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  • People often ask me why I love street photography so much, my answer is always “you never know what you are going to come across, depending on where you are and sometimes that can be from minute to minute”  let me explain… Photography is my passion I am very lucky that after a career spanning 28 years as a professional advertising photographer I now feed my soul teaching my passion which is street photography in some of Europe’s most exciting cities, often in areas people wouldn’t norma...
  • Hand colouring The idea of adding colour to a monochrome image by hand dates back to the beginning of photography. At this time it was the only way to get a colour photograph. Although colour photography using the three colour process was put forward just short of thirty years after the first photograph by Nicephore Niepce,  it was, in its early years, expensive and difficult to produce a colour image. Hand colouring became a practical way to give the impression of colour and everything from Daguerroty...
  • Health & Safety FAQ's Using Photographic Chemicals whilst Pregnant or Breast Feeding This is covered in our health and safety section,  Where can I find you Health and Safety Data Sheets Please visit our health and safety section, where all our MSDS can be found What ventilation do I need in my darkroom?  Smells and fumes from darkroom chemicals and heat from enlargers and lamps are best eliminated by some sort of extract in the room OR by opening the room up between processes. If you ...
  • Processing your own film can speed up your workflow and give you quicker access to your negatives. It is also typically more cost effective and best of all there is nothing like the sense of satisfaction you will gain by taking control over the full end-to-end process of your photography. While trying it for the first time might be a daunting prospect, fear not. Below is our guide on what equipment, chemistry and method would be suitable for anyone new to processing films. For more detail, you can downlo...
  • General health and safety advice This section provides advice to our customers on the safe handling, use and storage of our photochemical solutions, best practice for waste disposal and specific advice to women who are pregnant or breastfeeding a child. If you are looking for information on the chemical safety of HARMAN photochemistry solutions, please refer to the Safety Data Sheets (known as SDS or MSDS) 24 HOUR OHES emergency line for advice on chemical incidents Safe working practices It is essen...
  • Mounting your Prints Even the most stunning print can look better when it has been properly mounted. Mounted prints are also better protected as they are kept flat with the image separated from the immediate surroundings by unobtrusive margins. There are no hard and fast rules about mounting prints; the most suitable results will depend on individual preference, the nature of the image, the intended use and other circumstances. It is recommended that only boards and other materials intended for the p...
  • 1992 - How I met Masterji Soon after leaving my staff photographer’s position on the local newspaper where I’d been employed for the previous 5 years and with the luxury of in-house film processing no longer a convenient option I began using my local city centre professional colour lab, in Coventry. During the accumulating hours I spent in that lab waiting for my 35mm films to process, watching small colour prints dropping from the conveyor belt from the end of the machine, I very watched a short In...
  • Choosing Photo Chemicals We have a range of photo chemicals for printing/processing all of our resin coated and fibre base papers in trays/dishes as well as in processing machines. If you are new to printing the choice could appear excessive yet each liquid or powder paper developer has its purpose or strengths. For an overview of the whole range and what they do we have pulled together an introductory overview. If you are a beginner* and wondering where to get started then read on. *While thi...
  • One of the best things about film photography is that the creative process doesn't end in the camera. Processing your images in a darkroom is not only great fun, but it also allows you to exercise complete creative control over the final look of your image. We cover some of the essentials needed to set up a darkroom in our beginner's guide and have also developed a series of short animations which cover essential darkroom equipment, darkroom safety tips as well as how an enlarger works. Below, we cov...
  • Welcome to the ILFORD PHOTO online store. Where you place an order via our website, these terms and conditions will apply to that order in addition to the general website terms of use and privacy policy. You should therefore read these terms carefully before you place your order as they explain your and our legal rights and also contain important information about our contract with you and how your order will be dealt with. If you have any questions, please contact us before you place your order by calli...
  • The last six years I picked up my first camera about six years ago, and I haven't looked back since. Well, not on my choice of beginning Photography, but I have looked back on my choice of cameras. Over the past six years, I've achieved quite a bit, and I've enjoyed every moment of it - from my first exhibition to running my own photography gallery. However, I'd always felt that there was something that I was missing out on. Photography, for me, is an art form that allows you to be creative and passion...
  • Introduction I’ve been a photographer for 35 years since I was 11 in fact when I first loaded my Zenith 11 with film and set off for a walk into the wilds of South Yorkshire. 20 years later I turned professional and as soon as digital became a viable option I traded in my Nikon F90x and Mamiya 645 pro for a Nikon digital kit. Digital was for me always a triumph of convenience over real quality in those early years and not much else. It wasn’t until Canon brought out the 5D series that I found myself ...
  • The Start I had previously experimented with photography, but nothing too technical. To my astonishment, I managed to capture some really good images and the bride and groom loved them. Using the positive feedback I received from them, I kept hold of the camera and began to research techniques. I began with my pet dogs (many photographers favourite models), then moved on to young family members and babies, then to asking friends if they could travel to a location with me and let me shoot them. Taki...
  • My first time in Afghanistan For the last couple of years, I have been travelling and exploring the people and culture of the Middle East and Central Asia. Visiting these countries is always inspiring and fascinating to me. In 2016, I visited Afghanistan for the first time. At this time I switched from photographing both digital and analog to one hundred percent analog. The reason is simple. I love the handling, the manual process of film photography. It feels real and timeless. It is also practical, t...
  • At the time I got back into film again I happened to be taking an evening course in portrait photography at a local college. The usual mix of Canon & Nikon shooters with a mirrorless Sony thrown in for good measure. As usual, we were chatting about our weekend shoots and (obviously) latest purchases. When I said that I had bought a Nikon FE and some film (it was Ilford Delta 100) you could have heard a pin drop. So while we shot our various lighting setups with our D610s, D800s, Canons etc I would o...
  • Self-portraiture as Catharsis My photography is a form of therapy, a personal, emotional and sometimes turbulent struggle with the complexity of emotions. I feel my life and art have become intertwined and to bury this mental state deep within would only allow it to thrive but through my use of photography, I am offered a sense of catharsis. My self-depictions manifest within the same four walls, my bedroom. The room I believe is the keeper of my trapped and repressed emotions. This often heavily constr...
  •   Earlier this year we agreed to take part in @EMULSIVEfilm community interviews and these are the results. Over to you #EMULSIVE Back in mid-May 2016, we invited you all to submit your questions to Ilford Photo for the second in a new series of community interviews here on #EMULSIVE. As with the first, the premise is simple: we collect questions from you, the film photography community, package them up and then work with the interview subject to get them answered and published. Well, we’...
  • A little background I was born and raised in Caracas, Venezuela.  My chosen field of study was production engineering, but was I taking photography classes in the evenings and began working for a super cool magazine called Urbe, which is a bit like what Vice is in the UK now. I quickly became the chief photographer shooting all kinds of amazing and interesting people, and it was then that I knew that this is what I wanted to do with my life. Looking back it was quite an interesting time - I’d be learnin...
  • A former life . . . Before my life as a photographer I worked in Social Services for many years advocating and caring for adults with severe intellectual and psychical disabilities. It was an aim of mine after completing my photography studies to somehow incorporate my former work with my new creative profession. A film connection Shortly after going freelance I was contacted by a Diversional Therapist from a Sydney hospital who had a client with a Traumatic Brain Injury who, before a tragic accident som...
  • I’m Anil Mistry and I’m a photographer. I shoot a whole variety of work,  including headshots, documentary, portraits and personally initiated projects. Whatever interests me and helps me to improve my body of work. I’ve been asked to talk about an area of my photographic work that I have a real passion for. In my case, that's the capturing of street portraits. Why do I take street portraits? There’s two main reasons I do it, and I’ll try to go through them succinctly: It’s not easy ...
  • Sharing my skills I’ve recently started working as a lecturer on BTEC and HND photography courses at Swindon College. A job which I’m enjoying immensely.  Teaching was something I’d never considered before, until I started helping friends who were studying on the same BA Photography course as me.  I enjoyed helping them but most of all I enjoyed seeing them understand and use the skills that I’d shown them. I now teach mainly 16 – 20-year-olds, which is enormously satisfying. Watching thei...
  • A medium for the moment  I always travel with my 35mm SLR and a stack of Ilford HP5 and Ilford FP4 film. I definitely prefer the look and process of shooting film when traveling and photographing on the street and I find my small SLR with it’s 50mm lens is small and inconspicuous enough to capture intimate street portraits. Shooting everything on the same 50mm lens and film medium gives my work a consistent look and feel. I have always found shooting film slows down my process, it forces me to think mor...
  • The Grand Canyon at Plateau Point Technical info   Film Used:  ILFORD FP4+ Format: 4x5 Camera: Wista 45DX Lens: Rodenstock: 90mm f/4.5 Exposure time: 1/60th Other equipment: Red filter Location: Plateau Point, Grand Canyon National Park     Firstly, tell us the story behind this image. What inspired you to shoot it? One weekend at the last minute I decided to do a full moon hike to Plateau Point in the Grand Canyon. My plan was to hike down around ...
  • Window Cleaners shot on ILFORD XP2S An unknown language When I started in photography I was always put off from film, by the balance (in my mind anyway), between the effort and time taken out of my workflow in developing, and the rolling cost. As well as my dependence and already intimate comprehension of digital systems. Film was an unknown language, and not one I was prepared to learn at the time. Expanding my understanding Recently however I have been looking for different ways to expand my und...
  • ILFORD Photo UK student photographer of the year The increasing popularity of film photography in schools and colleges has seen a record number of darkroom prints submitted to the annual ILFORD PHOTO student photography competition. The high standard of entries from schools, colleges and universities across the country has made the selection of a winner a very difficult task. However, a unanimous winner has been chosen and the title of ‘ILFORD PHOTO UK Student Photographer of the Year 2017/18’ has b...
  • It's really inspiring to see how many of your are developing your own black and white films. Hopefully our recent YouTube video will encourage a few more of you to have a go! These were some of our favourites from the many submitted this week. @curtis_kularski  Nikon F portrait of F6. Delta 400 in ID-11. f/2.8, 50mm, 1/100   @oliverdegante Ilford HP5+ on Tmax Dev 1+4 8min #fridayfavourites #homedev #believeinfilm   @DBloomsday I #homedev almost all my photos, so let's show so...
  • Images with feeling The most attractive element of analogue is its delicacy. The analogue process has remained so ingrained into my practice, I can't imagine working in any other way. Seeking images which stir a feeling within and seeing that image through each stage of the process to finally create a hand-made darkroom print. The print may not be perfect, I do not tirelessly work on test strips creating a technically perfect image, I never leave the confines of the darkroom to inspect the print once it...
  • An experiment in chemical possibilities When I took up a camera after a few years’ hiatus in 1990, I was surprised to discover that I could no longer get a black & white film developed through the nearest camera shop, never mind through the local pharmacy.  If memory serves, I was told it would cost $40 for a single film. Naturally, I returned to processing my own film just I had done when I first took up a camera in the early 1970s. The world had moved on, and colour film was the default medium f...
  • The first time around... I enjoy photography especially black and white.. I've taken a wide variety of subjects and images over the years including sport, travel, documentary and landscape. I learnt with 35mm film cameras before moving to 645 medium format and then digital. For B&W I learnt to develop and print whilst at school and this has continued ever since with a darkroom constructed in my loft. This was decommissioned in 2007 when I started shooting digital and I eventually took a sabbatical from...
  • DELTA Professional films What a fantastic week for black and white film images. Thank you for sharing all of your shots on #Deltafilm with us. DELTA PROFESSIONAL films use the latest Core-Shell™ film emulsion technology which give them the advantage of a lower grain to speed ratio. This means that you get less grain at the equivalent speed when compared to PLUS films presenting a slightly cleaner, sharper look. We've really enjoyed choosing our favourites this week. @julianoserraweb Cushion-Kombi,...
