love My love for Iceland was born unexpectedly, I absolutely didn’t see it coming and it washed over me like a tidal wave in a monsoon.  We were planning a holiday of a lifetime. Somewhere with beautiful scenery to photograph, that was the only stipulation. It was more of an exploring holiday rather than the usual beach holiday we were used to. Countries were thrown in the ring, I really wanted to go to Sweden and my husband threw in Iceland. It’s like I didn’t even know it existed ...

In this blog article, Kit Young provides insight into his latest book, Where the Rain Clouds Gather (OD Books) , which was made entirely from scanning hand-made silver gelatin prints. The Concept At times the past year has raced past in a haze. Streets have emptied and we have retreated to our cocoons. Cooped up. Waiting for the storm raging outside to subside. The images in Where the Rain Clouds Gather, my second publication, appear as if from a dream state. Moments in time, brought to life in the dark...

One of the things that we're regularly told by the film and darkroom community is how you love hearing about the human side of our business. In this series of 'Behind the Film' interviews we're going to help you to find out a little more about the faces behind the film. Introduction Who are you? What’s your job title HARMAN technology and how long have you worked here? My name is James Cooper, and I am employed as a Scientist Grade 2 in the TQM/R&D department at HARMAN Technology. I Joined in Nove...

One of the things that we're enjoying about this series is that it lets us find out more about the photographers that you follow and are interested in. This week's interviewee Chris Garner, was nominated by Joseph Patrick, who in turn was nominated by Laura E Partain. Who's nomination came from Sandy Phimester. Section 1 - Background Share your favourite image / print shot on ILFORD film and tell us what it means to you? My favorite image I have made so far would have to be this image. I made it while I ...

We're letting you back behind the film again to meet some of the passionate people who are part of making the products that you love. This time we talk to Becky and she shares some of her film photography with us. INTRODUCTION Who are you? What’s your job title HARMAN technology and how long have you worked here? I’m Becky, an Apprentice Scientist and I’ve worked here for 2.5 years. Tell us a little about your day-to-day role.  I work in the lab prepping formulations, carrying out raw material r...

The first roll It is January 31st, 2020. I’ve arrived in London to document the events surrounding the UK leaving the EU. Many groups were converging on Parliament Square for this historic day. My usual workflow was interrupted when fellow documentary photographer Simon King called me aside and handed me a Nikon FG, 55mm f/3.5, and a roll of Kentmere 400. This was the first roll of film I’d exposed in my life. Unaccustomed to the mechanical redundancies and psychological immediacy that film offers, ...

In week three of our behind the film series we're heading to our technical department to meet our Technical Service Manager Neil Hibbs. Who are you? What’s your job title HARMAN technology and how long have you worked here? Neil Hibbs – Technical and Lab Services manager Tell us a little about your day to day role. I manage a small team offering technical product support, both internally (to manufacturing and marketing functions) and externally to our worldwide customer base. I also set-up the Ha...

Earlier this year in our interview with Walter Rothwell, he nominated Kris to take part in this series. We're so glad that he did. Enjoy! Section 1 - Background Share your favourite image / print shot on ILFORD film and tell us what it means to you? One of my recent favourite images is this portrait of 3 young men taken on the streets of Birmingham UK. It was one of the first outings in the city post-lockdown and I wanted to really get back into a stride with my personal photography on the streets. With ...

A scene that screams colour Have you ever been out with your camera, loaded with your favourite black and white film stock and found a scene that screams to be shot it colour? Of course you have, we have all been there! Today I am going to introduce you to a new 150 year old process called Trichromy also known as the three colour process or more recently Trichromes (by Jasper Fforde). As with all early photographic techniques it's difficult to say who coined the process first as there were many people w...

Interview number four in our Behind the Film series is with International Sales Manager and relative film newbie Alex Hancock. Who are you? What’s your job title HARMAN technology and how long have you worked here? I am Alex Hancock and my role is International Account Manager. I've been with HARMAN for 3 years now. Tell us a little about your day to day role. My role is to support our international partners who manage the brand and sales in countries around the world. I work directly with all of thei...

Cabin Fever Tired of COVID 'cabin fever'  I needed to get out shooting so I concocted  a mission to shoot a total of 36 acceptable shots in a 2 day time frame.  Day one would be 12 6x6's and the second would be 35mm for 24 shots... fingers crossed. I decided to shoot b&w film.  This would not have been my choice a few years ago but the plethora of  digital imagery has turned me off to the point where I'm re appreciating the disciplined 'analogue' mind set. I just flat out love and respect the w...

We hope that you are enjoying learning more about some of the film shooters that we have working here at HARMAN. This week's interviewee (our 5th) is our MarComms Manager Matt Parry. We think he has a bit of GAS (gear acquisition syndrome) what do you think? Who are you? What is your job title at HARMAN technology and how long have you worked here? My name is Matt Parry and I’ve been the Marketing Communications Manager at HARMAN technology since June 2016. Tell us a little about your day-to-day role. ...

