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Whether you are new to film photography or picking it up again after a number of years, it is very easy to get started and a rewarding activity regardless of your level of expertise. Introduction to film photography To get you started we've created a series of animations that will introduce you to the world of film photography. These short 60 second animated videos cover a range of topics and terminologies to quickly get you up to speed. From f-stop to film types, these videos are the perfect entry point...

Processing your own film can speed up your workflow and give you quicker access to your negatives. It is also typically more cost effective and best of all there is nothing like the sense of satisfaction you will gain by taking control over the full end-to-end process of your photography. While trying it for the first time might be a daunting prospect, fear not. Below is our guide on what equipment, chemistry and method would be suitable for anyone new to processing films. For more detail, you can downlo...

Why print? When you can get excellent prints from your black & white negatives by sending them off to commercial processing laboratories, why make your own? For many photographers, making a photographic print is as much a part of the process as shooting the image itself. For a start, it is a creative process that is both enjoyable and fulfilling and, much like the role of a post processing tools such as Photoshop or Lightroom in any digital workflow, (although much more fun) a darkroom provides film...

What are film developers? Film developers are a photographic chemical that turns your exposed film into working negatives as part of a processing workflow. (You will also need a stop bath and fixer - for more information on how to process your film or which chemistry to choose read our guides). We offer a broad range of film developers that are designed to exploit the different characteristics of our films. Developers are available in either powder and liquid concentrate form and have a range of charact...

When photographic material is exposed to light it begins to darken. The more light the material receives, the darker it becomes. This opens up a range of possibilities for making fun, creative and artistic images without a camera. Making a picture without a camera couldn’t be easier and is a fun activity to try with children. However, for many, exploring and experimenting with different effects of light on photographic /blog/the-luminogram-process/materials can become an art form by itself. Where to sta...

Jokulsarlon Two For our inaugural 'How I got this picture' post, we're talking to Dave Kirby about Jokulsarlon Two. One of the beautiful images in his Iceland series.   Jokulsarlon Two ©Dave Kirby Film Used – ILFORD FP4+ Format - 120 film in 6x6 format Camera - Bronica SQ-A Lens – 80mm PS Exposure time – 57s Other equipment – The cheapest, naffest tripod money could buy (now broken), 10 stop filter, hat!   Location Jokulsarlon, South Coast, Iceland....

Man of science I love alternative photographic techniques like dry plates and brushed on emulsions. I am a darkroom fanatic – always exploring new ways to mash up digital with traditional analog techniques. I love all kinds of print processes – cyanotypes, salts, van dykes to name a few. I shoot all formats right from 35mm half frames up to 8×10 large format. I am also an avid camera collector but prefer to be a user rather than an admirer of my cameras. I currently use a Nikon F3, Leica M-A, Hasse...

Nolton Haven Technical info Film Used FP4+ Format 35mm Camera Nikon F2 Lens 20mm F3.5 AI. 25A red & 2stop ND filters. Exposure time 30seconds Other equipment Manfrotto tripod, Weston Lightmeter. Location Nolton Haven is a small narrow bay on the Pembrokeshire coast in West Wales.  It sits between the two much larger beaches of Druidstone and Newgale. Its characteristic feature are its two almost near symmetrical headlands.         Firstly, tell us the...

An experiment in chemical possibilities When I took up a camera after a few years’ hiatus in 1990, I was surprised to discover that I could no longer get a black & white film developed through the nearest camera shop, never mind through the local pharmacy.  If memory serves, I was told it would cost $40 for a single film. Naturally, I returned to processing my own film just I had done when I first took up a camera in the early 1970s. The world had moved on, and colour film was the default medium f...

HARMAN technology Ltd, the manufacturer of ILFORD photographic film, darkroom paper and chemicals, has announced the ILFORD SIMPLICITY range of photo chemicals designed for convenient, easy-use film processing. The ILFORD SIMPLICITY range of film processing photo chemicals have been created for convenience and ease of use. These sachets are ideal for photographers who want to try processing their own film but have until now been apprehensive about the process and/or may not have required the larger volum...