  • Road Trip In October of last year, I sold most of what I owned at that time and went on a 10,000-mile road trip across the American West, capturing all of it on film. Among the few possessions I brought with me, my reliable medium format camera Bronica SQ-Ai and 100 rolls of ILFORD HP5+. Along the way, I photographed the tallest trees on Earth, the coastal Redwoods in Northern California; the volcanoes of the Cascades in the Pacific Northwest; the oldest trees in the world, the Bristlecone Pines in t...
  • We knew there'd be some great shots with this week's #fridayfavourites #summer on black & white film. It was really interesting seeing what #summer means to you and how this varied in different locations. These are our #fridayfavourites from this week. adibmufty ‪Campfire.. ‬‪?: Leica M6‬ ‪?: Ilford FP4‬ @scottsphoto1218 #fridayfavourites #summer Snow has finally started to melt off the high country which means more hiking trails are available, the rivers are great for rafting a...
  • Heading West Last September my family and I headed west. It had been a few years since we’d visited the West Country, we had come to love it when our family was young, and now that they were grown we decided to return to see if it still has a special place in our hearts. While my teenagers packed their essentials - clothes and iPhones, and my other half packed enough books to keep a large reading group going, I set about doing the important task of packing my camera equipment. My focus was on which...
  • HUNTING ISLAND XVI, 2018  Technical info Film Used    Ilford Delta 100   Format    4x5 Camera     Chamonix 045N-2 Lens     Fujinon SW-90 Exposure time   Approx.2 minutes Other equipment    Sand & shells, to taste. Location: Hunting Island, South Carolina, US.   Tell us the story behind this image. What inspired you to shoot it? This March, I was in Charleston, South Carolina, and had a day to burn. I started looking around for somewhere cool to check o...
  • It's been so much fun this week looking through all of the #fridayfavourites #filtered shots and finding out out what your favourite combinations are.  The most popular combinations that we've seen are FP4+ with a yellow filter and HP5+ with and orange. There were also some fantastic shots on SFX with a variety of red filters. It was a tough choice, but these are this week's favourites. @Hier_komt_Alex Sailing ship inspired footbridge near Amersfoort train station #ilfordphoto #fridayfavourites #fil...
  • The Outlaw Project shooting portraits with a large format camera The Outlaw Project, was inspired by Edward Sheriff Curtis, the 19th Century photographer, known for his portraits of native Americans, shot with a large format camera. In 2011, Peter acquired a giant copy camera, made by Sidney R. Littlejohn Co., in the East end of London circa 1926. The camera, though having been used heavily in the newspaper industry for copying documents, was generally in working condition. With its inner mechanical str...
  • Beginnings I came to analog photography late. I enjoy being able to feel the film and create with my hands, and the suspense of not knowing how the final shots look until you develop the film. Shooting film changes the style of how I work.  I take less pictures and think more. It is more immersive, I have more time to feel their characters, their experiences. I shoot all my projects in medium format film.  I do use digital, but only for commercial photography or for working on reports. Materials ag...
  • Opportunities Now and again in life opportunities arises that you just have to take. You know, the ones that if you think about for too long will be missed, so you have to jump in with your best foot forward, or in this case with your best film forward.  This happened to me last year as I was casually talking to someone about my work they mentioned that they had access to an old building that had recently been vacated and was to be sold at auction. The building had been untouched for years, and they sai...
  • Terrain This project recently exhibited at the Golborne Gallery, London Road Trip All the photographs in this project were taken over a week-long period whilst traveling from Los Angeles to East Arizona, and back again. Something that really struck me when traveling through this part of the American West was how nature had relinquished control of the landscape. The towns were almost post-apocalyptic; half-burnt trash piles and concrete curbs were cracked by the hot sun. Whilst blade...
  • Of course, we see in color - but vision is just one part of how we sense the environment and moments. In the mountains I see tremendous peaks, I feel and hear the storms, freeze, and feel emotions from success, failure and intense personal experiences. All that black + white can convey more intensively - for me this is not a reduction over colour photography, but an amplification of impressions.  This is the translation of a short text I wrote a few years back for the German Schwarzweiss Magazine. Si...
  • Sharing the skills and the passion My name is Hank Webber and, together with my wife Marie, we own and operate Webbers Photography Within my family, I’m a third generation photographer. It all started with my Grandfather in the 1920’s who then passed the skills and passion to my Dad and his brother, my Uncle Joe. They, in turn, blessed me with the same passion; skills are ever evolving. Each of them believed that as they triggered their camera shutters, they were capturing a moment in time that woul...
  • I had just stepped out of the subway station when my cell phone rang. It was my father. “I saw on the news that there are protesters gathering in Manhattan over the grand jury decision. Be careful getting home.”  “OK, Dad. Thanks for letting me know. I’ll be careful.” I put my phone back in my pocket, reached for my cameras and felt the weight of them on my neck as I slipped their straps over my head. I adjusted my camera bag on my hip, turned the collar up on my old green army jacket, and took ...
  • Further Film Adventures in the Future History I've been shooting film almost as long as I've been shooting skateboarding - Delta 100 & XP2, mostly. I really got into it around 7 years ago, when I began documenting the skate scene in my hometown of Nottingham. Unknowingly I started a continuous body of work that still has no end in sight. And I was just looking for something to keep me busy when my digital kit had died! Capturing the Community I recently put on a new exhibition,...
  • Turning your negatives into positives Reversal processing enables black and white transparencies to be produced directly from high quality films such as PAN F Plus, FP4 Plus and DELTA 100 PROFESSIONAL How it works It starts with the development of the negative image. This leaves the unused silver halide untouched, but it is not fixed, as it will be used later to form the positive image. After the negative image has been developed, it is totally bleached away using an acid bleach. This leaves the remainin...
  • In the summer of 2017 my friends, novice climbers, asked me to climb Elbrus with them. This is the highest mountain peak in Russia and Europe. The idea sounded great, especially because I have loved mountains since my childhood. But my campaign plan immediately included a large-format camera, with which I have been travelling for many years (mostly, of course, by car with a camera in the trunk). For a while I wondered if I should take a big camera with me too. Would it be better to take a Hasselblad? But...
  • The Photography Show 14-17 March There's not long to go until this years Photography Show at the NEC in Birmingham and it's going to be a great one. (If we do say so ourselves)! There is going to be a far greater analogue / film presence at the show this year as the organisers have agreed to the inclusion of a dedicated ‘Analogue Spotlight’ area which will include some pods for smaller brands and a spotlight speaker area for those brands to do demos. Come and see us! We will be there on stand B93 ...
  • Meeting Viktory I fell into dance photography quite by accident. I was a member of a meetup group of photographers in Boston, and one of the people I met at their events invited some of us to shoot in his studio with Viktory, a traveling ballet model. I was shooting landscapes almost exclusively at that time, and I had hardly ever shot with a model before. Luckily for me, Viktory is very experienced and was able to work with our varying skill levels. Little did I know at the time that I would still be shoo...
  • We recently had the pleasure of turning the tables on one of the stalwarts of the film photography community when we asked Em if he'd be the first of our interviews in the 'Lockdown Sessions'.  We're so glad that he agreed. What made you set up Emulsive.org and what were your initial plans for it? My-first-roll...-Of-35mm-film-Fuji-Superia-X-TRA-400-by-EMULSIVE EMULSIVE started as an idea in early 2015. I thought I should put up a blog where I could post a few photos and blog about stuff that I'd lea...
  • For the second of our Lockdown Session interviews we cornered another well known face in the film community, Hamish Gill. (We're just glad he could fit us into his hectic schedule)! Section 1 - The Beginning Share your favourite image / print shot on ILFORD film and tell us what it means to you? Image by Hamish Gill shot on HP5+ That’s a tricky question. The above image is the one that immediately came to mind. I don’t darkroom print myself, but I did print at a workshop at AG Photographic a few ...
  • When we held our first Lockdown Session with Emulsive, we asked him who he'd like to see us interview in future and he suggested the very lovely Aislinn. (AKA The Film Pusher). SECTION 1 - THE BEGINNING SHARE YOUR FAVOURITE IMAGE / PRINT SHOT ON ILFORD FILM AND TELL US WHAT IT MEANS TO YOU? I have tons! But let me share my recent favourite, the one that I had printed and hung on my wall. It’s a pinhole image of the Natural History Museum in London. It means a lot to me, as the NHM is a favourite visit ...
  • An object of beauty I have just been asked to explain why I use film to make many of my images….. well the simple answer is ‘I like the process….I love the total engagement film gives me. Working out how many rolls to take, what size film to take, packing it all up and hoping I haven’t forgotten my light meter. I love the reaction when I give somebody a print at 12 inches square in an archival sleeve. It’s an object of beauty, its tangible, it’s exciting, its more than a digital print…...
  • The future of photography The year 2020, it sounds very futuristic to me. So, what does that future look like for photographers? Well, no doubt technology will be getting more advanced than ever and we will see huge leaps in digital development this coming decade as the megapixel war continues. There will likely be be new initiatives and more collaborations with smartphone companies. Will the digital SLR camera start to disappear? Will mirrorless take over? Or will there be a new hybrid on the market...
  • We've been following Dan Rubin's photography for a while now so were really pleased when he agreed to take part in our Lockdown Sessions. SECTION 1 - THE BEGINNING SHARE YOUR FAVOURITE IMAGE / PRINT SHOT ON ILFORD FILM AND TELL US WHAT IT MEANS TO YOU?   Shinagawa Station, Tokyo, 2016. Ilford HP5+ @ 400, Leica M6, Summicron-M 50/2 (Scanned by Canadian Film Lab) This was my first full day in Tokyo, on my first visit to Japan in 2016. The memory of wandering through the station during rush hour...
  • Introduction I often see echoed this absurd idea that somehow film photography is more “pure.” Anyone who has ever been a part of a film photography Facebook group has surely come across a post along the lines of “how much editing in post do you think is OK with film?” And, without fail, there will be at least one response from the analog bourgeois which goes something like “if you’re going to edit *that* much, you might as well shoot digital. Why are you even shooting film?!” Sadly, we of...
  • This week for our 9th Lockdown Session we spoke to Ashley Carr, who you may remember was nominated by Hamish Gill in week two. Ashley is a well know member of the film community and is always happy to share his thoughts and experience. SECTION 1 - THE BEGINNING SHARE YOUR FAVOURITE IMAGE / PRINT SHOT ON ILFORD FILM AND TELL US WHAT IT MEANS TO YOU? ©-Ashley-Carr-2016,-Nikon-F3,-PC-Nikkor-35mm-shift,-HP5-@-EI-200,-Ilfotec-HC It was very difficult to choose a single favourite image! I think this photo...
  • Shooting Infrared film Infrared photography has always been a unique and niche art form, allowing a photographer to capture images seemingly from another dimension. I say niche because capturing that "perfect" image requires a different approach to pre-visualizing your scene, an understanding of the limitations of infrared and the ability to adjust your settings effectively for changing conditions.  For these reasons many photographers are reluctant to give IR film a try. This article will not only demo...
  • Is it really 10 weeks since we started this series? It feels so much shorter than that.  If you have an Instagram account we are sure that you will recognise our 10th interviewee Jahan Saber, if not by his name then by his tag @doyoudevelop.  Jahan was nominated to take part by Dan Rubin in week 6 and we're so glad that was happy to get involved. SECTION 1 - THE BEGINNING SHARE YOUR FAVOURITE IMAGE / PRINT SHOT ON ILFORD FILM AND TELL US WHAT IT MEANS TO YOU? There are so many, so here’s a recent ...
  • Balance Like many photographers these days, I balance a busy day job alongside a family life. I try to be good a community member, share my thoughts and experiences and sometimes, perhaps, inspire one or two. In the background I have long held an aspiration to become a successful professional photographer, something i'm still working towards. Like all of us I suspect, finding something to focus on, photographically, can be a challenge when life is so busy. The majority of my casual photography currently...