I like to press the shutter and I take a lot of black and white photos simply because I like it. These black and whites I take on Ilford materials. My favorite negative is xp2 super, I also use Delta 100 and 3200, but rarely. Why ILFORD XP2 Super? I am a hydro engineer by profession - I traveled a lot, spent a lot of time away from home, so carrying a tank, chemicals, thermometer, bottles, containers, etc. with me was a bit troublesome. Never I needed to organize my home dark-room. But actually, now I sta...

It's strange how sometimes the simplest of themes can produce the most amazing images. We have seen so many great shots for this week's #ilfordphoto #fridayfavourites #concretefilm theme. Thank you so much for taking the time to share them. faz.io allied pinnacle  #pentax67ii #ilforddelta400 #fridayfavourites #concretefilm #bnwphoto #bnwphotographer #ilforddelta #mediumformat   poloczanski_mikolaj M93 #hasselbladxpan #xpan #monovisions #a1 #ilford #ilfordfilm #ilfordphoto #ilfordxp2 #ilford...

SECTION 1 - BACKGROUND SHARE YOUR FAVOURITE IMAGE / PRINT SHOT ON ILFORD FILM AND TELL US WHAT IT MEANS TO YOU? I have many beautiful prints from an Ilford negative. One Ilford film that always interests me is the Ortho 80. Being less sensitive in the reds it renders reds as dark or sometimes black giving interesting results. This is a print of a light switch in my home. The light was casting an interesting shadow across the wall. The black area is a shadow from a picture frame. It’s so simple but I jus...

Crombie McNeill has been shooting film for longer than some of us have been around, and his story is fascinating which makes him the perfect interviewee for our 45th In Focus interview. Share your favourite image / print shot on ILFORD film and tell us what it means to you? Shot way back in the early 70's. By happen chance I discovered this fishing dory beached on Newfoundland's Eastern coast. I very much like this shot, and even more so because I was on my very first major assignment. Twenty thre...

One of the aspects that took me perhaps the longest to understand about black and white film photography - but, which turned out to have the most impact on my visual style – is that exposure is simply not real in any meaningful way. “Correct” exposure is incredibly subjective, especially true for high contrast lighting conditions where either the shadows or highlights can be exposed for in order to achieve a dramatic scene. I think there is a greater expectation for colour film to be a representati...

When an image that we share or re-gram gets a lot of interest, we like to get in touch with the photographer and find out a little more about the process that went into creating it. Le Lac du Brévent Technical info Film Used Ilford XP2 Format 135 35mm Camera       Olympus OM-10 Lens Zuikon 35mm f2.8 Exposure time I don’t really remember, I think it was something like f8 at 1/250 or 1/500 Location Lac du Brévent, Chamonix-Mon-Blanc, Savoie, Alpes, FRANCE   Firstly, tell us...

This week for our 46th In Focus interview we are talking to Clara Araujo. A fine art photographer from Brazil whose images explore the dualities and other aspects of the human psyche. Section 1 - Background Share your favourite image / print shot on ILFORD film and tell us what it means to you? It’s really hard to pick just one… but probably this self portrait: “The Birth Of Venus”, Body of Water series, 2020. ILFORD Hp5+ 400, Yashica Mat 124g. Just in case anyone doesn’t know who you are...

A well know part of the film photography community, especially on Twitter where she goes by @justgispy  We were thrilled when Margaret Fitzgerald agreed to be the subject of this week's In Focus interview. Section 1 Background Share your favourite image / print shot on ILFORD film and tell us what it means to you? I can't really say that any one photo I've taken over the years is my favourite, but this one is very memorable. Rolleiflex-TLR,-Ilford-HP5--Church-of-St.-Philibert,-Tournus,-Burgundy I...

One of three films in our DELTA Professional range. This week's #ilfordphoto #fridayfavourites theme takes a closer look at #35mmdelta400. @calor_gas_terry I don’t shoot #35mmdelta400 very often - I really should stock up Thumbs up taken on my Olympus Mju at the Weald & Downland museum in Singleton. #ilfordphoto #fridayfavourites makispekka Halloween, that direction #halloween #filmphotography #minoltadynax9 #ilforddelta400 #35mmdelta400 #ilfordphoto #fridayfavourites   @paulasmith...

A regular contributor to the film and analogue community and always helpful and encouraging to other photographers out there. This week's In Focus interview is with "photographer” Morag Perkins who, "just takes pictures". Section 1 - Background Share your favourite image / print shot on ILFORD film and tell us what it means to you? I’ve chosen this one because it’s represents a process that has been very special to me recently. Over the last 2 or 3 years I’ve found a way to use photography to ...

