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Time to go green?
As the threat of the climate crisis grows each day - we must strive for sustainability in all aspects of life. But when standing atop a cliff shakily clutching your 5x4 camera, or working under the red light of your local darkroom - sustainability can seem like a distant concern, reserved for those in stuffy offices or holding placards outside of parliament.
As analogue photography has always been eager to embrace innovation in the face of change - is it time to go green?
My name is...
We had no idea when we originally started this series in April 2020 with Em from Emulsive that it would still be going strong 50 interviews later. This week's interviewee Debra Wilson was already on our radar before being nominated by Margaret Fitzgerald last month.
Section 1 - Background
Share your favourite image / print shot on ILFORD film and tell us what it means to you?
I chose this image of Another Place on Crosby beach. I don’t often get to the sea so although the setting is not typical for m...
We are very excited to launch our new ILFORD Photo Analogue Community Grant.
Each year we receive hundreds of requests for support from members of the film and darkroom printing community looking to create projects using our products.
The scope and scale of these projects vary. From documenting expeditions on large format film to alternative uses of our film and paper. And ,even setting up community darkrooms or running workshops for children. You have some amazing ideas and insatiable passion.
Man...
Allysse Riordan is our 58th In Focus interview. An image maker, writer, sound artist, and microadventurer (not necessarily in that order). Allysse's work takes us on a journey in a particular space and time, noticing the small details of life, meeting strangers, exploring new landscapes, and delving into their inner world
Section 1 - Background
Share your favourite image / print shot on ILFORD film and tell us what it means to you?
It is difficult to choose one favourite image. They shift and change as ...
My name is Jason Avery and I am an analogue landscape photographer based in East Anglia England. I have been working with film for a few years now, learning my craft as an artist. One of the many reasons why I decided to choose film instead of digital as a medium for my work was the darkroom experience. I have heard the quote “The darkroom is a magical place” over and over again and I can safely say that that is totally true. I have been hooked since the moment I developed my first print in my tiny dark...
4th of July weekend
It all started with a single roll of 120 ILFORD HP5+ film and a Rolleiflex 3.5F over the Independence Day weekend which fell on a Monday this year. It was the Friday of that long holiday weekend and I loaded the roll of film in the Rolleiflex and took the camera for a ride to McIntosh Lake in Longmont Colorado (USA) in the hopes of finding worthwhile photo subjects. My goal was to find street portraits and storytelling photographs.
What it became over the next ten weeks is the Longmo...
Portrayal Of Musicians
I’m not sure which came first, my love of photography or my love of music. Growing up in the Boston area, I was fortunate to be immersed in both. Whether it be standing in awe at the beauty of Alfred Steiglitz’s work on display at Boston’s Museum of Fine Arts or being immersed in the local music scene, spending time with the likes of Bonnie Raitt or Aerosmith, these two passions seemed to run in parallel for me.
As time progressed my photography, and music connections led me...
Countless Day's Of Shooting
It was more than 2 years ago, that I had the initial idea for this project. Now, after countless days of shooting film, often while on the water, and hours spent edition and choosing images ‘No Place Like Home’ is a book I can be proud of.
Committing Entirely To The Wave
"I felt that there was something that I needed to explore when I shot some of the first rolls of black & white HP5+ film at one of the local surfspots. Shooting everything on film, as opposed to di...
Abstract Concepts
Often times, I come up with ethereal and abstract concepts for my artwork. However, I noticed that my techniques and skills in the darkroom did not match up to my artistic output. Which is such a shame. I wanted to do something about it. It is like having the urge to do a back flip but not having the progressed workouts to help you get there.
My name is Zain Al Khalifa, I use film photography as a base for my artwork. I like darkroom printing and I wanted to share an experience with yo...
Our 66th In Focus interview is with Danish photographer Lea Elm who is a writer living in England. Find out why analogue and instant camera's became an epiphany within Lea's work.
Section 1 - Background
Share your favourite image / print shot on ILFORD film and tell us what it means to you?
World - Museum -Liverpool - 2019 - HP5+
It was hard to pick just one but I decided on this one taken in 2019 on my first, and so far only, trip to Liverpool. Rachel Brewster-Wright (of @LittleVintagePhotography)...