The store will not work correctly in the case when cookies are disabled.
We use cookies to make your experience better.To comply with the new e-Privacy directive, we need to ask for your consent to set the cookies.Learn more.
Choosing Photo Chemicals We have a range of photo chemicals for printing/processing all of our resin coated and fibre base papers in trays/dishes as well as in processing machines. If you are new to printing the choice could appear excessive yet each liquid or powder paper developer has its purpose or strengths. For an overview of the whole range and […]
ILFORD PHOTO offer an extensive range of black & white photographic paper. A photographer's choice of paper is a subjective decision based on personal tastes and preferences. It can also be impacted by the type of images you shoot and the final look you want to achieve. Papers all have different characteristics and purposes and so […]
What are paper developers? Paper developers allow the latent exposed image to become visible to the naked eye and form part of a processing workflow along with a stop bath and fixer. Read our guides, for more information on picking the right paper for you or which chemistry to choose When shopping for photo chemicals always […]
5th April 2017 Buoyed by ongoing global resurgence in photographic film use, HARMAN technology Limited is delighted to be offering film photographers the opportunity to place orders for a range of specialist film products and formats for the 12th consecutive year. To enable this film photography revival, it is vital that a wide range of […]
ILFORD PHOTO ANNUAL ULF, CUSTOM & SPECIALIST FILM MANUFACTURE This annual campaign allows ULF photographers the opportunity to order selected sizes of ILFORD sheet film and other specialist products without the constraints of the usual minimum order quantity. Custom and specialist sizes may still be manufactured outside of this campaign, but minimum order quantities will […]
Making a silver gelatin print Take a look inside the darkroom of Master Printer Tim Rudman whilst he shares the methods that he employed when making a silver gelatin print for his latest book Iceland, An Uneasy Calm Tim discusses various techniques including negative preparation, dodging and burning and using coloured filters for contrast control. Tim also […]