We first met Lucy Ridges a few years ago virtually via social media and then in person at The Photography Show and have always admired her work. Her #MyFilmStory video gave us a bit more of a view into who she is and why she shoots film and this In Focus interview builds on that. Section 1 - Background Share your favourite image / print shot on ILFORD film and tell us what it means to you? This is one of my favourite shots from my most recent project, Water’s Edge, released earlier this year. It’s an...

We know that we love black and white film so asked you to show us a shot showing why you love it too for today's #ilfordphoto #friayfavourites #lovefilm theme. @jamestaylor403 #ilfordphoto #fridayfavourites #lovefilm #HP5  just love the whole process: load, shoot, develop, print/scan. It's such a tactile, sensory and engaging process that I get something from it whatever the results. for this week's #ilfordphoto  #fridayfavourites #lovefilm theme.   @midtonegrey This is a phone pic, but he...

Allysse Riordan is our 58th In Focus interview. An image maker, writer, sound artist, and microadventurer (not necessarily in that order). Allysse's work takes us on a journey in a particular space and time, noticing the small details of life, meeting strangers, exploring new landscapes, and delving into their inner world Section 1 - Background Share your favourite image / print shot on ILFORD film and tell us what it means to you? It is difficult to choose one favourite image. They shift and change as ...

I have not ever owned a digital still photography camera; therefore, my entire life as a photographer centers on 25 years of loading & unloading film cameras, processing & developing film while embracing a love that taught me how to listen to the harmonious sounds of a darkroom. My volition to stay with film does not have anything to do with being against or disliking digital & everything to do with loving the process of film ever since I was a teenager. At the age of 44, this is a tangible pro...

Who are you? What’s your job title HARMAN technology and how long have you worked here? My name is Hannah Gross and I am one of the newest members of the team at HARMAN Technology. I started working here two months ago, and my job title is ‘Digital Marketing Assistant’. HP5 + Tell us a little about your day to day role. As I have been here for such a small amount of time, I am still learning and getting used to my day to day role. I work within a small team, mainly helping and assisting where n...

Six Weeks Ago It started six weeks ago. A Sinar Norma 4x5 Large Format Camera off eBay arrives and my paper negative journey begins. I had spent the previous weeks poring over the in-depth forums and articles on large format photography, now it was time to put it into practice. My first shoot was on ILFORD MGRC paper. I hastily sat a teddy bear on a table, pointed 2 x 400 watt Elinchrom strobes and a 400 watt continuous light and fired. So 1200 watts in total at 1/30 of a second, that should do it. Flas...

Introduction My name is Marjolein Martinot, and I’m a Dutch photographer, based in France. The prime focus of my photography is on everyday life: my immediate surroundings - family and friends, and the places & things that touch me. My work consists of personal (longterm) photo-projects, as well as commissions (portraiture, family, lifestyle and documentary). 'White Horses, 2020'. 'Girl on Slide', from Riverland. My Photographic Approach I’m quite sensitive to moods, with a tendency towar...

Small Fishing Village My Name is Austen Goldsmith I live on top of a hill on the outskirts of a small fishing Village in Cornwall. When a big storm approaches it means many things. It means I will have a bad nights sleep listening to the sound of the roof tiles rattling above my head. It also means that I will have a day off from my work as a fisherman. Most importantly it means I can pack a few rolls of film into my rucksack, figure out when the light will be best and what beach will have the best opportu...

Monika Danos is our 60th In Focus interview. When not taking care of daily life, her love for trees and gardens means that she can be found chasing shadows with her pinhole camera, or printing in the darkroom. Patterns and lines that are created by light and shadow influence her style of work. Photography and the cyanotype prints gives Monika the opportunity to share what she see's in nature and in her daily life. Section 1 - Background Share your favourite image / print shot on ILFORD film and tell us wh...

The theme for this weeks #ilfordphoto #fridayfavourites was #developedbyme. There is no better feeling than knowing you developed it yourself, truly a game changer. Have a look at this weeks submissions. @TassieFilm Replying to @ILFORDPhoto #ilfordphoto #fridayfavourites #developedbyme Leica IIIf (1952); Leitz 3.5cm Elmar f/3.5 (1939, un-coated); Ilford FP4 Plus 35mm black & white negative; Exp: 2-4 sec @ f/9; ID-11 1 + 3 20C/22m. #Tasmania #MountFieldNationalPark #Wilderness #Waterfall #blackandwhi...

For our 12th Behind The Film interview, we speak to Jonathan Osborn who is one of our scientists here at ILFORD. Who are you? What’s your job title HARMAN technology and how long have you worked here? My name is Jonathan Osborn and I am a Scientist at Harman.  I am currently in my 25th year working at ILFORD.  (Where did that time go!) Tell us a little about your day to day role. Predominantly I have worked on the photographic paper side as the lead scientist on the development of the fantastic new ...

