Search results for: 'time and to start'

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  • Split grade printing The version of split grade printing described here is that taught to me by the ILFORD head printers, Mike Walden and Terry Offord, and is the simplest, fastest way to make good darkroom prints from pretty much any negative. (The exception is really underexposed negatives to print these you usually only need high contrast). This is a very powerful technique that can be used routinely with variable contrast (VC) papers, such as ILFORD MULTIGRADE. It makes use of the differing performa...
  • 1992 - How I met Masterji Soon after leaving my staff photographer’s position on the local newspaper where I’d been employed for the previous 5 years and with the luxury of in-house film processing no longer a convenient option I began using my local city centre professional colour lab, in Coventry. During the accumulating hours I spent in that lab waiting for my 35mm films to process, watching small colour prints dropping from the conveyor belt from the end of the machine, I very watched a short In...
  • My name is Charles, I do film concert photography since September 2014. I chose analog over digital because I like to do things with my hands instead of using a computer. I mostly use HP5+ film (pushed to 1600 ISO) which I find very powerful in difficult light conditions, it’s a good compromise between precision, grain, and dynamic range. Concert photography is easy and difficult at the same time. It’s easy to take a picture of a charismatic singer on stage, but is this enough to have a great photo...
  • How I work I believe in self-learning, and I’m always up for something new to explore. I adhere to a strict code of conduct and don’t believe in photoshop, or do much if any post processing. It has to be an exceptional day for me to crop an image. I use Ilford’s Delta 400 for most of my work and use XP2 Super when I need my results fast. Changing times I was born in 1988, which meant that I got a first class ticket to experience the world converting from analogue to digital during m...
  • Choosing Photo Chemicals We have a range of photo chemicals for printing/processing all of our resin coated and fibre base papers in trays/dishes as well as in processing machines. If you are new to printing the choice could appear excessive yet each liquid or powder paper developer has its purpose or strengths. For an overview of the whole range and what they do we have pulled together an introductory overview. If you are a beginner* and wondering where to get started then read on. *While thi...
  • One of the best things about film photography is that the creative process doesn't end in the camera. Processing your images in a darkroom is not only great fun, but it also allows you to exercise complete creative control over the final look of your image. We cover some of the essentials needed to set up a darkroom in our beginner's guide and have also developed a series of short animations which cover essential darkroom equipment, darkroom safety tips as well as how an enlarger works. Below, we cov...
  • HARMAN TECHNOLOGY LIMITED – WEBSITE TERMS OF USE IMPORTANT – PLEASE READ CAREFULLY BEFORE USING THIS WEBSITE These website terms of use are the terms and conditions under which you may use our website ilfordphoto.com (the Website). Please read these terms carefully. As part of the registration process you will be required to confirm that you have read and understood these terms. If you refuse to accept these terms, you should not complete registration to this Website and should immediately cease ...
  • Lifelong love of black and white Growing up in the late fifties and sixties, one of my favourite movies was The Day the Earth Stood Still, a lot of which was shot at night in black and white. That early exposure to film noir inspired a lifelong love of black and white photography, especially at night. When I first started shooting pictures in 1967, though, the only option for night photography without a tripod was “pushing” 400 ASA film and using specialized developers. While what was essentially un...
  • The last six years I picked up my first camera about six years ago, and I haven't looked back since. Well, not on my choice of beginning Photography, but I have looked back on my choice of cameras. Over the past six years, I've achieved quite a bit, and I've enjoyed every moment of it - from my first exhibition to running my own photography gallery. However, I'd always felt that there was something that I was missing out on. Photography, for me, is an art form that allows you to be creative and passion...
  • Starting Out As a relative newbie there is a lot I still don’t know or understand the history of photographic film types and the various process do’s & don’ts.  I’m OK with this and let me tell you why. There are countless books, articles and resources to help me learn as well as a very supportive film community.  It is important that I do my homework but it is also important I don’t let all this information overwhelm me. Learning For me the main and only way to learn is time behind t...

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