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Processing your own film can speed up your workflow and give you quicker access to your negatives. It is also typically more cost effective and best of all there is nothing like the sense of satisfaction you will gain by taking control over the full end-to-end process of your photography.
While trying it for the first time might be a daunting prospect, fear not. Below is our guide on what equipment, chemistry and method would be suitable for anyone new to processing films. For more detail, you can downlo...
What are film developers?
Film developers are a photographic chemical that turns your exposed film into working negatives as part of a processing workflow. (You will also need a stop bath and fixer - for more information on how to process your film or which chemistry to choose read our guides).
We offer a broad range of film developers that are designed to exploit the different characteristics of our films. Developers are available in either powder and liquid concentrate form and have a range of charact...
Split grade printing
The version of split grade printing described here is that taught to me by the ILFORD head printers, Mike Walden and Terry Offord, and is the simplest, fastest way to make good darkroom prints from pretty much any negative. (The exception is really underexposed negatives to print these you usually only need high contrast).
This is a very powerful technique that can be used routinely with variable contrast (VC) papers, such as ILFORD MULTIGRADE. It makes use of the differing performa...
Choosing Photo Chemicals
We have a range of photo chemicals for printing/processing all of our resin coated and fibre base papers in trays/dishes as well as in processing machines.
If you are new to printing the choice could appear excessive yet each liquid or powder paper developer has its purpose or strengths. For an overview of the whole range and what they do we have pulled together an introductory overview. If you are a beginner* and wondering where to get started then read on.
*While thi...
One of the best things about film photography is that the creative process doesn't end in the camera. Processing your images in a darkroom is not only great fun, but it also allows you to exercise complete creative control over the final look of your image.
We cover some of the essentials needed to set up a darkroom in our beginner's guide and have also developed a series of short animations which cover essential darkroom equipment, darkroom safety tips as well as how an enlarger works.
Below, we cov...
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Introduction
I’ve been a photographer for 35 years since I was 11 in fact when I first loaded my Zenith 11 with film and set off for a walk into the wilds of South Yorkshire. 20 years later I turned professional and as soon as digital became a viable option I traded in my Nikon F90x and Mamiya 645 pro for a Nikon digital kit. Digital was for me always a triumph of convenience over real quality in those early years and not much else. It wasn’t until Canon brought out the 5D series that I found myself ...
The Start
I had previously experimented with photography, but nothing too technical. To my astonishment, I managed to capture some really good images and the bride and groom loved them.
Using the positive feedback I received from them, I kept hold of the camera and began to research techniques. I began with my pet dogs (many photographers favourite models), then moved on to young family members and babies, then to asking friends if they could travel to a location with me and let me shoot them.
Taki...
A little background
I was born and raised in Caracas, Venezuela. My chosen field of study was production engineering, but was I taking photography classes in the evenings and began working for a super cool magazine called Urbe, which is a bit like what Vice is in the UK now. I quickly became the chief photographer shooting all kinds of amazing and interesting people, and it was then that I knew that this is what I wanted to do with my life. Looking back it was quite an interesting time - I’d be learnin...