4th of July weekend It all started with a single roll of 120 ILFORD HP5+ film and a Rolleiflex 3.5F over the Independence Day weekend which fell on a Monday this year. It was the Friday of that long holiday weekend and I loaded the roll of film in the Rolleiflex and took the camera for a ride to McIntosh Lake in Longmont Colorado (USA) in the hopes of finding worthwhile photo subjects. My goal was to find street portraits and storytelling photographs. What it became over the next ten weeks is the Longmo...

We gave you another complex theme for this week's #ilfordphoto #fridayfavourites. We wanted to see your most creative film pics, as the theme was #experimentalfilm.   @filmfarkus Eight exposures on one frame of Ilford Delta 100. Mamiya C33. 80mm f2.8. #ilfordphoto #fridayfavourites #experimentalfilm @apkeedle Replying to @ILFORDPhoto My latest experiments. Multiple exposures with a Holga Pan with HP5 in the City #holga #ilfordphoto #fridayfavourites #experimentalfilm ...

Some of the reasons that make me want to come back every year Barcelona has undoubtedly become one of my favorite destinations to visit during spring. Its perfect Mediterranean weather, the skate sessions with my friends at some of the best skate spots in the world, the long walks around the city photographing its streets and architecture, the launches of new exhibitions in different galleries, its gastronomy, and of course, the concerts and festivals that take place during that time, such as the Primavera...

The year 2000 The first time I photographed skateboarding was in the year 2000, following around a boy I liked with a disposable camera. My equipment and film stocks have gotten better over the last two decades, and my girlhood crush has been replaced by a deep passion for capturing the unique poses of skateboarders and their culture and community. Dancer suspended in space I don’t know the names of most of the tricks the skaters I photograph are attempting. I’m half-listening when someone tries to...

Whether intentional using filters, (or a smear of vaseline), or by accident, soft focus images all have a certain 'feel' to them. It was this that we asked you to share for this week's #ilfordphoto #fridayfavourites #softfocus theme. It was a popular theme with a lot of entries which we've enjoyed looking through this morning. A huge thank you to everyone who shared their images. Our favourites are below. @LaurensWillis Perhaps a pinhole image for #ilfordphoto #fridayfavourites #softfocus ? Zero 45 w...

#orangefilter is the perfect match for black and white film, giving bold contrast between the sky and clouds. This is what we wanted to see for this week's #ilfordphoto #fridayfavourites. @DaaRealBoot I'm getting this one in early: Nikon FM2n, Nikkor 35mm f/2 AI-S, orange 56 filter, Ilford HP5+ (expired 2009, shot and developed at box speed 6/2022), XTOL 1:1 for 7:07 at 77°F. #ilfordphoto #fridayfavourites #orangefilter   @davejsherwood The Tate Modern in London, shot on @ILFORDPhoto #HP5 w...

Portrayal Of Musicians I’m not sure which came first, my love of photography or my love of music. Growing up in the Boston area, I was fortunate to be immersed in both. Whether it be standing in awe at the beauty of Alfred Steiglitz’s work on display at Boston’s Museum of Fine Arts or being immersed in the local music scene, spending time with the likes of Bonnie Raitt or Aerosmith, these two passions seemed to run in parallel for me. As time progressed my photography, and music connections led me...

Abstract Concepts Often times, I come up with ethereal and abstract concepts for my artwork. However, I noticed that my techniques and skills in the darkroom did not match up to my artistic output. Which is such a shame. I wanted to do something about it. It is like having the urge to do a back flip but not having the progressed workouts to help you get there. My name is Zain Al Khalifa, I use film photography as a base for my artwork. I like darkroom printing and I wanted to share an experience with yo...

Our 66th In Focus interview is with Danish photographer Lea Elm who is a writer living in England. Find out why analogue and instant camera's became an epiphany within Lea's work. Section 1 - Background Share your favourite image / print shot on ILFORD film and tell us what it means to you? World - Museum -Liverpool - 2019 - HP5+ It was hard to pick just one but I decided on this one taken in 2019 on my first, and so far only, trip to Liverpool. Rachel Brewster-Wright (of @LittleVintagePhotography)...

We thought it would be a great chance to chat with Ben Hawkins & Liza Kanaeva-Hunsicker about their book 'Shooting Film'. This book is a beginner-friendly book which introduces curious individuals to the world of analogue photography. A little bit about yourself Liza: My name is Liza Kanaeva-Hunsicker, I was born and raised in Moscow, got my Bachelor’s degree in California and have been living and working in NYC for the past 11 years. I’m a multidisciplinary artist working primarily in photography...

