Search results for: 'my safe white'

Film and single use cameras How long after exposing can I leave my film before processing? For best results, we always advise processing soon after exposure although in practice most films can be left for several months. One exception is ILFORD PANF Plus, we would always advise processing this film as soon as possible and certainly within 3 months of the film being exposed. How do I account for film reciprocity during long exposures? This information can be found in the Film Reciprocity Failure Compensa...

Photographic Paper FAQ's Which paper product is best/suitable for photograms.  All of our ILFORD photographic papers will easily produce photograms, so the choice will depend on which surface finish you prefer and whether or not you want fibre or resin coated. Resin coated paper is lower cost, easy to process and dry flat and would be a good choice for starting out. Does reciprocity affect paper? Paper products are designed for much longer exposure times than film and are less sensitive to reciprocity...

1992 - How I met Masterji Soon after leaving my staff photographer’s position on the local newspaper where I’d been employed for the previous 5 years and with the luxury of in-house film processing no longer a convenient option I began using my local city centre professional colour lab, in Coventry. During the accumulating hours I spent in that lab waiting for my 35mm films to process, watching small colour prints dropping from the conveyor belt from the end of the machine, I very watched a short In...

The last six years I picked up my first camera about six years ago, and I haven't looked back since. Well, not on my choice of beginning Photography, but I have looked back on my choice of cameras. Over the past six years, I've achieved quite a bit, and I've enjoyed every moment of it - from my first exhibition to running my own photography gallery. However, I'd always felt that there was something that I was missing out on. Photography, for me, is an art form that allows you to be creative and passion...

Chatyn-Tau, Caucasus Peter Schön has shot many beautiful ski, snow and mountain images (among others) on black and white film. Here he shares his story behind 'Chatyn-Tau, Caucasus' in the second post in our 'How I got this picture' series. Chatyn-Tau, Caucasus © Peter Schon   Film Used – ILFORD DELTA 100 Format - 135 35mm Camera - Contax T3 Lens – Carl Zeiss Sonnar T* 35mm F2.8 Other equipment –Heliopan yellow filter (2x) Location - SE couloir (55-60°, 1900m) ...

A former life . . . Before my life as a photographer I worked in Social Services for many years advocating and caring for adults with severe intellectual and psychical disabilities. It was an aim of mine after completing my photography studies to somehow incorporate my former work with my new creative profession. A film connection Shortly after going freelance I was contacted by a Diversional Therapist from a Sydney hospital who had a client with a Traumatic Brain Injury who, before a tragic accident som...

An appreciation of Ilford FP4 The greatest pleasures can be taken from the simplest of things. An appreciation of something old that gets passed by while everyone tries to keep up with the crowd or the relentless progression of technology.  For me Ilford’s FP4 is one of those little pleasures. The RAF I was a photographer in the Royal Air Force from 1986 -1995.  At my RAF unit we had little choice of film stock.  It was FP4 and HP5 for black and white. Being stationed at a headquarters unit mean...

Road trip? This Spring three friends and I piled ourselves and a months worth of gear into a 29 foot RV, and hauled it, and 4 snowmobiles into the Chugach mountain range near Valdez, Alaska. During one month we drove roughly 10,000 miles, shot 30 rolls of film, broke 2 snow machines, destroyed a few pairs of skis, and between the four of us broke the world record for hotdogs consumed (unconfirmed). It was challenging at times, but if we’d wanted an easy trip we would never have come this far north...

It is my opinion that some photographers mistakenly regard ILFORD HP5 PLUS and its predecessors to be a somewhat cheaper, lower quality response to Kodak’s Tri-X. I hope to demonstrate in this review that this assumption simply isn’t the case. There’s much more to HP5 PLUS than meets the eye – something that regular shooters of this film will be more than aware of (you folks can leave now, nothing new here). For those of you who haven’t shot this film before, this review will give you my tak...

For the love of it all I’ve always had a love affair with black and white photography. I don’t know if it stems from the excitement of watching my first print emerge under the glow of a safelight, or that using texture and shape can make a barren scene look beautiful. Maybe it’s both. They say love makes you a better person. I think the same goes for the relationship between film and photographers. Trust & Understanding There’s a certain level of trust and understanding that goes on betwee...