  • Inherent bias Photography has long been used strategically as a tool and method of capturing and sharing slices of truth, small morsels of reality, inherently containing the bias of the photographer. By making decisions about what to shoot, how to shoot, what to edit, how to edit, and what to share with the viewer, photographers have historically held a unique position of being able to weaponize the art of photography by crafting and even manipulating truths. In the United States of America specifically, p...
  • I don't think it will be long before we need to change the title of this series! We really hope that you are enjoying finding out more about some of the members of our community. This week, for our 11th interview, we have Simon King. He is probably best know for is street photography and teaches short course on it at UAL. SECTION 1 - THE BEGINNING SHARE YOUR FAVOURITE IMAGE / PRINT SHOT ON ILFORD FILM AND TELL US WHAT IT MEANS TO YOU? I really find it difficult choosing favourites, so I have to give a bi...
  • We have loved finding out more about photographers in our community over the last 3 months in our Lockdown Sessions and hope that you have too. As we move towards less restrictions here in the UK, we felt it was also time for a new focus (sorry).  So we are launching the new series 'In Focus' this week by interviewing professional portrait photographer Craig Fleming. Background Share your favourite image / print shot on ILFORD film and tell us what it means to you? I love this shot that I took it...
  • Music. bonding and booze Clitheroe is a small market town in Lancashire, famous for its witches, good food and drink. And, (maybe) having the smallest Norman keep in England. Each September, it hosts the Ribble Valley Scooter Rally - a gathering with music, vintage clothing stalls, and a ‘ride-in’ of several hundred scooter enthusiasts. Previously known as the Ribble Valley Mod-Weekender, the event is a melting pot of different sub-cultures; Mods, Skinheads, Scooterboys, and every other conceivable spl...
  • We taking a closer look at Brett Hillyard this week who was nominated by Robbie Jeffers in our Lockdown Sessions back in week 12. BACKGROUND Share your favourite image / print shot on ILFORD film and tell us what it means to you? One of my favorite images over the last couple weeks is from a portrait session I had with Jeff Yokoyama. He goes by“Yoki” and his retail store “YokiShop” is located in Newport Beach. His shop is filled with eclectic art and cool custom clothes that he designs in the bac...
  • When we saw that Kit Young had chosen Tyler as his nomination it definitely made us smile. We've shared several of Tyler's IG images in the past and enjoy browsing his feed when we get the chance. Background Share your favourite image / print shot on ILFORD film and tell us what it means to you? Picking only one is an impossible choice! A favourite of mine is a contact print made from an 8x10 negative using FP4+, Ilford MGFB Glossy paper and selenium toned. I used my Chamonix 810V field camera and the ex...
  • For interview number 18 in our Lockdown Sessions / In Focus series we are delighted to introduce you to Shima Rastin, a passionate film photographer from Iran. BACKGROUND SHARE YOUR FAVOURITE IMAGE / PRINT SHOT ON ILFORD FILM AND TELL US WHAT IT MEANS TO YOU? © Shima Rastin, Ilford FP4, Hasselblad 501C, Lavasan, Iran If we have not confronted the Covid-19 pandemic, and this question was asked before this era, it was probably a hard choice to make. Although, now that I experienced such an idiosyncrat...
  • Thank you to everybody that shared shots with us for this week's #ilfordphoto #fridayfavourites #shotonHP5. So many amazing images to choose from and it is clear you all love HP5 as much as we do! The versatility of it shows in how and what you have captured! We even have a couple of Holga shots and a bit of darkroom toning going on!   Jason Connelly @jconnellyphotos Camera: Holga, Ilford Warmtone FB Paper, Selenium 1:5   Andrew Bartram @Warboyssnapper #shotonhp5 #fridayfavourites @I...
  • Earlier this year my go-to black and white film of choice had its priced hiked astronomically, making it an un-affordable option for my daily choice. I set about exploring some different options, which included revisiting HP5 (a film, I must confess heretically that I have never gelled with), pushing FP4 to 400, Foma 400 and 200 pushed, and - the film for this short piece - ILFORD’s XP2. I might not have even reached for a roll of XP2 had I not discovered the experiments of another analogue photogr...
  • Lina Bessonova is a passionate film photographer and darkroom printer. She shares her love of photography and printing on her popular YouTube channel as well as through workshops and lectures. One of her recent videos shows how easy setting up a darkroom can be in a small space. BACKGROUND SHARE YOUR FAVOURITE IMAGE / PRINT SHOT ON ILFORD FILM AND TELL US WHAT IT MEANS TO YOU? This image is from my very first roll of 120 film (Delta 100). The other 11 frames are average beginner pictures which make one h...
  • We love Sandy's beautiful large format shots, they always seem to have hidden depths. We are excited that he agreed to take part in the In Focus / Lockdown Sessions series and become our 20th interviewee. BACKGROUND SHARE YOUR FAVOURITE IMAGE / PRINT SHOT ON ILFORD FILM AND TELL US WHAT IT MEANS TO YOU? There’s a few I could post that I feel encapsulate the sort of feeling or thought process I have when I’m working on photos, but for me, so far? It’s this image. Photography means a lot of di...
  • Rocking the tray! My journey with photography began as a child while spending wondrous hours with my father, a gifted portrait photographer, in his darkroom in the amber glow of the safe lights. It was astonishing to watch an image blossom to life in the developer, sometimes I even got to rock the tray! The magic of making a photograph had a life changing impact on me and when gifted a Brownie Hawkeye on my 7th birthday my destiny was etched in stone... I'd become a photographer! Later I was privileged ...
  • Interview 23 is with Michael Weitzman. A film photographer, darkroom teacher and alternate and experimental process enthusiast. Michael was nominated back in June by Brett Hillyard. BACKGROUND SHARE YOUR FAVOURITE IMAGE / PRINT SHOT ON ILFORD FILM AND TELL US WHAT IT MEANS TO YOU? Northern Line. This photograph shouldn’t have happened, but I wanted to shoot in extreme conditions. It was 5 or 10 below zero with 15 - 20 MPH wind off the Missouri River in Great Falls Montana dead of winter. I came up to ...
  • It's been over 6 months since we launched our first Lockdown Session and in that time we've spoken to many fantastic photographers and darkroom printers. Continuing in that vein, we're thrilled to share this week's In Focus interview with Nashville based, music and portrait photographer Laura E Partain. Background Share your favourite image / print shot on ILFORD film and tell us what it means to you. This photograph is now about 5 years old and I’ve shot many, many images on Ilford films since. Howeve...
  • As well as being a photographer and darkroom printer, our 27th 'In Focus' interviewee Max Bedov also custom makes darkroom equipment based on his years of experience. Background Share your favourite image / print shot on ILFORD film and tell us what it means to you? This frame was taken in Provence on Ilford film Delta400 exposed as 640. Generally I am not keen on an astrophotography but this particular shot is very memorable to me for a several  reasons. 2016 -Alpa SWA 6x9 -DELTA 400 -Provence - MG...
  • We have known Keith for a long while and admire not just his photography, but his enthusiasm for all things film and darkroom and his willingness to share his knowledge and inspire others.  We're glad he agreed to take part in this series and become our 28th In Focus interview. We hope you enjoy finding out more about him. BACKGROUND SHARE YOUR FAVOURITE IMAGE / PRINT SHOT ON ILFORD FILM AND TELL US WHAT IT MEANS TO YOU? I shot this image in La Boqueria Barcelona with a fuji 645 camera. What makes it sp...
  • A bit of history I am now 51 years old and have been faithfully using ILFORD film since first being handed an ILFORD Sport 120 roll film camera from my father. He had used it during National Service in the army in the 1950s and I used it from age 8 onwards and which is what I learnt with. Throughout my professional photography career over the last 18 years, I have regularly used ILFORD film - HP5 Plus, FP4, Delta 100, 400 and 3200 and XP2 Super. Subsequent cameras have ranged from the ILFORD Sport to 35 mm...
  • Nominated originally by Keith Moss back in November of last year. David Collyer is the 31st interview in this series.  A documentary photographer who chooses to shoot around themes or projects. David's is probably best known for one of his recent projects All in a Day's Work which received international recognition. Section 1 - Background SHARE YOUR FAVOURITE IMAGE / PRINT SHOT ON ILFORD FILM AND TELL US WHAT IT MEANS TO YOU? Blimey! That’s like being asked to choose your favourite child and then expl...
  • We're heading back to October last year when Arkadiy Shlein nominated Oleg Kasko to take part in this series after following his Instagram feed. Oleg is a photographer and passionate darkroom printer and advocate from the Ukraine. Section 1 - Background Share your favourite image / print shot on ILFORD film and tell us what it means to you? I like this one because when you look at the photo you see a boat surrounded by white like milk, water. Although in fact it was taken at night. I decided I would leav...
  • My kids are a bit in awe of the week's In Focus interviewee and it takes a lot to impress them! Ryan Loco is perhaps best know for shooting fights, be that bare knuckle MMA  or WWE. More recently he has focused more on portrait photography and his images speak for themselves. SECTION 1 - BACKGROUND SHARE YOUR FAVOURITE IMAGE / PRINT SHOT ON ILFORD FILM AND TELL US WHAT IT MEANS TO YOU? This is difficult for me, as I have a hard time liking any photo I take. But, since I have to choose, I'll use recency ...
  • Even when you have a love of film and traditional darkroom practices, there’s always room for alternative photo process experimentation as ecological photo-artist Josie Purcell knows well. OVERVIEW I am a photographer, but trying to explain that I specialise in photographic processes that may not include a camera has led me to describing myself a photographic artist. My passion for photography began in secondary school. There was a darkroom in the art class, but it was never used; it acted like a bea...
  • Nashville born Joseph Patrick or Photojojo was nominated by Laura E Partain back in October of 2020. Known for his creative shot choices and great use of light, we're excited to find out more about him. Section 1 - Background Share your favourite image / print shot on ILFORD film and tell us what it means to you? This is one of my favorite shots. Here it was a combination of a few things coming together perfectly to create an image that perfectly aligned with my vision. The model is a friend I met the ye...
  • Number 37 in this series, which started a year ago as the Lockdown Sessions, sees us finding out more about Michael Watson. Nominated by Ryan Loco, Michael is a photographer based out of Des Moines who primarily shoots musicians and pro wrestlers. Share your favourite image / print shot on ILFORD film and tell us what it means to you? Favorite is tough, I’ve shot most of the important moments or biggest opportunities of my life on HP5 for over 10 years. There are portraits of my parents that are really ...
  • The idea came to me after searching for companies to have a photobook made. I wanted something of the highest quality. Something that had the physical feel of Photographs: Annie Leibovtiz 1970-1990, or Helmut Newton Portraits. Two beautifully printed books that happened to be sitting in the community darkroom I own. After searching the internet for hours and looking at reviews and products of various companies, I was no further along to making a selection than when I started. My mind wandered as I stared at...
  • In this blog article, Kit Young provides insight into his latest book, Where the Rain Clouds Gather (OD Books) , which was made entirely from scanning hand-made silver gelatin prints. The Concept At times the past year has raced past in a haze. Streets have emptied and we have retreated to our cocoons. Cooped up. Waiting for the storm raging outside to subside. The images in Where the Rain Clouds Gather, my second publication, appear as if from a dream state. Moments in time, brought to life in the dark...
  • Urban Lives and the Natural World I've been living in some of the giant Asian metropolises for close to a decade now, and it has oriented my recent photography work towards exploring the distance between our urban lives and the natural world. One way I have found to express this has been through film double exposures where I try to blend portraits and plant textures. After 2 years of work on this, it became the Photosynthesis project. There's a little bit of history in this direction with work from grea...
