The store will not work correctly in the case when cookies are disabled.
We use cookies to make your experience better.To comply with the new e-Privacy directive, we need to ask for your consent to set the cookies.Learn more.
Introduction
I’ve been a photographer for 35 years since I was 11 in fact when I first loaded my Zenith 11 with film and set off for a walk into the wilds of South Yorkshire. 20 years later I turned professional and as soon as digital became a viable option I traded in my Nikon F90x and Mamiya 645 pro for a Nikon digital kit. Digital was for me always a triumph of convenience over real quality in those early years and not much else. It wasn’t until Canon brought out the 5D series that I found myself ...
Man of science
I love alternative photographic techniques like dry plates and brushed on emulsions. I am a darkroom fanatic – always exploring new ways to mash up digital with traditional analog techniques. I love all kinds of print processes – cyanotypes, salts, van dykes to name a few. I shoot all formats right from 35mm half frames up to 8×10 large format.
I am also an avid camera collector but prefer to be a user rather than an admirer of my cameras. I currently use a Nikon F3, Leica M-A, Hasse...
An appreciation of Ilford FP4
The greatest pleasures can be taken from the simplest of things. An appreciation of something old that gets passed by while everyone tries to keep up with the crowd or the relentless progression of technology. For me Ilford’s FP4 is one of those little pleasures.
The RAF
I was a photographer in the Royal Air Force from 1986 -1995. At my RAF unit we had little choice of film stock. It was FP4 and HP5 for black and white. Being stationed at a headquarters unit mean...
Taking the plunge
I'd had this roll of Ilford HP4 for a good few months and was hesitant to put it through a camera. The fact that it was so pristine in it's condition made me feel that whatever I used it for had to be significant. I had to wait for the right opportunity.
As the weeks passed, I began putting unnecessary pressure on myself to plan a shoot around this one film. It was sitting on a shelf, judging me. At this point I decided to stop procrastinating and just shoot the roll, regardless of w...
It is my opinion that some photographers mistakenly regard ILFORD HP5 PLUS and its predecessors to be a somewhat cheaper, lower quality response to Kodak’s Tri-X. I hope to demonstrate in this review that this assumption simply isn’t the case.
There’s much more to HP5 PLUS than meets the eye – something that regular shooters of this film will be more than aware of (you folks can leave now, nothing new here).
For those of you who haven’t shot this film before, this review will give you my tak...
Thank you
What a fantastic year! We've seen film usage increase again, with more people than ever either picking up a film camera for the first time, or re-discovering their love for shooting film. We're really excited to see what next year brings.
A huge thank you to everyone who shares #ilfordfilm images with us on our social media streams. We love seeing what you are shooting with our films and chatting to you on Twitter / Facebook and Instagram.
We have lots of exciting plans for 2018, including ...
The Grand Canyon at Plateau Point
Technical info
Film Used: ILFORD FP4+
Format: 4x5
Camera: Wista 45DX
Lens: Rodenstock: 90mm f/4.5
Exposure time: 1/60th
Other equipment: Red filter
Location:
Plateau Point, Grand Canyon National Park
Firstly, tell us the story behind this image. What inspired you to shoot it?
One weekend at the last minute I decided to do a full moon hike to Plateau Point in the Grand Canyon. My plan was to hike down around ...
An experiment in chemical possibilities
When I took up a camera after a few years’ hiatus in 1990, I was surprised to discover that I could no longer get a black & white film developed through the nearest camera shop, never mind through the local pharmacy. If memory serves, I was told it would cost $40 for a single film. Naturally, I returned to processing my own film just I had done when I first took up a camera in the early 1970s. The world had moved on, and colour film was the default medium f...