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Next up, for our 85th In Focus interview, we spoke with freelance event and project manager, Ali Monk. SECTION 1 - BACKGROUND SHARE YOUR FAVOURITE IMAGE / PRINT SHOT ON ILFORD FILM AND TELL US WHAT IT MEANS TO YOU? This has probably been my favourite image I have taken since it was shot back in 2021. I had been spending the day with one of my favourite people in Brighton. Lockdown was over and we could spend time with loved ones again doing all the things we hadn’t been able to do for a while. My frien...

Film Photographers survey 2024 At the end of 2024 we asked you to complete and share our film photographers survey. We wanted to understand what's important to you, the film community, irrespective of which film brands you shoot. We hoped that the results would provide us with an invaluable insight into the behaviours, expectations, and preferences of film photographers around the world. The results Over 14000 of you from more than 110 different countries completed the survey. We saw film shooters of ...

A Room in Barcelona by Tiffany Roubert: Capturing Intimacy on ILFORD Delta 3200 There’s something about film photography that forces you to be present. The tangible process, the limitations, the patience required, each frame becomes deliberate, considered. A little while ago, I shot a project called A Room in Barcelona, entirely on film. More precisely, entirely on ILFORD Delta 3200. The premise was simple: create intimacy with a total stranger in a confined space. No grand backdrops, no elaborate set de...

Our latest ‘How I Got This Picture’ interview features Anders Elmshøj. When we shared his contact sheet on Instagram, it racked up over 9,000 likes! Curious how he created it? Find out more in the full interview. IMAGE TITLE Louise “Contact Sheet" TECHNICAL INFO FILM USED ILFORD DELTA 3200 PROFESSIONAL FORMAT 35mm CAMERA Leica M7 LENS Voigtlander 35mm Ultron II F2 EXPOSURE TIME F4.5 1/250 LOCATION Copenhagen FIRSTLY, TELL US THE STORY BEHIND THIS IMAGE. WHAT INSPIRED YOU TO SHOOT ...

Everything Shifted I first came to photography as a teenager, experimenting casually with digital cameras. But it wasn’t until after my PhD in cinema studies focused on representations of family in American television, that I returned to it with real intent. Living in Bordeaux at the time, I had occasionally photographed concerts, mostly as a hobby. Then, during the first COVID lockdown, everything shifted. With time slowing down, I picked up my partner’s analog camera and began shooting in the garden,...