  • After a 25 year hiatus of shooting stills, I returned to pushing on with my personal photography in 2016 and more recently using film once again. Part of that process has involved a scanner which led me to revisit some of my 1980s images which had never before been published. 1987 In 1987 as a nineteen year old, I volunteered for an occupational therapy department in a Psychiatric Hospital, leading weekly ‘photo therapy’ workshops for a small group of patients. The aim was to encourage the group to ex...
  • One of the things that we're enjoying about this series is that it lets us find out more about the photographers that you follow and are interested in. This week's interviewee Chris Garner, was nominated by Joseph Patrick, who in turn was nominated by Laura E Partain. Who's nomination came from Sandy Phimester. Section 1 - Background Share your favourite image / print shot on ILFORD film and tell us what it means to you? My favorite image I have made so far would have to be this image. I made it while I ...
  • Another great week for #ilfordphoto #fridayfavourites with plenty of great #ffheight images to choose from. Thank you to everyone who shared with us on Twitter and Instagram. These are our favourites this week my7views The Crane Houses in Cologne, by Hadi Teherani.(Taken with Olympus OM-1 on Ilford Delta 100.)#fridayfavourites #ffheight @dmbloor Looking (or locking) down. Near Etruria Industrial Museum in Stoke-on-Trent. Canon EOS 5 (that is film not D !) on #ilfordphoto #Delta400 for this week's #f...
  • The first roll It is January 31st, 2020. I’ve arrived in London to document the events surrounding the UK leaving the EU. Many groups were converging on Parliament Square for this historic day. My usual workflow was interrupted when fellow documentary photographer Simon King called me aside and handed me a Nikon FG, 55mm f/3.5, and a roll of Kentmere 400. This was the first roll of film I’d exposed in my life. Unaccustomed to the mechanical redundancies and psychological immediacy that film offers, ...
  • Taking Risks Through a series of what felt like small and inconsequential life choices I have found myself recently in positions where the logical course of action involved putting my health and even my life at risk, in service of making photographs. I, like many others I'm sure, want to be a great photographer. To me this means that I look with a respectful eye over my own body of work, and accept it for what it is: (hopefully) the absolute best I can accomplish. A retrospective This is something I r...
  • Earlier this year in our interview with Walter Rothwell, he nominated Kris to take part in this series. We're so glad that he did. Enjoy! Section 1 - Background Share your favourite image / print shot on ILFORD film and tell us what it means to you? One of my recent favourite images is this portrait of 3 young men taken on the streets of Birmingham UK. It was one of the first outings in the city post-lockdown and I wanted to really get back into a stride with my personal photography on the streets. With ...
  • After the fantastic response to this image when we shared it on our Instagram. We contacted Mustapha and asked him to tell us about it and answer some of the questions about how he had created it. Patricio Reyes Benavente Mendiola, aka "Pineapple" Technical Info: Film Used: Ilford Delta Pro 100, Medium Format 120 Black & White film Camera: Yashica Mat 124 G, Lens: Twin Lens 80mm Exposure Time: 1/125 @ f8 Other Equipment: Tripod, Light Meter, Cable release, Sync cable, V-flat, Strobe Light, ...
  • Perhaps best known for his engaging YouTube content and Instagram channel, this week we talked to Ribsy about his film photography SECTION 1 - BACKGROUND Share your favourite image / print shot on ILFORD film and tell us what it means to you? London South Bank on FP4 This is my favorite image shot on Ilford film (FP4). This shot was taken during a lovely Saturday afternoon on the South Bank in London, the week the final lockdown was eased. Immediately I think about the joy of walking around in the su...
  • After sharing a few of his images in the past, we felt we wanted to know more about Nicolas de Bouville, so he became interview number 42 in this series. We have to confess to a bit of camera envy over his collection! Section 1 - Background Share your favourite image / print shot on ILFORD film and tell us what it means to you? It’s so hard to pick one image only. If I think about one of the last series I did, I really like this picture of Alejandro. I’m used to photograph Alejandro in a very differe...
  • Cabin Fever Tired of COVID 'cabin fever'  I needed to get out shooting so I concocted  a mission to shoot a total of 36 acceptable shots in a 2 day time frame.  Day one would be 12 6x6's and the second would be 35mm for 24 shots... fingers crossed. I decided to shoot b&w film.  This would not have been my choice a few years ago but the plethora of  digital imagery has turned me off to the point where I'm re appreciating the disciplined 'analogue' mind set. I just flat out love and respect the w...
  • We hope that you are enjoying learning more about some of the film shooters that we have working here at HARMAN. This week's interviewee (our 5th) is our MarComms Manager Matt Parry. We think he has a bit of GAS (gear acquisition syndrome) what do you think? Who are you? What is your job title at HARMAN technology and how long have you worked here? My name is Matt Parry and I’ve been the Marketing Communications Manager at HARMAN technology since June 2016. Tell us a little about your day-to-day role. ...
  • The beauty inside I am not someone that has been stared at and called beautiful by strangers. People do not look at me and see me as who I am. First glances always lead to a double take and a look of disgust, anger and confusion. When people see me, they don’t attempt to change their perspective and see the beauty inside of me. This kind of experience, existing in a world that doesn’t believe that you have the right to do so, shows up in a lot of my work. Most of my life I have been told that the world...
  • My better half When my friend, who knows little about cameras, presented me with the 35mm Olympus Pen FT, it was a total surprise. Quite literally as a gift, but moreover, the camera’s function was what was most surprising. When I picked up the Pen FT for the first time, I observed how light the compact camera was. I immediately put my eye to the viewfinder and was confused. I silently thought to myself, “This is so weird…” I had never encountered a viewfinder that wasn’t horizontal. I had to lea...
  • SECTION 1 - BACKGROUND SHARE YOUR FAVOURITE IMAGE / PRINT SHOT ON ILFORD FILM AND TELL US WHAT IT MEANS TO YOU? I have many beautiful prints from an Ilford negative. One Ilford film that always interests me is the Ortho 80. Being less sensitive in the reds it renders reds as dark or sometimes black giving interesting results. This is a print of a light switch in my home. The light was casting an interesting shadow across the wall. The black area is a shadow from a picture frame. It’s so simple but I jus...
  • This week's interviewee, Wesley Verhoeve has been on our radar for a while so we were thrilled when he was nominated to take part in this series making him our 44th interview. Section 1 - Background Share your favourite image / print shot on ILFORD film and tell us what it means to you? It’s so hard to pick a favorite image but I will let recency prevail and select a recent top favourite image that made it into my photo book “Notice”. I photographed a giant leaf in a suburban backyard in beautifu...
  • A birthday request When my teenage daughter asked visit Eastern State Penitentiary on her birthday in January 2020 for the third time I knew I had to take something different with me to capture the historic prison. Built in the early 1800's and operational until 1971, Eastern State takes up a whole city block in Philadelphia, PA. After over two decades of neglect, the prison opened as a museum in the 90's.  Eastern State Penitentiary's Gothic castle style architecture instills feelings of awe, power,...
  • Crombie McNeill has been shooting film for longer than some of us have been around, and his story is fascinating which makes him the perfect interviewee for our 45th In Focus interview. Share your favourite image / print shot on ILFORD film and tell us what it means to you? Shot way back in the early 70's. By happen chance I discovered this fishing dory beached on Newfoundland's Eastern coast. I very much like this shot, and even more so because I was on my very first major assignment. Twenty thre...
  • In our digital age, film photography can appear to be expensive and risky but it has challenged me to learn the process involved in taking a photo that captures my intent and tells a story, creating a real sense of achievement. Over the past year, my confidence in using the medium has grown which is driving me to experiment more. In a world where the media can manipulate colours to affect the audience’s perception, black and white film uses alternative techniques. For example, in colour, red often conn...
  • This week for our 46th In Focus interview we are talking to Clara Araujo. A fine art photographer from Brazil whose images explore the dualities and other aspects of the human psyche. Section 1 - Background Share your favourite image / print shot on ILFORD film and tell us what it means to you? It’s really hard to pick just one… but probably this self portrait: “The Birth Of Venus”, Body of Water series, 2020. ILFORD Hp5+ 400, Yashica Mat 124g. Just in case anyone doesn’t know who you are...
  • A well know part of the film photography community, especially on Twitter where she goes by @justgispy  We were thrilled when Margaret Fitzgerald agreed to be the subject of this week's In Focus interview. Section 1 Background Share your favourite image / print shot on ILFORD film and tell us what it means to you? I can't really say that any one photo I've taken over the years is my favourite, but this one is very memorable. Rolleiflex-TLR,-Ilford-HP5--Church-of-St.-Philibert,-Tournus,-Burgundy I...
  • One of three films in our DELTA Professional range. This week's #ilfordphoto #fridayfavourites theme takes a closer look at #35mmdelta400. @calor_gas_terry I don’t shoot #35mmdelta400 very often - I really should stock up Thumbs up taken on my Olympus Mju at the Weald & Downland museum in Singleton. #ilfordphoto #fridayfavourites makispekka Halloween, that direction #halloween #filmphotography #minoltadynax9 #ilforddelta400 #35mmdelta400 #ilfordphoto #fridayfavourites   @paulasmith...
  • Honest storytelling In the beginning of my journey with documentary photography, I fell in love with the raw, unique, and honest storytelling that film provided. Being a new wide eyed film enthusiast, the easiest way for me to jump into the pool of analogue would be with 35mm film. With 36 exposures, I was allowed the bandwidth to explore and experiment at an affordable price, that didn't break the bank, and allowed me to find myself as a visual journalist with the allotted exposures allowed. Mediu...
  • Melanie King was first introduced to us by Lucy Ridges, and since then we have heard her name mentioned from several different people. It was fantastic to be able to learn a little more about her when she agreed to take part in this series. Section 1 - Background Share your favourite image / print shot on ILFORD film and tell us what it means to you? My favourite image is Ancient Light, Emiliano Cardone Observatory, Casalattico, 2018. This photograph was produced when my collective, Lumen Studios, ran an...
  • There are so many of Ari's images that we have admired over the past 12 months so asking him to take part in this series was an easy decision. We're just glad that he said yes! Section 1 - Background Share your favourite image / print shot on ILFORD film and tell us what it means to you? As we age, time becomes more and more valuable. Every new second is a bigger portion of our future life than the one before. Time is the only thing we cannot buy more of, but we can freeze it with photography. A photog...
  • Connection Over a Century Hanna Heinilä (née Hermonen, 1890–1981) was born to a vicar’s family in the small town of Luvia on the west coast of what at the time was the Grand Duchy of Finland. She had her first camera in around 1906 when she was sixteen years old and began photographing without any formal education. She bought dry-plate glass negatives from the nearby towns and learned to develop them at home by herself. Nothing was known of Hanna’s extensive work as an early photography pion...
  • With this week's #ilfordphoto #fridayfavourites theme being #nightfilm we were expecting out faster films to feature and we weren't wrong. However, you also shot with some of our slowest too! @debrawilsonsays Singapore at night. Ilford FP4  Rollei 35LED and tripod #ilfordphoto #fridayfavourites #nightfilm #shootfilmbenice   z.allaire #chanukah #chabad #ilfordphoto #ilfordxp2 #120film #hasselblad #hasselblad500cm #fridayfavourites #nightfilm #blackandwhite #analoguephotography #argentique ...
  • And suddenly, something that looked like a dandelion head floated into view, and I stood mesmerized as it hovered before me. When I peered inside, I realized that I could see a tiny winged creature within. I turned to my mother and said, “Look at that!” But all she could see was a dandelion head. Inhabitants Thirteen years ago I lost my father to Lung cancer, three years ago I lost my best friend to breast cancer. Besides cancer they both shared the same belief, that when we die, it’s lights out, th...
  • We had no idea when we originally started this series in April 2020 with Em from Emulsive that it would still be going strong 50 interviews later. This week's interviewee Debra Wilson was already on our radar before being nominated by Margaret Fitzgerald last month. Section 1 - Background Share your favourite image / print shot on ILFORD film and tell us what it means to you? I chose this image of Another Place on Crosby beach.  I don’t often get to the sea so although the setting is not typical for m...
