Search results for: 'art hand and trai ig'

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  • Push it to the limits A brand new film is a wonderful prospect in the current analogue photography marketplace, and I am always eager to discover what a modern emulsion, concocted in this decade, can bring to my documentary photography workflow. When Kentmere 200 was announced, I knew I had to time my first efforts carefully in order to have something more than street snaps and mundanity to show for it, to really push it to the limits of what I demand from the film stocks I have become used to. Versatil...
  • A Timeless Story This editorial came from a desire to tell a timeless story. Through mood and atmosphere, using the expressive tools of analog photography, I wanted to create a visual world that felt both intimate and slightly surreal.  One where the character and setting merged to suggest a narrative without spelling it out. Working with ILFORD FP4 Plus allowed me to craft this vision with precision and texture, embracing the constraints and beauty of natural light and medium format film. Each Frame M...
  • Hey, my name is David, better known as @Twostopsover, and ILFORD asked me to share a bit about my 3D printed dual format camera. Who am I? A quick intro about myself: I’m a cinematographer working in the commercial space, and in 2017 I rediscovered analog photography and fell head over heels in love with it. I think what excites me so much about shooting film is the process, and even more so, how much room there is to experiment. I mean, with which digital camera can you swap out the entire sensor wit...
  • We're now 10 interviews into this series and its been fantastic to hear about so many community darkrooms and the work that they do. This time we're heading to Turkey to speak to Fotohane Darkroom. Let’s start easy. Tell us A little about the darkroom, what it’s called and how it started. The project is called Fotohane Darkroom. It’s a mobile and analog photography workshop based in Mardin, in southeastern Turkey, near the Syrian border. We work mainly with Syrian, Iraqi, and Turkish Kurdish child...
  • A black and white journey into the depths When I leave home for a day of diving, I always feel a mix of excitement and detachment. A moment alone at dawn, when everyone is still asleep, becomes a kind of quiet ritual: methodically packing my gear, performing last checks, loading film and setting off towards a world apart. My photography was born from a simple desire: to share those moments — their quiet magic, and the subtle mix of lightness and oppression that comes with the depths. Swallowed by ...
  • How it all began “So what’s your next project?”, my friend David asked me over lunch one day in the spring of 2024. Unprepared for the question, my focus still on my second book, Fragments, which had just been published, my answer was quick and nochalant. “I think I’m going to dig out my 4x5 and shoot some street portraits of total strangers”. I surprised even myself with the answer. It was as if I was sitting in his chair and hearing that response for the first time. I can remember the conv...
  • A big Inspiration A big inspiration for me is Jill Furmanovsky. I’d been at ILFORD for maybe 3 months when I went to a music photography exhibition at Manchester central library. It featured some of her work. Seeing her contact sheet of Joy Division shot on ILFORD HP5 PLUS was what made me start shooting gigs. It was a band I loved on a product I was now helping to make. Capturing emotion and atmosphere I started taking the odd picture on a little point and shoot at gigs I was going to. Then I finall...

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