#filmisalive

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  1. Historic Site Photography

    Stave Lake Historical Powerhouse One of the genres of photography that I seldom get to experience is that of industrial photography. However, there is one exception in my vicinity at the Stave Lake Historical Powerhouse – a national historic site of Canada, which started producing hydro-electric power in the early 20th century until a modern […]

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  2. Behind The Film - Charlie Hill

    We are now heading to HARMAN Lab to speak to Charlie Hill , our 16th Behind the Film interview. Charlie works as a Photo Lab Technician here at HARMAN Technology. Find out more about what his role entails. WHO ARE YOU? WHAT’S YOUR JOB TITLE AT HARMAN TECHNOLOGY AND HOW LONG HAVE YOU WORKED HERE? My […]

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  3. One Day At A Time Boys

    Sharing Our Experience One Day At A Time Boys is an arts project that has run for the past 3 years in Damien John Kelly House (DJK), a recovery community for men based in Liverpool 15. Offering a program of support based in the arts, sport and culture. We celebrate our community, explore individuality whilst […]

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  4. Portraits Of Strangers

    Portraits Of Strangers I’ve always been fascinated with people on the street and how they carry themselves. Their faces, body language, the clothes they wear – everyone’s walking around with their own unique story, and I can’t help but be curious. I’ve spent a lot of time working with non-actors in commercials and documentaries, which […]

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  5. Frankenstein-Hasselblad

    Something that I love For the longest time I was aware that I had difficulties reading, writing, and understanding certain things, but it was only when I was diagnosed with Dyslexia and Dysgraphia that is became clear why this was. I have enjoyed the art of photography for so many years and after a triple […]

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  6. Uppies and Downies

    One Specific Speed Rating Us film photographers are used to the limitations of our medium. In fact, we often regard them as strengths, and not weaknesses. But even we can’t really take issue with the suggestion that as soon as we begin to expose a roll of film we are limited to one specific speed […]

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