  • A regular contributor to the film and analogue community and always helpful and encouraging to other photographers out there. This week's In Focus interview is with "photographer” Morag Perkins who, "just takes pictures". Section 1 - Background Share your favourite image / print shot on ILFORD film and tell us what it means to you? I’ve chosen this one because it’s represents a process that has been very special to me recently. Over the last 2 or 3 years I’ve found a way to use photography to ...
  • We first met Lucy Ridges a few years ago virtually via social media and then in person at The Photography Show and have always admired her work. Her #MyFilmStory video gave us a bit more of a view into who she is and why she shoots film and this In Focus interview builds on that. Section 1 - Background Share your favourite image / print shot on ILFORD film and tell us what it means to you? This is one of my favourite shots from my most recent project, Water’s Edge, released earlier this year. It’s an...
  • Hi, my name is Daniel. I am a family father, creative director, and amateur photographer, so you might say I make my living by telling stories and I feel fine when things get emotional ;-). I am based in Heroldsbach, Germany. That’s a small village which lies on the edge of the so-called Karpfenland, a natural landscape transformed by man for pond farming. Until 2013, this cultural landscape was utterly unknown to me. Today it has become my home. Yet one question nags on me: “Who shapes whom more:...
  • We have been privileged to be able to follow Rita's journey as she started out shooting film and moved through the formats from 35mm to medium format and found her own unique style. Section 1 - Background Share your favourite image / print shot on ILFORD film and tell us what it means to you This image is entitled “SANCTUARY”. I came across this couple while double dutching with a friend at Grant Park in Atlanta, GA. I was frozen by their apparent love for each other. It was pure and could be fel...
  • We hadn't seen much of Asa's work when she was nominated by Melanie King but we're so glad that she bought her to our attention. We hope that you enjoy her images and finding out more about them. Section 1 - Background Share your favourite image / print shot on ILFORD film and tell us what it means to you? I use a large format monorail camera and shoot on Ilford HP5 Plus 5x4” sheet film. This photograph was shot in Italy during an artist residency at the British School at Rome in 2016. I went there to ...
  • We were looking forward to seeing your shots for this week's #ilfordphoto #fridayfavourites #filmdrama theme. Black and white film really lends itself to adding atmosphere to already dramatic shots. grainy_waves Storm Franklin Only one brave guy out and one idiot shooting medium format on the hasselblad . Not another soul to be seen Hasselblad 500 cm . 500 mm , ILFORD HP5 pushed to 1600 Developed in DDX 13 mins   @PlymouthDarkro1 Just enough drama in the sky for a nice balance. Its all Iford...
  • Our 56th In Focus interview is with Brazilian experimental photographer Breno Barros. Nominated by Clara Araujo, Breno shoot underwater portraits on film searching for experiential processes that defy traditional photography boundaries. Section 1 - Background Share your favourite image / print shot on ILFORD film and tell us what it means to you Multiple-exposure for the project “La boutique de l’âme” using Mamiya M645 and Ilford HP5+ My favourite image using Ilford film is due to an experimen...
  • Dave's photograph received so much engagement and interest when we shared it to Instagram, we had to get in touch so that we could ask how he created this shot. - Technical info - Film Used ILFORD XP2 Super 120 Format 6x6 Medium format Camera Mamiya 6 Lens 55mm f4 Exposure time 4½ minutes Other equipment Benro Tripod Location New Brighton beach lighthouse, Merseyside.     Firstly, tell us the story behind this image. What inspired you to shoot it? I ...
  • HOW IT BEGAN I’m a great believer in serendipity. I was visiting a friend to deliver a print that she’d bought from me. At the time I was taking a lot of photos of graveyards, and she offered to show me a derelict cemetery which had been left hanging in the undergrowth on the banks of a major new road development. As we walked back through the village, I stopped an old man to ask if I could shoot his portrait, and when he very abruptly declined she said, you should meet Faye…… Fourteen month...
  • As a child I fell in love with the magic of the darkroom and of making Gelatin Silver prints. Watching a print develop fascinated me. In high school I had access to a darkroom working with 620 film (2.25 X 3.25 inch roll film.) and, consequently, I studied photography at Rochester Institute of Technology, School of Photography & Syracuse University School of Journalism. Studying with art-photographer Minor White opened my eyes to using photography as an art form. Minor helped me see beyond the objective...
  • My Approach It was during a group exhibition that I discovered the practice of cyanotype. The Espace Liberté Gallery located in Crest in the south of France is a contemporary art space open to all graphic and plastic disciplines. The theme proposed by Au Jour le Jour was an ephemeris where 31 chosen artists (painters, illustrators, photographers, plastic artists) had to illustrate 12 randomly selected dates with their art. Two constraints were imposed: a maximum size of 20cm on each side and the same sell...
  • Allysse Riordan is our 58th In Focus interview. An image maker, writer, sound artist, and microadventurer (not necessarily in that order). Allysse's work takes us on a journey in a particular space and time, noticing the small details of life, meeting strangers, exploring new landscapes, and delving into their inner world Section 1 - Background Share your favourite image / print shot on ILFORD film and tell us what it means to you? It is difficult to choose one favourite image. They shift and change as ...
  • My name is Jason Avery and I am an analogue landscape photographer based in East Anglia England. I have been working with film for a few years now, learning my craft as an artist. One of the many reasons why I decided to choose film instead of digital as a medium for my work was the darkroom experience. I have heard the quote “The darkroom is a magical place” over and over again and I can safely say that that is totally true. I have been hooked since the moment I developed my first print in my tiny dark...
  • Shawn Pridgen is our 59th In Focus interview. A documentary photographer who owns a small business that focuses on the racial equality, Shawn actively contributes his work to local nonprofits, activist organizations and corporate entities whose mission statements align with his own. Section 1 - Background Share your favourite image / print shot on ILFORD film and tell us what it means to you? I haven't shot it yet.... Just in case anyone doesn’t know who you are or what you do can you give us the over...
  • This is a story about serendipity, generosity, community, and several rolls of Ilford FP4 film. It begins in April 2020, during our first Covid-19 lockdown when a request from a sibling for an old family photo led me to dig around in my messy 35mm archive. I discovered quite a few forgotten negatives and slides from my life during the 1970’s, when I was young and single. They had been randomly stored and dragged around in house moves whilst I focussed on marriage, motherhood and a career in Social Work. E...
  • My Graflex RB series B is an inspiring and challenging camera. It promises great results but doesn't give them easily. Graflex RB Series B A lesser-known Graflex Graflex is an American camera manufacturer well known for its 4x5” press cameras, such as the Graflex Speed Graphic. Those are large-format range-finder cameras that were popular in the 40s and 50s. This Graflex, on the other hand, is an earlier single-lens reflex camera and one from which Victor Hasselblad drew his inspiration. My Graflex ...
  • I have not ever owned a digital still photography camera; therefore, my entire life as a photographer centers on 25 years of loading & unloading film cameras, processing & developing film while embracing a love that taught me how to listen to the harmonious sounds of a darkroom. My volition to stay with film does not have anything to do with being against or disliking digital & everything to do with loving the process of film ever since I was a teenager. At the age of 44, this is a tangible pro...
  • Who are you? What’s your job title HARMAN technology and how long have you worked here? My name is Hannah Gross and I am one of the newest members of the team at HARMAN Technology. I started working here two months ago, and my job title is ‘Digital Marketing Assistant’. HP5 + Tell us a little about your day to day role. As I have been here for such a small amount of time, I am still learning and getting used to my day to day role. I work within a small team, mainly helping and assisting where n...
  • Six Weeks Ago It started six weeks ago. A Sinar Norma 4x5 Large Format Camera off eBay arrives and my paper negative journey begins. I had spent the previous weeks poring over the in-depth forums and articles on large format photography, now it was time to put it into practice. My first shoot was on ILFORD MGRC paper. I hastily sat a teddy bear on a table, pointed 2 x 400 watt Elinchrom strobes and a 400 watt continuous light and fired. So 1200 watts in total at 1/30 of a second, that should do it. Flas...
  • Distractions To A Minimum Whether I’m taking pictures of friends, my dogs, travel, a model, or a movie star, my goal is to make the process as simple as possible, and to keep my distractions to a minimum. While on set of a campaign shoot a few weeks ago, I was having a conversation with the talent, and he asked me how I got into photography. A question I’ve been asked before but never really gave serious thought to. Andrew Garfield. Vanity Fair - Oscars - Beverly Hills. First Meaningful Interacti...
  • Introduction My name is Marjolein Martinot, and I’m a Dutch photographer, based in France. The prime focus of my photography is on everyday life: my immediate surroundings - family and friends, and the places & things that touch me. My work consists of personal (longterm) photo-projects, as well as commissions (portraiture, family, lifestyle and documentary). 'White Horses, 2020'. 'Girl on Slide', from Riverland. My Photographic Approach I’m quite sensitive to moods, with a tendency towar...
  • For this weeks #fridayfavourites, we allowed any shot made on our ILFORD or KENTMERE films can be entered for #filmfreedom. @PhotoStephens Replying to @ILFORDPhoto Skater, Charlton #SE7 #fridayfavourites #filmfreedom HP5 35mm     @mattweddis DOUBLE JUSTIN An in-camera double exposure on 4x5 film. Portrait with 180mm Nikkor W. Silhouette with 90mm Super Angulon. It’s a bit creepy, but so is he. ?: Chamonix 45F-2 ?: Ilford FP4 #doubleexposureonfilm #doubleexposure #multipleexposure #...
  • Small Fishing Village My Name is Austen Goldsmith I live on top of a hill on the outskirts of a small fishing Village in Cornwall. When a big storm approaches it means many things. It means I will have a bad nights sleep listening to the sound of the roof tiles rattling above my head. It also means that I will have a day off from my work as a fisherman. Most importantly it means I can pack a few rolls of film into my rucksack, figure out when the light will be best and what beach will have the best opportu...
  • Monika Danos is our 60th In Focus interview. When not taking care of daily life, her love for trees and gardens means that she can be found chasing shadows with her pinhole camera, or printing in the darkroom. Patterns and lines that are created by light and shadow influence her style of work. Photography and the cyanotype prints gives Monika the opportunity to share what she see's in nature and in her daily life. Section 1 - Background Share your favourite image / print shot on ILFORD film and tell us wh...
  • Around the world, film photography and darkroom printing processes remain vital components of today’s photographic education. Understanding the fundamentals of silver reacting to light, whether in the camera or a darkroom, is an essential building block that will enable the next generation of photographers to excel. Each year we see the results of this education through our annual student competition. We want to reward and help schools, colleges and universities that are committed to teaching the skill...
  • How It Began When Covid-19 started, I had just made plans to follow the Bristol Roller Derby team around the UK to shoot their games. I suddenly had no focus for my photography and I wanted to make sure that I had a project to work on. I also wanted to do something with the LGBTQ+ community. In Bristol and had been photographing a friend during their transition. I thought, maybe as lockdown lifts people will want to get out and have their portraits taken. And that is how the idea for the project came about...
  • When I told my friend that I was going to write a piece explaining why I chose to shoot the Pride event in Salem, Massachusetts in black and white, she just laughed and told me to get on my soapbox. I'm not sure what a soap box is but if it helps me explain why I think that black and white film is incredibly important as a medium and not “old fashioned” as some think, then I'm on it. Bring me a soapbox! How it Started This started when I posted a photo on Instagram of a couple sharing a kiss at the ...
  • 4th of July weekend It all started with a single roll of 120 ILFORD HP5+ film and a Rolleiflex 3.5F over the Independence Day weekend which fell on a Monday this year. It was the Friday of that long holiday weekend and I loaded the roll of film in the Rolleiflex and took the camera for a ride to McIntosh Lake in Longmont Colorado (USA) in the hopes of finding worthwhile photo subjects. My goal was to find street portraits and storytelling photographs. What it became over the next ten weeks is the Longmo...
