Search results for: 'trai through size'

Further Film Adventures in the Future History I've been shooting film almost as long as I've been shooting skateboarding - Delta 100 & XP2, mostly. I really got into it around 7 years ago, when I began documenting the skate scene in my hometown of Nottingham. Unknowingly I started a continuous body of work that still has no end in sight. And I was just looking for something to keep me busy when my digital kit had died! Capturing the Community I recently put on a new exhibition,�...

I don’t know about you, but I have a “box of shame”. It’s where I keep all the photographic odds and ends of kit that I never use, but can’t bring myself to throw away. Well I’ve always felt it would come in handy one day, and it seems that day has come! This story really gets going when I decided I wanted to do something fun with my Konica Pop*, an 80’s classic point and click camera I picked up in a charity shop a few years ago. Odds and Ends By utilising some of these long-neglected items...

In the midst of ever more sophisticated technology we live with the illusion of saving time by doing things with more speed, and increasingly relying on computers: programmes work out difficult problems, they plan for us, think for us. Files, servers and systems store information for us, including photographs - hundreds of millions of photographs. A Slow Practice Samburu warriors, Kenya Rob Fraser is drawn to photograph people whose lives are shaped by traditional practices rooted in specific lands...

In late 2019, we invited the global analogue film photography community to take part in our latest survey. This time we focused specifically on darkroom printing. The survey ran for 1 month and had an incredible 5,439 responses from 87 countries around the world.  A huge thank you to everyone who took the time to offer your insights and share the survey for us. Why darkroom printing? We have seen sustained and continuous growth in film for a number of years. However, darkroom printing has not yet cap...

These unprecedented times are a call for artists to step up and help deter against feelings of restlessness and boredom. These are just some suggested ideas that you might want to try. Through my modest Instagram presence and blog I've tried to do something for the international arts community and here is something that has worked out quite nicely and is extremely easy to perform. This is just one activity and I know there are a plethora of others out there as well; hope this one may brighten your day an...

We recently had the pleasure of turning the tables on one of the stalwarts of the film photography community when we asked Em if he'd be the first of our interviews in the 'Lockdown Sessions'.  We're so glad that he agreed. What made you set up Emulsive.org and what were your initial plans for it? My-first-roll...-Of-35mm-film-Fuji-Superia-X-TRA-400-by-EMULSIVE EMULSIVE started as an idea in early 2015. I thought I should put up a blog where I could post a few photos and blog about stuff that I'd lea...

When we held our first Lockdown Session with Emulsive, we asked him who he'd like to see us interview in future and he suggested the very lovely Aislinn. (AKA The Film Pusher). SECTION 1 - THE BEGINNING SHARE YOUR FAVOURITE IMAGE / PRINT SHOT ON ILFORD FILM AND TELL US WHAT IT MEANS TO YOU? I have tons! But let me share my recent favourite, the one that I had printed and hung on my wall. It’s a pinhole image of the Natural History Museum in London. It means a lot to me, as the NHM is a favourite visit ...

An object of beauty I have just been asked to explain why I use film to make many of my images….. well the simple answer is ‘I like the process….I love the total engagement film gives me. Working out how many rolls to take, what size film to take, packing it all up and hoping I haven’t forgotten my light meter. I love the reaction when I give somebody a print at 12 inches square in an archival sleeve. It’s an object of beauty, its tangible, it’s exciting, its more than a digital print…...

The future of photography The year 2020, it sounds very futuristic to me. So, what does that future look like for photographers? Well, no doubt technology will be getting more advanced than ever and we will see huge leaps in digital development this coming decade as the megapixel war continues. There will likely be be new initiatives and more collaborations with smartphone companies. Will the digital SLR camera start to disappear? Will mirrorless take over? Or will there be a new hybrid on the market...

We've been following Dan Rubin's photography for a while now so were really pleased when he agreed to take part in our Lockdown Sessions. SECTION 1 - THE BEGINNING SHARE YOUR FAVOURITE IMAGE / PRINT SHOT ON ILFORD FILM AND TELL US WHAT IT MEANS TO YOU?   Shinagawa Station, Tokyo, 2016. Ilford HP5+ @ 400, Leica M6, Summicron-M 50/2 (Scanned by Canadian Film Lab) This was my first full day in Tokyo, on my first visit to Japan in 2016. The memory of wandering through the station during rush hour...