Wednesday Afternoon I remember the message on Instagram from Clare one wet Wednesday afternoon whilst I was halfway through my maternity leave… “Julie & I are getting married on Sunday, any chance you’re free?!” I was absolutely thrilled to get to shoot Clare & Julie’s wedding day and knew they’d make it absolutely their own. They had just 4 guests (their two best friends and their two sisters) and it was such a special and beautifully intimate day. The Most Loving Ceremonies Alth...

'What are you doing?' After 25 years it still catches me off guard. Because my work happens in public spaces, the answer comes often and without pause. Men walking by the scene will change direction and make their way to within a meter of my tripod. While to me it is evidently clear, to the viewers it is understandably strange. For my portraits of girls in rural India, this is supremely true. To set the scene, we are using medium format gear mounted on a tripod, speaking with the children being photographe...

Bombay Beach In 2011 I was living in San Francisco,CA making my way through a graduate program in Photography. Working on my thesis afforded me the opportunity to venture around the state of California. I traveled a lot. I went to the top of the state, the far corners, all over really. On one trip, I drove down to the Salton Sea, an almost forgotten place south of Palm Springs and the Coachella valley. It was a fascinating adventure. I remember driving through Bombay Beach, one of the small remaining towns...

A Different View After the success of last year’s competition we again opened up entries to students from around the world. There were hundreds of prints entered, all shot on our ILFORD or Kentmere black and white films and printed in the darkroom by the students. The high quality of teaching from lecturers and educators was reflected by the difficulty that the judges had in choosing the winning image for this year’s theme of ‘A Different View’. Winner! As always, choosing the winner was not e...

Why pinhole photography? This is a question I’m often asked, by fellow photographers and complete strangers alike. Using a beautiful wooden Ondu camera, I began exploring the world of slow photography about five years ago. The moment I saw my first developed negatives I knew I’d found a glimpse of photographic heaven. This started my obsession with this ancient form of imaging. As you’ll see, my love of this medium has many facets – the creative possibilities, the look and even the image making pro...

Today's #ilfordphoto #fridayfavourites theme was #shotondelta100. We asked you to show us what you can do with our DELTA Professional range's slowest speed film. Take a look at our top picks for #shotondelta100: @peter_durst. While spring is here, ILFORD Delta 100 has long been a favourite of mine for taming the white and bright of winter. This is one of my favourites from winter ‘22/23. #ilfordphoto #fridayfavourites #shotondelta100? Voigtlander Bessa T?️Delta 100? The Yukon   @Readi...

Gosia Janik gives us the lowdown on how she captured this striking portrait. Image Title Xu Jing Technical Info Film Used ILFORD HP5+ Format Medium format 6x5 Camera Mamiya 645 AFD Lens Mamiya 80mm f2.8 Exposure time 1/60 Location Home/studio in Madrid Firstly, tell us the story behind this image. What inspired you to shoot it? I often work with “new faces” - models that are sent to me by agencies to shoot a session for building or renovating their portfolio. Xu was sent to me by...

I was personally really looking forward to today's #ilfordphoto #fridayfavourites theme of #madewithortho as its my favourite film in our range. As always you shared some fantastic and creative images with us. These are my favourites.@peter_durst For @ILFORDPhoto #fridayfavourites here is a photo of the Glacier Lagoon on Iceland’s ??Southern coast, #madewithortho on the Hasselblad w 80mm no filter. September 2021. #ilfordortho #believeinfilm   @PlantingCabbag1My friend Param at the Kolkata Bot...

What it’s like to be a penguin Possession Island is a rock in the Southern Indian ocean, about the size of the Scottish Isle of Rùm. It harbours a small French research station (a couple dozen people year round), and half a million seabirds. We have been monitoring King penguin populations there for the past decades: fascinating birds, King penguins. They may look clumsy on shore, but each of these little characters has been scouring through the wildest seas in the world, year in and year out, weatherin...

Brutal & Beautiful In June of 2022, I set out on a 3500 mile motorcycle trip with my close friend David Wright. We left from Los Angeles, CA with our end destination being Glacier National Park, searching for the space in-between life’s brutal & beautiful exploration of our short time upon this world. I personally have gone through life altering changes these past few years; death, a divorce, more death, the on going pandemic and having to confront life, loss and the overwhelming notion that time...

 A History on the Road In May of 2023, I loaded up the car and I headed off to the North Cascades. The freeway had just reopened after a long, icy winter. I was desperate to break out of my work routine and follow my creative pursuits. Growing up in the American Southwest I spent my childhood in the back of my father’s pick up on our family’s retreats. Being from a blue-collar middle class family, we were never going anywhere fancy. We made pilgrimages to Arkansas in my youth where abandoned and di...