  • Our 63rd In Focus interview is with our ILFORD Master printer, Andrew Sanderson. Andrew has been a professional photographer for over 35 years, and has established an international reputation as both practitioner and teacher of the photographic medium. SECTION 1 - BACKGROUND SHARE YOUR FAVOURITE IMAGE / PRINT SHOT ON ILFORD FILM AND TELL US WHAT IT MEANS TO YOU? Walk,walk,walk. HP5, Nikon F3. My favourite picture changes quite often. Usually it is the last print I made where everything came together ...
  • Perhaps best known for his role in the Netflix show The last Kingdom, we talked to James Northcote about his film photography for our 64th In Focus interview this week. Section 1 - Background Share your favourite image / print shot on ILFORD film and tell us what it means to you? This is a shot I took during the final season of the Last Kingdom. After Season 2 I started tying a point and shoot on the inside of my costume so that I’d always have a camera with me wherever I was. It didn’t matter if I w...
  • Shooting 35mm film Sprockets with Kentmere 400 and a medium format TLR Including sprockets in scans is nothing new but has increased in popularity recently. While the inclusion of sprockets showing the film name looks great, as the photographic emulsion covers the full 35mm width of the film in your cassette, it is actually possible to expose your image beyond the standard 24x36mm frame and cover the entire sprocket area with your image. I thought I’d give this a try with my TLR, so read on below to f...
  • "Wait, are you shooting film?" That's the usual question I get at an event I shoot. I started shooting sports at the same time that I even started taking photos at all. My plan was to be a documentary filmmaker, travel the world with a backpack and sleep on random couches and see how far $20 could get me. I was in an MMA gym filming and during breaks, I would randomly take a photo here and there, for no other reason than boredom. I wasn't ever going to be a photographer, who cares? Jake Paul - Cano...
  • Portrayal Of Musicians I’m not sure which came first, my love of photography or my love of music. Growing up in the Boston area, I was fortunate to be immersed in both. Whether it be standing in awe at the beauty of Alfred Steiglitz’s work on display at Boston’s Museum of Fine Arts or being immersed in the local music scene, spending time with the likes of Bonnie Raitt or Aerosmith, these two passions seemed to run in parallel for me. As time progressed my photography, and music connections led me...
  • Our 66th In Focus interview is with Danish photographer Lea Elm who is a writer living in England. Find out why analogue and instant camera's became an epiphany within Lea's work. Section 1 - Background Share your favourite image / print shot on ILFORD film and tell us what it means to you? World - Museum -Liverpool - 2019 - HP5+ It was hard to pick just one but I decided on this one taken in 2019 on my first, and so far only, trip to Liverpool. Rachel Brewster-Wright (of @LittleVintagePhotography)...
  • We thought it would be a great chance to chat with Ben Hawkins & Liza Kanaeva-Hunsicker about their book 'Shooting Film'. This book is a beginner-friendly book which introduces curious individuals to the world of analogue photography. A little bit about yourself Liza: My name is Liza Kanaeva-Hunsicker, I was born and raised in Moscow, got my Bachelor’s degree in California and have been living and working in NYC for the past 11 years. I’m a multidisciplinary artist working primarily in photography...
  • Look back on all the fantastic photography created in January for this week's #ilfordphoto #fridayfavourites, with the theme being #madeinjanuary. @helloimedden @ILFORDPhoto In January I shot a lot of #HP5 #fridayfavorites #madeinjanuary #ilfordphoto #fridayfavourites   @tedayreAt the edge of the Yorkshire Dales…#IlfordXP2 at EI800 on the #NikonFM2 dev & scan by @comethroughlab ?…#35mm, #35mmFilm, #35mmc, #FilmPhotography, #AnaloguePhotography, #AnalogueWonderland, #ComeThroughLab, #...
  • Wednesday Afternoon I remember the message on Instagram from Clare one wet Wednesday afternoon whilst I was halfway through my maternity leave… “Julie & I are getting married on Sunday, any chance you’re free?!” I was absolutely thrilled to get to shoot Clare & Julie’s wedding day and knew they’d make it absolutely their own. They had just 4 guests (their two best friends and their two sisters) and it was such a special and beautifully intimate day. The Most Loving Ceremonies Alth...
  • 'What are you doing?' After 25 years it still catches me off guard. Because my work happens in public spaces, the answer comes often and without pause. Men walking by the scene will change direction and make their way to within a meter of my tripod. While to me it is evidently clear, to the viewers it is understandably strange. For my portraits of girls in rural India, this is supremely true. To set the scene, we are using medium format gear mounted on a tripod, speaking with the children being photographe...
  • Look at our favourite shots you have submitted for this week's #ilfordphoto #fridayfavourites theme being #2monthsonfilm. @film_analoguephotography Reflections of nature Mamiya 645 Ilford fp4. I shoot many rolls of film this month's (not as much as I would like),but I enjoyed every time,every develop,every photo and every print in the darkroom..#ilfordphoto #ilfordfilm #fp4 #ilfordfp4 #2monthsonfilm #fridayfavourites #ilfordfp4plus  @overcasteight The jewel of the town #kentmere400 at 800 #frid...
  • We speak to Lauz Cam, who is our 67th In Focus interviewee. Laura is a London-based self-taught photographer. Her love for film photography started through her budding interest in vintage cameras and has grown ever since. Laura intends to keep analog photography alive by capturing portraits of individuals in a nostalgic way. Section 1 - Background Share your favourite image / print shot on ILFORD film and tell us what it means to you? I think my one of my favourite images is this self-portrait as it was ...
  • Join us while we chat with self-taught photographer Khoi Minh Nguyen, who is our 70th In Focus interviewee. Khoi tries to approach his photography as a still image in a movie and uses this medium to document life. Section 1 - Background Share your favourite image / print shot on ILFORD film and tell us what it means to you? Hasselblad 503cxi - ILFORD SFX 200 The image of my mother is my most proudest moment I had made last year. It felt like I was making work that I have been trying to make for a lon...
  • Why pinhole photography? This is a question I’m often asked, by fellow photographers and complete strangers alike. Using a beautiful wooden Ondu camera, I began exploring the world of slow photography about five years ago. The moment I saw my first developed negatives I knew I’d found a glimpse of photographic heaven. This started my obsession with this ancient form of imaging. As you’ll see, my love of this medium has many facets – the creative possibilities, the look and even the image making pro...
  • Introducing our 15th interviewee and one of Film Finishing's newest team members, Paul Cliff. Who are you? What’s your job title at HARMAN technology and how long have you worked here? My name is Paul Cliff and I have been with the company since February 2023. Tell us a little about your day to day role. I work on our 120 roll film spooling machines. I love everything about it. It’s been like taking control of a classic car, learning all its idiosyncrasies and intricacies; it’s an absolute mar...
  • «If we are always arriving and departing, it is also true that we are eternally anchored. One’s destination is never a place but rather a new way of looking at things. » Henry Miller Community Of Male Bathers Lanterna “Beach” is a long-term project (2015-2022) that documents a community of male bathers in a town in Southern Italy, where I was born and raised, before leaving my country. The work explores the relationship between this peculiar community and the nature of the Pier where they sunbathe...
  • Gosia Janik gives us the lowdown on how she captured this striking portrait. Image Title Xu Jing Technical Info Film Used ILFORD HP5+ Format Medium format 6x5 Camera Mamiya 645 AFD Lens Mamiya 80mm f2.8 Exposure time 1/60 Location Home/studio in Madrid Firstly, tell us the story behind this image. What inspired you to shoot it? I often work with “new faces” - models that are sent to me by agencies to shoot a session for building or renovating their portfolio. Xu was sent to me by...
  • Fascinated By Portraiture Ever since I´m shooting photos I am fascinated by portraiture. There is something special to photograph a person. It´s always a very intimate moment and you have to build a relationship to each person that is in front of the camera. After shooting 35mm for a while I wanted to try something new. Inspired by Nick Brandt and his wildlife portraits in "Across the Ravaged Land", I found out that he uses a Pentax 67 including a 105 2.4 lens for his absolutely outstanding work. Long st...
  • Queer Representation I made the first photograph for The Queering of Photography in 2015. I had recently begun my doctoral studies and there I was, in the Royal College of Art studios, trying to make a start with an academic project on queer representation. My friend Ruth had agreed to sit for me and together we set up the studio. Once I placed a piece of masking tape on the floor, Ruth positioned themselves just behind, ready for the first frame. I had brought with me a handful of printouts from photobook...
  • 'Architecture is the masterly, correct and magnificent play of volumes brought together in light'. Le Corbusier, 1920 Concrete Photography Brutalism as a style has received bad press. When we first hear the term, we all feel a logical rejection. The handbooks go on to explain that it comes from the French term béton brut, although the inventors of the term undoubtedly played on confusion, leaving an after-taste of je m’en fous, of bloody-mindedness, not giving a damn, in short. As a movement, as an a...
  • “I’ll just fix it in the darkroom.” is the motto I’ve lived by for decades. I Was Too Deep Into Analog Studying photojournalism in the late 80s, I was taught to print well but never learned advanced printing techniques because we were being prepared for quick turn-around journalism assignments. Commercially available digital photography was in its infancy, so it wasn’t on my radar, and even when it became standard, I was too deep into analog to have any interest. I shot for a local paper for se...
  • Fading From View My project “Extinct" aims to highlight our quickly vanishing natural world. Just as photographs can fade over time, so many species on our planet are also permanently fading from view. The delicate chemical process of film photography I have chosen highlights the fragility of the medium as well as the state of existence of the species portrayed. Compositions bare the mark of their making. The edges of the frames are vanishing. Imperfections are left on view. As analogue photography is...
  • Allow us to introduce Mandyleft, our 73rd featured artist in our "In Focus" series. Mandyleft is a talented film photographer known for her deep passion for connecting with people, a quality that has immersed her in the vibrant film community. SECTION 1 - BACKGROUND SHARE YOUR FAVOURITE IMAGE/PRINT SHOT ON ILFORD FILM AND TELL US WHAT IT MEANS TO YOU. I took this photo in a hotel in London. It was a very exciting weekend. I had just been to the theatre and then I had been shooting around the West End...
  • Portraits Of Strangers I’ve always been fascinated with people on the street and how they carry themselves. Their faces, body language, the clothes they wear - everyone’s walking around with their own unique story, and I can’t help but be curious. I've spent a lot of time working with non-actors in commercials and documentaries, which has been a crash course in connecting with people quickly. It’s not your typical "stand here, do this" directing. It's about getting real people to open up in front o...
  • Camera And Us Once I started shooting film, I decided to start creating some photography projects. My first photographic project was called: 'Camera and Us.' This project documented people on the street and which camera they used. I chose to use a film camera to capture all kinds of people with their cameras on the street. Once I approached them, I told them my photographic intentions. We would have a simple chat to make them feel comfortable and more importantly, for them to consent to be photographed. ...
  • We are now heading to HARMAN Lab to speak to Charlie Hill , our 16th Behind the Film interview. Charlie works as a Photo Lab Technician here at HARMAN Technology. Find out more about what his role entails. WHO ARE YOU? WHAT’S YOUR JOB TITLE AT HARMAN TECHNOLOGY AND HOW LONG HAVE YOU WORKED HERE? My name is Charlie Hill, I have worked as a Photo Lab Technician since April 2023. TELL US A LITTLE ABOUT YOUR DAY TO DAY ROLE. My day-to-day role revolves around Harman Lab where we offer B&W and colou...
  • The Nod The rope is thick and heavy, and coated with resin applied to heat it up and make it sticky. The cowboy wraps this bullrope around his right hand and ties himself in. A thin leather glove protects him from burning his hand if the rope slips. He settles himself on the back of the 1500 pound Brahman bucking bull named Spooky Lukey, and Spooky Lukey hasn’t been ridden yet this season, or last year for that matter. When he’s set, he gives The Nod. The Nod starts off one of the greatest sequences in...
