Search results for: 'art the 5 rolls in trai'

Slowing things back down Although it’s been 28 years since I first stepped into a darkroom, there’s been a significant gap in time since the last time I stepped into one. I grew up at a particular transition time, like the horse to automobile, typewriter to computer, I started my journey into photography just before the digital camera started making its way into the market and pushing film aside. Even though instant gratification has its place, I still kept that romantic notion of one day getting back ...

My camera is a passport to a world of amazing discoveries My adventures began as a five year old. I started spending wondrous times with my dad in the quiet glow of his darkroom. I took great pride with my responsibility to gently rock the prints in the hypo tray. Ah, the sound of gurgling water and the warm orange glow from the safe lights. I was totally enthralled by seeing an image come alive in the developing tray...pure alchemy! It comes as no surprise when I say I frequently retreat to this magical z...

In this 'Behind The Film' interview, we head back to R&D to speak to Kieran Collings who joined the company in 2023. WHO ARE YOU? WHAT’S YOUR JOB TITLE HARMAN TECHNOLOGY AND HOW LONG HAVE YOU WORKED HERE? Hi my name is Kieran Collings, I am a Scientist II in the Research & Development department. I joined in August 2023 straight from University. TELL US A LITTLE ABOUT YOUR DAY TO DAY ROLE. I work in the early development team, specifically on sensitising dyes that are needed for the films to b...

Hand colouring The idea of adding colour to a monochrome image by hand dates back to the beginning of photography. At this time it was the only way to get a colour photograph. Although colour photography using the three colour process was put forward just short of thirty years after the first photograph by Nicephore Niepce,  it was, in its early years, expensive and difficult to produce a colour image. Hand colouring became a practical way to give the impression of colour and everything from Daguerroty...

What are film developers? Film developers are a photographic chemical that turns your exposed film into working negatives as part of a processing workflow. (You will also need a stop bath and fixer - for more information on how to process your film or which chemistry to choose read our guides). We offer a broad range of film developers that are designed to exploit the different characteristics of our films. Developers are available in either powder and liquid concentrate form and have a range of charact...

Split grade printing The version of split grade printing described here is that taught to me by the ILFORD head printers, Mike Walden and Terry Offord, and is the simplest, fastest way to make good darkroom prints from pretty much any negative. (The exception is really underexposed negatives to print these you usually only need high contrast). This is a very powerful technique that can be used routinely with variable contrast (VC) papers, such as ILFORD MULTIGRADE. It makes use of the differing performa...

What are paper developers? Paper developers allow the latent exposed image to become visible to the naked eye and form part of a processing workflow along with a stop bath and fixer.  Read our guides, for more information on picking the right paper for you or which chemistry to choose  When shopping for photo chemicals always check the application. We produce a range of photo chemicals including stop baths, fixers, toners, wetting agents as well as paper and film developers. Film developers are speci...

The Start I had previously experimented with photography, but nothing too technical. To my astonishment, I managed to capture some really good images and the bride and groom loved them. Using the positive feedback I received from them, I kept hold of the camera and began to research techniques. I began with my pet dogs (many photographers favourite models), then moved on to young family members and babies, then to asking friends if they could travel to a location with me and let me shoot them. Taki...

  Earlier this year we agreed to take part in @EMULSIVEfilm community interviews and these are the results. Over to you #EMULSIVE Back in mid-May 2016, we invited you all to submit your questions to Ilford Photo for the second in a new series of community interviews here on #EMULSIVE. As with the first, the premise is simple: we collect questions from you, the film photography community, package them up and then work with the interview subject to get them answered and published. Well, we’...

A medium for the moment  I always travel with my 35mm SLR and a stack of Ilford HP5 and Ilford FP4 film. I definitely prefer the look and process of shooting film when traveling and photographing on the street and I find my small SLR with it’s 50mm lens is small and inconspicuous enough to capture intimate street portraits. Shooting everything on the same 50mm lens and film medium gives my work a consistent look and feel. I have always found shooting film slows down my process, it forces me to think mor...