Portraits Of Strangers I’ve always been fascinated with people on the street and how they carry themselves. Their faces, body language, the clothes they wear - everyone’s walking around with their own unique story, and I can’t help but be curious. I've spent a lot of time working with non-actors in commercials and documentaries, which has been a crash course in connecting with people quickly. It’s not your typical "stand here, do this" directing. It's about getting real people to open up in front o...

Sharing Our Experience One Day At A Time Boys is an arts project that has run for the past 3 years in Damien John Kelly House (DJK), a recovery community for men based in Liverpool 15. Offering a program of support based in the arts, sport and culture. We celebrate our community, explore individuality whilst documenting our personal growth and shared experience. Applying recovery values of willingness, honesty, and open mindedness within a creative setting. Marrying up the transferable benefits and lessons...

We are now heading to HARMAN Lab to speak to Charlie Hill , our 16th Behind the Film interview. Charlie works as a Photo Lab Technician here at HARMAN Technology. Find out more about what his role entails. WHO ARE YOU? WHAT’S YOUR JOB TITLE AT HARMAN TECHNOLOGY AND HOW LONG HAVE YOU WORKED HERE? My name is Charlie Hill, I have worked as a Photo Lab Technician since April 2023. TELL US A LITTLE ABOUT YOUR DAY TO DAY ROLE. My day-to-day role revolves around Harman Lab where we offer B&W and colou...

The Nod The rope is thick and heavy, and coated with resin applied to heat it up and make it sticky. The cowboy wraps this bullrope around his right hand and ties himself in. A thin leather glove protects him from burning his hand if the rope slips. He settles himself on the back of the 1500 pound Brahman bucking bull named Spooky Lukey, and Spooky Lukey hasn’t been ridden yet this season, or last year for that matter. When he’s set, he gives The Nod. The Nod starts off one of the greatest sequences in...

Meet Lindsey Campbell, the SHE manager at HARMAN Technology and our 17th featured guest in the 'Behind The Film' interview series. WHO ARE YOU? WHAT’S YOUR JOB TITLE HARMAN TECHNOLOGY AND HOW LONG HAVE YOU WORKED HERE? I’m Lindsey – the SHE (Safety, Health and Environment) Manager. I came to HARMAN in 2020, just before the pandemic hit, so have been here for four years. TELL US A LITTLE ABOUT YOUR DAY TO DAY ROLE. It’s something of a cliché, but every day really is different. There are day-to-d...

A 10 Day Journey After getting home from Scotland in April of 2023, I was left with a good problem – I had way too many images that I loved. A month before, I had taken my Fuji TX1 panoramic camera, and a bag full of ILFORD Delta 400 and 3200, and walked from Milngavie to Loch Ness, a roughly 156 mile route using the West Highland Way and the Great Glen Way. Nights were spent in tents, days were long and energizing, and photographic scenes seemed to be in no short supply at every bend in the trail. Disti...

Introducing our 75th In Focus interview and our analogue community grant winner, Federico Pestilli. Pestilli was born in Rome and became interested in documentary-style of photography, focusing on irony that unites people, places and symbols with each other. Section 1 - Background Share your favourite image / print shot on ILFORD film and tell us what it means to you? Heritage - Arianna - Cocullo, Italy - Pentax 67, 135mm lens - HP5+ This is an image of Arianna, a snake handler from the town of Cocul...

The Truth Is It is always with regret when I say that I never had a formal arts education. The truth is, growing up, I devalued the ability of taking a ‘decent’ picture along with whether I could kick a ball with my left foot (I can) or produce a winning back hand on the tennis court (I can’t). Photography was for holidays and special occasions and not much in between. In the days before social media and personal websites, a work colleague once asked me for printed copies of my photos after a trip to...

We caught up with the incredible Jane Meling to unveil the secrets behind her breathtaking panoramic landscape masterpiece! Join us as we unravel the secrets in our exclusive 'How I Got this Picture' series. Image Title River Of Light TECHNICAL INFO Film Used ILFORD FP4 Plus Format 120/617 Camera Linhof Technorama 617s III Lens Schneider 250mm Tele-Xenar Exposure time 1 second Other equipment Gitzo Explorer Tripod, Lee 100 red filter Location Ober Goms, Geschinen, Valais, Switzerland F...

Is a Photograph a Photograph if it Was Not Made with a Camera, Lens, or Negative? The ethereal color palette and expressionistic qualities of the work I have been making with ILFORD's photographic paper seemingly resemble the representations of light and color as seen in many landscape paintings (think J.M.W. Turner, Albert Bierstadt, Thomas Cole); however, the work in my on-going project, I Thought You Left / I Wish You Were Here, are lumen prints—a form of camera-less photography where objects or a neg...