  • The Love Affair I didn’t even really like racing when we planned our trip to the Monaco Grand Prix. Not racing, not Formula 1, not any of it. But I did have a very long ongoing love affair with the south of France and any opportunity to spend time along the Mediterranean was a go for me. Something Was Unlocked As my husband Mark and I were planning this trip to celebrate a milestone birthday, something happened to me in the lead-up; something was unlocked. It’s Mark who has the life-long love of ...
  • Asphalt Kingdom When I was 15 I picked up my mum’s old and now scarcely used Soligor TM (a cheap 35mm SLR). Having seen a few friends shoot colour film on disposables, I remember thinking “I like how it looks but do they even make film anymore?”. I spoke to my step-dad about where I might find some of this film and he quickly pointed me in the direction of ILFORD, a film manufacturer who’s film he’d stood by for many-a-year (something I’m intent on standing by too). A google search and three cl...
  • Inheritance The thing nobody really tells you about when it comes to inheriting a legacy is the weight of it, and what follows the inevitable acceptance of it. My late grandfather Hendrikus Goris was an avid film photographer in his early 20’s - much like myself. I recently had the privilege of scanning and archiving some incredible images from his earlier years, 30+ rolls of film documenting family life with some rather editorial styled portraits sprinkled in. Most of them were shot on ILFORD film in ...
  • We speak to Ki Price, who is this week's In Focus interview. Ki is a specialist photographer renowned for capturing celebrities, portraits, and fashion. SECTION 1 - BACKGROUND SHARE YOUR FAVOURITE IMAGE/PRINT SHOT ON ILFORD FILM AND TELL US WHAT IT MEANS TO YOU. Tess Parks My favourite image that I have taken is of singer, Tess Parks. I contacted her on Instagram and said, ‘can we do a shoot if you are ever in London?’ She replied and said, ‘I’m in London at the moment.’ I decided to shoot ...
  • The Outcome I am known as a black and white Photographer. I always prefer shooting in black and white. It helps me convey the concept of the image formed in my mind , through my photography. Another reason that always motivates me is the precedence of form over colour. However, sometimes I choose to shoot in colour to see the different outcome's. The outcome is usually that I should never shoot in colour because the type of light I shoot with isn't usually compatible for colour photography. My Favouri...
  • A 10 Day Journey After getting home from Scotland in April of 2023, I was left with a good problem – I had way too many images that I loved. A month before, I had taken my Fuji TX1 panoramic camera, and a bag full of ILFORD Delta 400 and 3200, and walked from Milngavie to Loch Ness, a roughly 156 mile route using the West Highland Way and the Great Glen Way. Nights were spent in tents, days were long and energizing, and photographic scenes seemed to be in no short supply at every bend in the trail. Disti...
  • Introducing our 75th In Focus interview and our analogue community grant winner, Federico Pestilli. Pestilli was born in Rome and became interested in documentary-style of photography, focusing on irony that unites people, places and symbols with each other. Section 1 - Background Share your favourite image / print shot on ILFORD film and tell us what it means to you? Heritage - Arianna - Cocullo, Italy - Pentax 67, 135mm lens - HP5+ This is an image of Arianna, a snake handler from the town of Cocul...
  • Environmental Portraits I started my analogue black and white portraits of artists in spring 2021, the second year of the pandemic. I wanted to photograph actors in Berlin over a longer period of time. This was the right moment because theaters were closed and filming of movies had largely been stopped. I decided to shoot some kind of “environmental portraits” in public spaces. I wanted the location to be part of the portrait. In addition, local health restrictions back then allowed gatherings of exact...
  • Oh, crap! What have I done? Let’s see.  I committed to do a solo photography show, with twenty-seven images.  All twenty-seven are 4x5 black and white negatives, so they need to be darkroom printed.  And those will be 20x24 prints.  Yeah, and I need to have them matted and framed.  The icing on the cake?  I have just under three months to do this. Yep, this is going to be an interesting project.  But let’s back up to the beginning. The Event It was April 2023, three years after the pand...
  • The Truth Is It is always with regret when I say that I never had a formal arts education. The truth is, growing up, I devalued the ability of taking a ‘decent’ picture along with whether I could kick a ball with my left foot (I can) or produce a winning back hand on the tennis court (I can’t). Photography was for holidays and special occasions and not much in between. In the days before social media and personal websites, a work colleague once asked me for printed copies of my photos after a trip to...
  • We caught up with the incredible Jane Meling to unveil the secrets behind her breathtaking panoramic landscape masterpiece! Join us as we unravel the secrets in our exclusive 'How I Got this Picture' series. Image Title River Of Light TECHNICAL INFO Film Used ILFORD FP4 Plus Format 120/617 Camera Linhof Technorama 617s III Lens Schneider 250mm Tele-Xenar Exposure time 1 second Other equipment Gitzo Explorer Tripod, Lee 100 red filter Location Ober Goms, Geschinen, Valais, Switzerland F...
  • Join us while we chat with freelance photographer Dominik Friess, who is our 76th In Focus interviewee. Dominik's main focus in photography is portraiture, as it is the form of photography that resonates with him the most because of the uniqueness and depth that each person carries within themselves. SECTION 1 - BACKGROUND SHARE YOUR FAVOURITE IMAGE / PRINT SHOT ON ILFORD FILM AND TELL US WHAT IT MEANS TO YOU? I don't believe I have an 'all-time favorite' as such. I've taken many photos on ILFORD fil...
  • Is a Photograph a Photograph if it Was Not Made with a Camera, Lens, or Negative? The ethereal color palette and expressionistic qualities of the work I have been making with ILFORD's photographic paper seemingly resemble the representations of light and color as seen in many landscape paintings (think J.M.W. Turner, Albert Bierstadt, Thomas Cole); however, the work in my on-going project, I Thought You Left / I Wish You Were Here, are lumen prints—a form of camera-less photography where objects or a neg...
  • Use Of Elegant Black and White Since 2014, Angélique Boissière has been exploring film photography through medium format, which she likes for its square framing, and thus to get reacquainted with an art that calls to her from her teenage years. With a classical artistic background nurtured through her practice of dance and her affinity for Impressionist and Romantic imagery, the feminine nude came up as an obviousness, given the immutable place it takes in the western Art History. It is with the same aim...
  • Finding Your Niche I never expected to be doing what I do today. For some reason, it never crossed my mind that I could photograph people for a living. I struggled a lot through university. It wasn’t that I didn’t enjoy my classes, but I truly had the hardest time finding my niche until the last year or two. I knew I loved working with film. Digital was nice, but too sterile for my taste, and I felt that I could never achieve the look I was aiming for. 35mm was a step in the right direction. It provide...
  • The Dynamic There is something distinctly different about photographs of cities versus rural areas. The variations of negative space, the intensity of nature versus people, and the rhythm of light that exists in these places; all contribute to the dynamic of a photograph. Personal Goal Last March, I made a trip to Colorado and the Grand Canyon to visit two of my best friends. I went on this trip carrying more black and white film. My favourite ILFORD film is HP5+. It’s my personal goal to photograp...
  • Same as ours The reportage tells of a journey in the regions of Northern India, starting from the borders with Pakistan to the banks of the Ganges river, in Varanasi. The story traveled on trains, buses, planes and tuc tuc. The roads were all dusty and bumpy but the people met were all clear and sunny. The glances reveal details of everyday life: people working, eating, sleeping, children going to school. Their daily life is the same as ours, but at the same time very different. If you step off the well-tr...
  • What would happen if I dedicated myself entirely to film photography? More then a year ago I had this idea in my head. What would happen if I dedicated myself entirely to film photography? After 10 years of being a sidekick to my creative output, I felt the need to give more attention to my analogue passion and the desire to change my creative habits. To challenge myself. To no longer rely on the vague promise of the digital safety net of mass storage and a camera screen that promises instant judgement of ...
  • Today's friday favourites #halfframe theme felt fitting after the launch of the new Pentax 17 last month. I think every shot that we've chosen has been taken on a different half frame camera! @CBarnePhoto #halfframe #ilfordDelta100 #fridayfavourites #ilfordphoto Shot on my Pen EE not a Pentax 17, but window cleaners in action @PhlStrchn My entry for this week's #ilfordphoto #fridayfavourites . This week's theme is #halfframe and is in celebration of the brand new Pentax 17 half-frame film camera. I ...
  • FILM AND DOCUMENTARY FAMILY PHOTOGRAPHY Only in 2022, I bought my first film camera - a Minolta X700. Right from the first film I was absolutely in love with shooting analog. Working as a documentary family photographer I am drawn to the honest and unfiltered truth of family life. For me, analog photography and documentary family photography converge, weaving elements of rawness and unadulterated truth. There are no hundreds of images, meticulously sifted through for the best; no embellishment through hour...
  • Introducing Susie Jones, our 78th In Focus interviewee. Susie is an artist, songwriter and musician based in the Northwest of England, find out why analogue photography is her latest expression. SECTION 1 - BACKGROUND SHARE YOUR FAVOURITE IMAGE / PRINT SHOT ON ILFORD FILM AND TELL US WHAT IT MEANS TO YOU? Jumping straight in with the difficult questions here. I find it impossible to choose favourite images, it constantly changes. We see so much of ourselves and our current state in images and how we rela...
  • I Instantly Fell In Love My photography journey began while I was studying graphic design. My course tutor handed me a camera & a roll of ILFORD HP5+, and sent me out, with no real brief, to ‘take some pictures’. Armed with a macro lens I roamed around the cities’ botanical gardens and became lost in a close-up world of symmetrical patterns, found in the plant life. When I returned, with my roll of film, to the photography department darkroom, I instantly fell in love with the process and the res...
  • We thought the theme of #ilfordsummer was fitting for this week's #ilfordphoto #fridayfavourites since the weather has warmed up from our side of the globe. @MarceloHdezA. Praga ilford hp5 400 #ilfordphoto #fridayfavorites #ilfordsummer #ilfordhp5 #CzechRepublic.   @pjmeade. There’s no better way of spending a summer day than cricket. These are three of my favourite grounds, Maidenhead and Bray, Oxford Parks and RMA Sandhurst. Shot on Delta 100 or 400 #ilfordsummer #ilfordphoto #fridayfavo...
  • I’m sure a lot of us are well aware of the amazing, historic spectacle UFC 300 turned out to be, but this road trip was much more than just that one night… Denver, Colorado I began the drive to Denver, CO from Austin, TX on March 20th, 2024. I had dates with 2 world-class and world-renowned MMA gyms with some of the best male and female mixed martial artists on the planet, High Altitude Martial Arts and Factory X Muay Thai. On the drive to Denver, I had the idea of doing a portrait series on film of a...
  • The struggle for life Black-and-white photography captures so much emotion, and nothing is more emotive than the struggle for life.  This insight led to the project GRAPPLERS ON FILM, where I use a number of vintage film cameras to capture the struggles of ordinary people training in the grappling arts of Judo, Wrestling and Jiu Jitsu. Zenza Bronica - ILFORD XP2 Submission For those not involved in the grappling forms of martial arts, the goal is to get a hold of your opponent and then force them to...
  • This week in our In Focus interview, we speak with Michèl Passin, a Leipzig-based photographer and videographer specializing in portraiture and documentary work. SECTION 1 - BACKGROUND SHARE YOUR FAVOURITE IMAGE / PRINT SHOT ON ILFORD FILM AND TELL US WHAT IT MEANS TO YOU? This picture was taken for my project “18:09”. It was shot with a Mamiya 645 1000s on FP4+. After developing and scanning I was blown away how everything turned out. Everything came out the way I planned it. For me it’s just pe...
