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Welcome to the ILFORD PHOTO online store.
Where you place an order via our website, these terms and conditions will apply to that order in addition to the general website terms of use and privacy policy. You should therefore read these terms carefully before you place your order as they explain your and our legal rights and also contain important information about our contract with you and how your order will be dealt with.
If you have any questions, please contact us before you place your order by cal...
Technical downloads relating to the ILFORD PHOTO film photography product range.
All tested processing times for our range of ILFORD and Kentmere black and white films alongside our ILFORD liquid and powder processing chemicals.
Film Processing Chart
Film developing and darkroom printing both require that the negatives or prints be adequately washed to ensure longevity of the images. This short documents covers some methods for reducing the amount of wash water used whilst ensuring that your negative...
ILFORD monochrome equipment manuals
From time to time, customers ask us for copies of manuals for ILFORD Monochrome equipment.
Whilst we are no longer able to directly offer service and maintenance support for discontinued equipment, we are still happy to supply (in pdf format) the manuals listed below.
*Please get in touch for manuals marked with an asterisk
FP40 Film Processor
Full operations manual - English
Leader Card specification
Full operations manual - German
Full Service Manual -...
The Start
I had previously experimented with photography, but nothing too technical. To my astonishment, I managed to capture some really good images and the bride and groom loved them.
Using the positive feedback I received from them, I kept hold of the camera and began to research techniques. I began with my pet dogs (many photographers favourite models), then moved on to young family members and babies, then to asking friends if they could travel to a location with me and let me shoot them.
Taki...
Zone focusing is arguably one of the quickest and most effective methods of focusing your camera. With a little forethought, practice and pre-visualisation of your shot, it's a method that can reduce problems like shutter lag. Ensure your images are sharp every time. And help you take photos more surreptitiously.
It doesn't rely on automation and, in most cases can be put into practice before you've brought the camera to your eye. I believe it's a core skill and a method that everyone who takes photograp...
Man of science
I love alternative photographic techniques like dry plates and brushed on emulsions. I am a darkroom fanatic – always exploring new ways to mash up digital with traditional analog techniques. I love all kinds of print processes – cyanotypes, salts, van dykes to name a few. I shoot all formats right from 35mm half frames up to 8×10 large format.
I am also an avid camera collector but prefer to be a user rather than an admirer of my cameras. I currently use a Nikon F3, Leica M-A, Hasse...
At the time I got back into film again I happened to be taking an evening course in portrait photography at a local college. The usual mix of Canon & Nikon shooters with a mirrorless Sony thrown in for good measure. As usual, we were chatting about our weekend shoots and (obviously) latest purchases. When I said that I had bought a Nikon FE and some film (it was Ilford Delta 100) you could have heard a pin drop.
So while we shot our various lighting setups with our D610s, D800s, Canons etc I would o...
Earlier this year we agreed to take part in @EMULSIVEfilm community interviews and these are the results.
Over to you #EMULSIVE
Back in mid-May 2016, we invited you all to submit your questions to Ilford Photo for the second in a new series of community interviews here on #EMULSIVE. As with the first, the premise is simple: we collect questions from you, the film photography community, package them up and then work with the interview subject to get them answered and published.
Well, we’...