The Dynamic There is something distinctly different about photographs of cities versus rural areas. The variations of negative space, the intensity of nature versus people, and the rhythm of light that exists in these places; all contribute to the dynamic of a photograph. Personal Goal Last March, I made a trip to Colorado and the Grand Canyon to visit two of my best friends. I went on this trip carrying more black and white film. My favourite ILFORD film is HP5+. It’s my personal goal to photograp...

I Instantly Fell In Love My photography journey began while I was studying graphic design. My course tutor handed me a camera & a roll of ILFORD HP5+, and sent me out, with no real brief, to ‘take some pictures’. Armed with a macro lens I roamed around the cities’ botanical gardens and became lost in a close-up world of symmetrical patterns, found in the plant life. When I returned, with my roll of film, to the photography department darkroom, I instantly fell in love with the process and the res...

Winning The Competition I was in Oracabessa, Jamaica when I won this competition. My rollerskating community back in London was spreading the word far and wide about this vote at skate rinks and events, and amongst their family members and colleagues. I virtually reached out to nearly every person I’d ever met, asking them to help me win ILFORD'S Community Grant of £500 worth of film and equipment. That experience really showed me the power of community. Ever since then, I’ve been making this project ...

It was the perfect film to learn with I’ve always loved shooting portraits, and the first medium format film I used was ILFORD HP5+, shooting portraits in high school with the Rolleiflex TLR that I still use today. It was the perfect film to learn with — forgiving and rewarding. When I started directing music videos in my 20s, I brought that Rollei to set to take press photos between set ups. Around the same time, I was working as Ava DuVernay’s director’s assistant on the Netflix series When They ...

My camera is a passport to a world of amazing discoveries My adventures began as a five year old. I started spending wondrous times with my dad in the quiet glow of his darkroom. I took great pride with my responsibility to gently rock the prints in the hypo tray. Ah, the sound of gurgling water and the warm orange glow from the safe lights. I was totally enthralled by seeing an image come alive in the developing tray...pure alchemy! It comes as no surprise when I say I frequently retreat to this magical z...

  Wilber (@ccs_wilber) wheelies down a hill in Medellin. BikeLife The first time I learned about Bikelife was at Parque Nacional, Bogotá’s most emblematic park. It was a Sunday and there must have been at least a hundred of them. They almost all fit the same profile: very young, baggy clothes, no helmet. A disproportionate number sported ‘El 7’, a kind of neo-mullet that’s popularity in Colombia predates the current mullet resurgence in the rest of the world. 12-o’clock wheelies...

On the Language of Photographs A photograph is so much more than just a photograph; it holds an entire language within it. Each photograph captures a unique world that exists only in that moment, preserving the memories of the people in it, and the experiences of the photographer pressing the shutter. Today, I want to reflect on my own work and how my favourite images have defined me as an artist. What messages do they share with the world? How have the tools I’ve used to create them shaped their unique ...

In this 'Behind The Film' interview, we head back to R&D to speak to Kieran Collings who joined the company in 2023. WHO ARE YOU? WHAT’S YOUR JOB TITLE HARMAN TECHNOLOGY AND HOW LONG HAVE YOU WORKED HERE? Hi my name is Kieran Collings, I am a Scientist II in the Research & Development department. I joined in August 2023 straight from University. TELL US A LITTLE ABOUT YOUR DAY TO DAY ROLE. I work in the early development team, specifically on sensitising dyes that are needed for the films to b...

Say Hello Few people feel comfortable striking up a conversation with a person they haven’t previously met. I refrain from using the word “stranger” because the way I see it, we’re all fellow humans, potential acquaintances, possible friends. And who says they’re any stranger than I am? After all, I’m the one going up to people I meet in public asking to make their portrait. A camera in hand really is a magical device that allows us to meet almost anyone, anywhere. To approach them. Say hello. ...

We're thrilled to launch our brand new 'Community Focus' series! In this series, we shine a spotlight on community darkrooms around the world, celebrating their contributions and exploring the stories behind these spaces. Our first interview in the series features Newport Film Lab from South Wales, a darkroom that began as a passion project and has since grown into something truly special. Section 1 - Background Let’s start easy. Tell us A little about the darkroom, what it’s called and how it started...

This week, for our 84th In Focus interview, we speak with Austrian photographer and writer Birgit Buchart, who made the move to New York City in 2018. SECTION 1 - BACKGROUND SHARE YOUR FAVOURITE IMAGE / PRINT SHOT ON ILFORD FILM AND TELL US WHAT IT MEANS TO YOU? In my early 20s, I spent a lot of time on the road with musicians, shooting a lot of concerts and festivals. And while they appreciated the documentation of the shows, I never truly loved the photos. To me it was not very interesting to photograp...