  • #lyricallyspeaking was this week's #ilfordphoto #fridayfavourites theme which was inspired by this year's 2024 MTV Video Music Awards. Who was your favourite performance? @roghughe. I met Marco whilst walking along the banks of the Seine, he was practising his trombone in the greenhouse of floating garden of Les Jardins de l’Archipel des Berges-de-Seine-Niki-de-Saint-Phalle. Marco practices here so that he doesn't disturb people - although he was playing some fine tunes, so you wouldn't find him very ...
  • It was the perfect film to learn with I’ve always loved shooting portraits, and the first medium format film I used was ILFORD HP5+, shooting portraits in high school with the Rolleiflex TLR that I still use today. It was the perfect film to learn with — forgiving and rewarding. When I started directing music videos in my 20s, I brought that Rollei to set to take press photos between set ups. Around the same time, I was working as Ava DuVernay’s director’s assistant on the Netflix series When They ...
  • My camera is a passport to a world of amazing discoveries My adventures began as a five year old. I started spending wondrous times with my dad in the quiet glow of his darkroom. I took great pride with my responsibility to gently rock the prints in the hypo tray. Ah, the sound of gurgling water and the warm orange glow from the safe lights. I was totally enthralled by seeing an image come alive in the developing tray...pure alchemy! It comes as no surprise when I say I frequently retreat to this magical z...
  • Back in August 2000 Last time I have attended a night concert was back in August 2000, Bon Jovi playing at the old Wembley Arena. Great times, really great; but as with all good times, that concert was the last one for me. Life got in the way, and what with this and that, I stopped going to such events. Still have the stub from the BJ's gig, though. With Some Reluctance But life has a funny sense of going round in circles and so I got to experience again the thrills of a night concert. My daughter (1...
  • This week we interviewed Berlin based, portrait photographer Jakob Stolz for our 'In Focus' series. SECTION 1 - BACKGROUND SHARE YOUR FAVOURITE IMAGE / PRINT SHOT ON ILFORD FILM AND TELL US WHAT IT MEANS TO YOU? To me this is my most personal photograph I've ever taken. It's my grandfather Kurt who passed away last year at the age of 87. All his life he lived in Duisburg, Germany and worked as a carpenter. I started photographing him 7 years ago and continued so to the very end. These photos are very clo...
  • In this 'Behind The Film' interview, we head back to R&D to speak to Kieran Collings who joined the company in 2023. WHO ARE YOU? WHAT’S YOUR JOB TITLE HARMAN TECHNOLOGY AND HOW LONG HAVE YOU WORKED HERE? Hi my name is Kieran Collings, I am a Scientist II in the Research & Development department. I joined in August 2023 straight from University. TELL US A LITTLE ABOUT YOUR DAY TO DAY ROLE. I work in the early development team, specifically on sensitising dyes that are needed for the films to b...
  • In our latest 'How I Got This Picture' interview with Ross McDaniel, find out what led him to try something different to capture Arches National Park. Image Title Monolith TECHNICAL INFO FILM USED Kentmere Pan 400 FORMAT 35mm CAMERA Nikon F5 LENS Laowa 15mm F4 EXPOSURE TIME 30 minutes at f/4 Other Equipment Tripod, Remote shutter release LOCATION Balanced Rock, Arches National Park, Utah, United States, Earth FIRSTLY, TELL US THE STORY BEHIND THIS IMAGE. WHAT INSPIRED YOU TO SHOOT IT? ...
  • Say Hello Few people feel comfortable striking up a conversation with a person they haven’t previously met. I refrain from using the word “stranger” because the way I see it, we’re all fellow humans, potential acquaintances, possible friends. And who says they’re any stranger than I am? After all, I’m the one going up to people I meet in public asking to make their portrait. A camera in hand really is a magical device that allows us to meet almost anyone, anywhere. To approach them. Say hello. ...
  • A Revelation Just south of Sydney sitting on one of Australia’s most pristine coastlines you’ll find the regional city of Wollongong. Nestled within this city of surfers, coal miners and steelworkers you’ll find a group of students creating big things in a small darkroom. ‘Mez, I’ve been thinking a lot… I want to be a fine art black and white film photographer.’ These words from one of my TAFE NSW students, Sara, were delivered with a shakiness in her voice, utter passion in her heart, ...
  •  'PRIDE & PREJUDICE' Winner announced For the 2024/25 ILFORD Photo student photography competition we set the theme of 'Pride & Prejudice'. Borrowing the title from Austen's classic novel, we wanted to see how you interpreted its central themes of Pride and Prejudice and how it is reflected in the today's world. Could be morality, social standing, race, religion, or sexuality that embodied the 'Pride & Prejudice' through your lens. As always, they rose to the challenge and entries started c...
  • The Main Topics My name is Maria Guțu I am a Moldovan born and  based photographer, focusing on long term documentary projects.  In 2022 I finished my studies at the Docdocdoc School of Modern Photography, Saint Petersburg, earlier, in 2020 I graduated in cinematography at the Academy of Music, Theatre and Fine Arts from Chisinau, Moldova where I have been studying for 4 years. The main topics in my work are remote places, youth, the notion of the home and the relation between humans and the environment...
  • Our next Community Focus interview takes us to Berlin, where we had the opportunity to chat with Queer Analog Darkroom. They've created an inclusive space for individuals who face barriers to accessing knowledge about analog photography due to discrimination and marginalization, ensuring everyone has the opportunity to learn and create. SECTION 1 - BACKGROUND LET’S START EASY. TELL US A LITTLE ABOUT THE DARKROOM, WHAT IT’S CALLED AND HOW IT STARTED. Queer Analog Darkroom (QAD) - is a self-organized, ...
  • Next up, for our 85th In Focus interview, we spoke with freelance event and project manager, Ali Monk. SECTION 1 - BACKGROUND SHARE YOUR FAVOURITE IMAGE / PRINT SHOT ON ILFORD FILM AND TELL US WHAT IT MEANS TO YOU? This has probably been my favourite image I have taken since it was shot back in 2021. I had been spending the day with one of my favourite people in Brighton. Lockdown was over and we could spend time with loved ones again doing all the things we hadn’t been able to do for a while. My frien...
  • Everything Shifted I first came to photography as a teenager, experimenting casually with digital cameras. But it wasn’t until after my PhD in cinema studies focused on representations of family in American television, that I returned to it with real intent. Living in Bordeaux at the time, I had occasionally photographed concerts, mostly as a hobby. Then, during the first COVID lockdown, everything shifted. With time slowing down, I picked up my partner’s analog camera and began shooting in the garden,...
  • Connected Shooting film is an act of patience, a commitment to slowing down in a world that moves too fast. With digital photography, you can take hundreds, thousands, of images in a matter of minutes. There’s no real cost to over-shooting, no pressure to be deliberate. But film demands something different. Each frame is finite, precious. You select before you shoot, considering light, composition, and emotion in a way that feels more meditative, more connected. The Beauty of Imperfection There’s an...
  • Our next In Focus interview features Justin Lockey. As well as being  the lead guitarist of the indie rock band Editors, Justin is also a photographer, writer, director and producer. When he’s not doing any one of those things he’s asleep, or messing around with cameras, or reading about lenses and optical formulas. SECTION 1 - BACKGROUND SHARE YOUR FAVOURITE IMAGE / PRINT SHOT ON ILFORD FILM AND TELL US WHAT IT MEANS TO YOU? I took this in Venice last year, I was playing around with a rolleiflex ...
  • Push it to the limits A brand new film is a wonderful prospect in the current analogue photography marketplace, and I am always eager to discover what a modern emulsion, concocted in this decade, can bring to my documentary photography workflow. When Kentmere 200 was announced, I knew I had to time my first efforts carefully in order to have something more than street snaps and mundanity to show for it, to really push it to the limits of what I demand from the film stocks I have become used to. Versatil...
  • A Timeless Story This editorial came from a desire to tell a timeless story. Through mood and atmosphere, using the expressive tools of analog photography, I wanted to create a visual world that felt both intimate and slightly surreal.  One where the character and setting merged to suggest a narrative without spelling it out. Working with ILFORD FP4 Plus allowed me to craft this vision with precision and texture, embracing the constraints and beauty of natural light and medium format film. Each Frame M...
  • It’s Friday again, which means a brand-new #FridayFavourites and a fresh collection of images to enjoy!  We love seeing all the photos and prints you share that have been made using our products—it’s so inspiring. Every post not only celebrates your own creativity but also sparks new ideas for others. Please keep sharing, and remember to use #fridayfavourites. @Kirigir77434381#ilfordphoto #fridayfavourites Mamiya press super23, Kentmere pan200, Tokyo pyro, TPfix   davidezappettini F...
  •  These are portraits from this series. This is “Burnt Orange” —- a B&W photo project on evolving identities and third culture experiences through the lens of portraiture. In my experience being able to connect and share so much of intimacy through photography, I first share that with my friends and the people I meet along my many journeys. These are portraits from this series. Portraiture as a mirror I didn’t really understand the art of portraiture before thsi project. What it means to giv...
  • Let’s start easy. Tell us A little about the darkroom, what it’s called and how it started. The darkroom is a central part of the activities of SAIM (The Shoreditch Academy of Image Making). SAIM was established in 2020 as an independent photography school by its two founders Ian Jackson and Adrian Mott. Both with long careers as commercial photographers plus extensive experiences as postgraduate University teachers. As a private London school SAIM’s unique offer is a permanent darkroom and studio ...
  • We're now 10 interviews into this series and its been fantastic to hear about so many community darkrooms and the work that they do. This time we're heading to Turkey to speak to Fotohane Darkroom. Let’s start easy. Tell us A little about the darkroom, what it’s called and how it started. The project is called Fotohane Darkroom. It’s a mobile and analog photography workshop based in Mardin, in southeastern Turkey, near the Syrian border. We work mainly with Syrian, Iraqi, and Turkish Kurdish child...
  • Another great week with lots of different images share over our social feeds. We only have one week left now until we'll be sharing some historical posts over the holiday period so please make sure we have our work cut out for us next Friday by sharing lots of images over the coming week. ‪Anthony Paris‬ ‪@aparisphotos.bsky.social‬ A cold morning. Scan of an Ilford MGRC Deluxe Glossy print. I prefer fiber for viewing in person, but always use RC for scanning. 

#ilfordhp5 #ilfordMGRC #frid...
  • A black and white journey into the depths When I leave home for a day of diving, I always feel a mix of excitement and detachment. A moment alone at dawn, when everyone is still asleep, becomes a kind of quiet ritual: methodically packing my gear, performing last checks, loading film and setting off towards a world apart. My photography was born from a simple desire: to share those moments — their quiet magic, and the subtle mix of lightness and oppression that comes with the depths. Swallowed by ...
  • Let’s start easy. Tell us A little about the darkroom, what it’s called and how it started. Negative Development  is a community darkroom in Manchester. The project took shape after I began searching for a community space, and when none could be found, the idea became to create one. The first studio was a small unit in Pollard Yard, Ancoats, with two enlargers and a focus on one to one workshops. From there, the darkroom has grown through regular use and our loyal community. We now work from a more c...
  • How it all began “So what’s your next project?”, my friend David asked me over lunch one day in the spring of 2024. Unprepared for the question, my focus still on my second book, Fragments, which had just been published, my answer was quick and nochalant. “I think I’m going to dig out my 4x5 and shoot some street portraits of total strangers”. I surprised even myself with the answer. It was as if I was sitting in his chair and hearing that response for the first time. I can remember the conv...
  • A big Inspiration A big inspiration for me is Jill Furmanovsky. I’d been at ILFORD for maybe 3 months when I went to a music photography exhibition at Manchester central library. It featured some of her work. Seeing her contact sheet of Joy Division shot on ILFORD HP5 PLUS was what made me start shooting gigs. It was a band I loved on a product I was now helping to make. Capturing emotion and atmosphere I started taking the odd picture on a little point and shoot at gigs I was going to. Then I finall...

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