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Introduction
I often see echoed this absurd idea that somehow film photography is more “pure.” Anyone who has ever been a part of a film photography Facebook group has surely come across a post along the lines of “how much editing in post do you think is OK with film?” And, without fail, there will be at least one response from the analog bourgeois which goes something like “if you’re going to edit *that* much, you might as well shoot digital. Why are you even shooting film?!”
Sadly, we of...
I don't think it will be long before we need to change the title of this series! We really hope that you are enjoying finding out more about some of the members of our community. This week, for our 11th interview, we have Simon King. He is probably best know for is street photography and teaches short course on it at UAL.
SECTION 1 - THE BEGINNING
SHARE YOUR FAVOURITE IMAGE / PRINT SHOT ON ILFORD FILM AND TELL US WHAT IT MEANS TO YOU?
I really find it difficult choosing favourites, so I have to give a bi...
In our 14th and possibly final Lockdown Session (before we move to a new format), we are bringing you Kit Young who was nominated by Ashley Carr back in week 9.
We've followed Kit for a while on Instagram. He's a fantastic darkroom printer and is always happy to share how get gets to the finished prints from his negatives.
SECTION 1 - THE BEGINNING
SHARE YOUR FAVOURITE IMAGE / PRINT SHOT ON ILFORD FILM AND TELL US WHAT IT MEANS TO YOU?
There are a lot, so I’ll pick this relatively recent print o...
Summer of Photograms
My end goal with my photography, at least for as long as I can remember, was to make darkroom prints. I love the thought processes in darkroom printing, the excitement when I manage to find the combination of burning, dodging and other printing techniques that turns my imagined image into a print that I can share. Preferring the tactile nature of darkroom craft, I never cottoned on to digital photo processing or printing.
Then in the spring of 2019 I developed a long term illness th...
We love Sandy's beautiful large format shots, they always seem to have hidden depths. We are excited that he agreed to take part in the In Focus / Lockdown Sessions series and become our 20th interviewee.
BACKGROUND
SHARE YOUR FAVOURITE IMAGE / PRINT SHOT ON ILFORD FILM AND TELL US WHAT IT MEANS TO YOU?
There’s a few I could post that I feel encapsulate the sort of feeling or thought process I have when I’m working on photos, but for me, so far? It’s this image.
Photography means a lot of di...
Image title : Tombstone
Technical info
Film Used FP4+ @ 125 Format 4x5
Camera Chamonix 45F-2 Lens Rodenstock Sironar-N 150mm f5.6
Exposure time ⅛ sec
Other equipment Feisol CT3442 Tripod legs, Acratech Ultimate ball head, Pentax digital spot meter
Location Big Elbow Pass in Kananaskis Country in Southern Alberta, Canada
Firstly, tell us the story behind this image. What inspired you to shoot ...
We have known Keith for a long while and admire not just his photography, but his enthusiasm for all things film and darkroom and his willingness to share his knowledge and inspire others. We're glad he agreed to take part in this series and become our 28th In Focus interview. We hope you enjoy finding out more about him.
BACKGROUND
SHARE YOUR FAVOURITE IMAGE / PRINT SHOT ON ILFORD FILM AND TELL US WHAT IT MEANS TO YOU?
I shot this image in La Boqueria Barcelona with a fuji 645 camera. What makes it sp...
We've admired Tom Kirkendall's beautiful pinhole images and darkroom prints for a while and were thrilled when he agreed to take part in this series and allow us to find out a little more about him in this, our 38th In Focus interview.
Section 1 - Background
Share your favourite image / print shot on ILFORD film and tell us what it means to you?
My favorite photo??? Now that is a difficult decision. In the words of Ansel Adams “It is the one I have not taken yet” But if I am pressed to make a decisio...
Taking Risks
Through a series of what felt like small and inconsequential life choices I have found myself recently in positions where the logical course of action involved putting my health and even my life at risk, in service of making photographs.
I, like many others I'm sure, want to be a great photographer. To me this means that I look with a respectful eye over my own body of work, and accept it for what it is: (hopefully) the absolute best I can accomplish.
A retrospective
This is something I r...