Our next Community Focus interview takes us to Berlin, where we had the opportunity to chat with Queer Analog Darkroom. They've created an inclusive space for individuals who face barriers to accessing knowledge about analog photography due to discrimination and marginalization, ensuring everyone has the opportunity to learn and create. SECTION 1 - BACKGROUND LET’S START EASY. TELL US A LITTLE ABOUT THE DARKROOM, WHAT IT’S CALLED AND HOW IT STARTED. Queer Analog Darkroom (QAD) - is a self-organized, ...

A Room in Barcelona by Tiffany Roubert: Capturing Intimacy on ILFORD Delta 3200 There’s something about film photography that forces you to be present. The tangible process, the limitations, the patience required, each frame becomes deliberate, considered. A little while ago, I shot a project called A Room in Barcelona, entirely on film. More precisely, entirely on ILFORD Delta 3200. The premise was simple: create intimacy with a total stranger in a confined space. No grand backdrops, no elaborate set de...

Best known as grainydays on YouTube, our next In Focus interview features Jason Kummerfeldt, who has been shooting film for seven years and shares his journey through photography, from the bad to the good. SECTION 1 - BACKGROUND SHARE YOUR FAVOURITE IMAGE / PRINT SHOT ON ILFORD FILM AND TELL US WHAT IT MEANS TO YOU? This image is one of my all time favorites and one of my own few pieces I have hanging up in my cramped no-wall-space apartment: I shot it on my Mamiya 7 on ILFORD XP2 if I remember co...

This week's #fridayfavourites seems to have come around quickly! We're not setting themes at the moment so any image shot on our products is eligible. Just ensure that you tag us @ilfordphoto and use #fridayfavourites along with telling us which of our films or papers you used. ‪@mikuldo.bsky.social‬  Wartka street. Gdańsk. Hasselblad xpan II+45/4; Ilford xp2super #ilfordphoto @ilfordphoto.bsky.social#fridayfavourites #ilfordxp2 #visitgdansk #Hasselbladxpan #xpan #analogpanorama #panophotos #shoot...

Push it to the limits A brand new film is a wonderful prospect in the current analogue photography marketplace, and I am always eager to discover what a modern emulsion, concocted in this decade, can bring to my documentary photography workflow. When Kentmere 200 was announced, I knew I had to time my first efforts carefully in order to have something more than street snaps and mundanity to show for it, to really push it to the limits of what I demand from the film stocks I have become used to. Versatil...

A Timeless Story This editorial came from a desire to tell a timeless story. Through mood and atmosphere, using the expressive tools of analog photography, I wanted to create a visual world that felt both intimate and slightly surreal.  One where the character and setting merged to suggest a narrative without spelling it out. Working with ILFORD FP4 Plus allowed me to craft this vision with precision and texture, embracing the constraints and beauty of natural light and medium format film. Each Frame M...

A black and white journey into the depths When I leave home for a day of diving, I always feel a mix of excitement and detachment. A moment alone at dawn, when everyone is still asleep, becomes a kind of quiet ritual: methodically packing my gear, performing last checks, loading film and setting off towards a world apart. My photography was born from a simple desire: to share those moments — their quiet magic, and the subtle mix of lightness and oppression that comes with the depths. Swallowed by ...

We're staying in R&D for our latest 'Behind the Film' interview with Josie Cowap. Josie joined us in 2023 as a Laboratory Technician Apprentice and has recently passed her end point assessment, so is now fully qualified. Congratulations Josie! Tell us a little about your day to day role. I work in the research and development department, and my day to day my responsibilities include formulating all the components that go into film and paper into a package that I can then coat on our pilot coating ma...

How it all began “So what’s your next project?”, my friend David asked me over lunch one day in the spring of 2024. Unprepared for the question, my focus still on my second book, Fragments, which had just been published, my answer was quick and nochalant. “I think I’m going to dig out my 4x5 and shoot some street portraits of total strangers”. I surprised even myself with the answer. It was as if I was sitting in his chair and hearing that response for the first time. I can remember the conv...

We are delighted to announce the winner and runner-up of our 2025/26 Student Photography Competition. Open to student photographers from around the world, it attracted hundreds of entries from students across Asia, Europe, the USA, Australia and the UK. This showcased an inspiring breadth of creativity and technical excellence in analogue photography and darkroom printing. Winner: Jamie Plater, Stamford College The overall winner is Jamie Plater from Stamford College. Jamie’s striking wildlife image w...

It’s been more than half a decade since I wrote about shooting ILFORD films in the winter when my solution to the pervasive grey, the grey clouds, grey streets, grey people, was to push film to its limits. I regularly carried high speed emulsions: Delta 3200 which I would expose up to 12800, HP5+ up to 3200, all in an effort to cut through the reality that there was simply not enough light in the conditions I was trying to make images. The strategy was one of technical compensation, fighting the darknes...