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People often ask me why I love street photography so much, my answer is always “you never know what you are going to come across, depending on where you are and sometimes that can be from minute to minute” let me explain…
Photography is my passion
I am very lucky that after a career spanning 28 years as a professional advertising photographer I now feed my soul teaching my passion which is street photography in some of Europe’s most exciting cities, often in areas people wouldn’t norma...
26th July 2016
ILFORD Photo (HARMAN technology Ltd) are delighted to introduce 'ILFORD inspires’, a series of events aimed at broadening the appeal of black and white film photography to a wider audience.
The first of these events takes place on August 4th in Philadelphia, PA and features an insight into and showcase of the incredible work of artist, educator and master printer Chuck Kelton.
Chuck’s feature talk will describe his experiences working with some of the most iconic photographers of...
20th August 2014
ILFORD PHOTO confirm no plans to discontinue XP2 SUPER Film following the recent announcement that Kodak Alaris is discontinuing KODAK PROFESSIONAL BW400CN Film.
ILFORD PHOTO can confirm that there are no plans to discontinue ILFORD XP2 SUPER. This product continues to be in free supply throughout the world from ILFORD PHOTO Distributors and Photographic Retailers, and is available in 35mm and 120 formats as well as a 35mm Single Use Camera.
ILFORD XP2 SUPER is an ISO 400/27...
ILFORD PHOTO offer the biggest range of black & white films on the market today. While this is perfect for experienced film photographers who love having a choice, we appreciate that it can be a bit confusing for people new to film photography.
If you are looking to try film photography for the first time and are wondering where to start, then you have come to the right place.
We should start by pointing out that there is no ‘wrong’ choice when it comes to ILFORD films. They are all fantastic,...
When photographic material is exposed to light it begins to darken. The more light the material receives, the darker it becomes. This opens up a range of possibilities for making fun, creative and artistic images without a camera.
Making a picture without a camera couldn’t be easier and is a fun activity to try with children. However, for many, exploring and experimenting with different effects of light on photographic /blog/the-luminogram-process/materials can become an art form by itself.
Where to sta...
Split grade printing
The version of split grade printing described here is that taught to me by the ILFORD head printers, Mike Walden and Terry Offord, and is the simplest, fastest way to make good darkroom prints from pretty much any negative. (The exception is really underexposed negatives to print these you usually only need high contrast).
This is a very powerful technique that can be used routinely with variable contrast (VC) papers, such as ILFORD MULTIGRADE. It makes use of the differing performa...
ILFORD PHOTO offer an extensive range of black & white photographic paper. A photographer's choice of paper is a subjective decision based on personal tastes and preferences. It can also be impacted by the type of images you shoot and the final look you want to achieve.
Papers all have different characteristics and purposes and so this guide will walk you through the terminology and choices available to help you pick the perfect paper for your darkroom printing.
Base: Resin coated versus Fibre base...
Where the Hasselblad love started
long, long time ago, I can still remember how—
Hang on, let me start again…
When I were a lad, mankind did something utterly astonishing: men walked on the moon.
For a 13-year-old science geek, staying up till <mumble> o’clock in the morning to watch this historic event was possibly the most exciting thing that’s ever happened to me.
For a 13-year-old budding photographer, the cameras that Neil Armstrong and Buzz Aldrin were wielding held a strong...
I’m Anil Mistry and I’m a photographer. I shoot a whole variety of work, including headshots, documentary, portraits and personally initiated projects. Whatever interests me and helps me to improve my body of work.
I’ve been asked to talk about an area of my photographic work that I have a real passion for. In my case, that's the capturing of street portraits.
Why do I take street portraits?
There’s two main reasons I do it, and I’ll try to go through them succinctly:
It’s not easy
...