Search results for: 'makes a trai'

People often ask me why I love street photography so much, my answer is always “you never know what you are going to come across, depending on where you are and sometimes that can be from minute to minute”  let me explain… Photography is my passion I am very lucky that after a career spanning 28 years as a professional advertising photographer I now feed my soul teaching my passion which is street photography in some of Europe’s most exciting cities, often in areas people wouldn’t norma...

Split grade printing The version of split grade printing described here is that taught to me by the ILFORD head printers, Mike Walden and Terry Offord, and is the simplest, fastest way to make good darkroom prints from pretty much any negative. (The exception is really underexposed negatives to print these you usually only need high contrast). This is a very powerful technique that can be used routinely with variable contrast (VC) papers, such as ILFORD MULTIGRADE. It makes use of the differing performa...

I’m Anil Mistry and I’m a photographer. I shoot a whole variety of work,  including headshots, documentary, portraits and personally initiated projects. Whatever interests me and helps me to improve my body of work. I’ve been asked to talk about an area of my photographic work that I have a real passion for. In my case, that's the capturing of street portraits. Why do I take street portraits? There’s two main reasons I do it, and I’ll try to go through them succinctly: It’s not easy ...

A medium for the moment  I always travel with my 35mm SLR and a stack of Ilford HP5 and Ilford FP4 film. I definitely prefer the look and process of shooting film when traveling and photographing on the street and I find my small SLR with it’s 50mm lens is small and inconspicuous enough to capture intimate street portraits. Shooting everything on the same 50mm lens and film medium gives my work a consistent look and feel. I have always found shooting film slows down my process, it forces me to think mor...

Window Cleaners shot on ILFORD XP2S An unknown language When I started in photography I was always put off from film, by the balance (in my mind anyway), between the effort and time taken out of my workflow in developing, and the rolling cost. As well as my dependence and already intimate comprehension of digital systems. Film was an unknown language, and not one I was prepared to learn at the time. Expanding my understanding Recently however I have been looking for different ways to expand my und...

An experiment in chemical possibilities When I took up a camera after a few years’ hiatus in 1990, I was surprised to discover that I could no longer get a black & white film developed through the nearest camera shop, never mind through the local pharmacy.  If memory serves, I was told it would cost $40 for a single film. Naturally, I returned to processing my own film just I had done when I first took up a camera in the early 1970s. The world had moved on, and colour film was the default medium f...

I am a wedding and portrait photographer. The following portrait is of Roshni, a jewelry designer. Her designs are handcrafted and have a vintage feel to them. So, when the opportunity came to shoot her I wanted to create something classic and real. One look at her and I was convinced about black and white being the choice of film. Film used:      HP5 PLUS Format :          4X5 sheet film Camera:          Wista Field 4X5 Large Format Lens:                Schneider S...

Opportunities Now and again in life opportunities arises that you just have to take. You know, the ones that if you think about for too long will be missed, so you have to jump in with your best foot forward, or in this case with your best film forward.  This happened to me last year as I was casually talking to someone about my work they mentioned that they had access to an old building that had recently been vacated and was to be sold at auction. The building had been untouched for years, and they sai...

Towards the end of 2018 I was reviewing some of my Autumn film photography and feeling put off by the results. I've been working with film for some now in an effort to take advantage of the superior dynamic range. And, when shooting in strongly backlit scenes to move away from silhouettes and ambiguity and towards a more controlled journalistic style. Shades of Autumn I found that because of the diffused cloudy conditions in London I was struggling with my exposures and the overall look of my images. T...

Spirit of the mountain Spirit of the Mountains ©Darnell Wu Technical info： Film Used：ILFORD HP5 PLUS 400 Format：4 x 10 inch Camera ：CHAMONIX 4*10 N2 Lens ：SINARON S 72° f=300mm Exposure time：1/2S Other equipment：COKIN red filter with SEKONIC 508 light meter with tripod. Location：Minya Konka, Yaha nek, Sichuan Range Firstly, tell us the story behind this image. What inspired you to shoot it? I was still in the first year of high school when I shot this and needed to ask for...