Search results for: 'everi'

Starting Out As a relative newbie there is a lot I still don’t know or understand the history of photographic film types and the various process do’s & don’ts.  I’m OK with this and let me tell you why. There are countless books, articles and resources to help me learn as well as a very supportive film community.  It is important that I do my homework but it is also important I don’t let all this information overwhelm me. Learning For me the main and only way to learn is time behind t...

Zone focusing is arguably one of the quickest and most effective methods of focusing your camera. With a little forethought, practice and pre-visualisation of your shot, it's a method that can reduce problems like shutter lag. Ensure your images are sharp every time. And help you take photos more surreptitiously. It doesn't rely on automation and, in most cases can be put into practice before you've brought the camera to your eye. I believe it's a core skill and a method that everyone who takes photograp...

Jokulsarlon Two For our inaugural 'How I got this picture' post, we're talking to Dave Kirby about Jokulsarlon Two. One of the beautiful images in his Iceland series.   Jokulsarlon Two ©Dave Kirby Film Used – ILFORD FP4+ Format - 120 film in 6x6 format Camera - Bronica SQ-A Lens – 80mm PS Exposure time – 57s Other equipment – The cheapest, naffest tripod money could buy (now broken), 10 stop filter, hat!   Location Jokulsarlon, South Coast, Iceland....

Where the Hasselblad love started long, long time ago, I can still remember how— Hang on, let me start again… When I were a lad, mankind did something utterly astonishing: men walked on the moon. For a 13-year-old science geek, staying up till <mumble> o’clock in the morning to watch this historic event was possibly the most exciting thing that’s ever happened to me. For a 13-year-old budding photographer, the cameras that Neil Armstrong and Buzz Aldrin were wielding held a strong...

A black and white film community Since film is no longer the primary domain of professionals, it’s been adopted again in earnest by passionate individuals that produce legitimate work. In this age of instant gratification, infinite dynamic range, and auto-everything, it’s nice to rely on a predictable and high-quality medium. I shoot HP5+ almost exclusively. It’s everything I want in a black and white film. It’s flexible, widely available and fits right into my workflow. I’ve played both...

A little background I was born and raised in Caracas, Venezuela.  My chosen field of study was production engineering, but was I taking photography classes in the evenings and began working for a super cool magazine called Urbe, which is a bit like what Vice is in the UK now. I quickly became the chief photographer shooting all kinds of amazing and interesting people, and it was then that I knew that this is what I wanted to do with my life. Looking back it was quite an interesting time - I’d be learnin...

An appreciation of Ilford FP4 The greatest pleasures can be taken from the simplest of things. An appreciation of something old that gets passed by while everyone tries to keep up with the crowd or the relentless progression of technology.  For me Ilford’s FP4 is one of those little pleasures. The RAF I was a photographer in the Royal Air Force from 1986 -1995.  At my RAF unit we had little choice of film stock.  It was FP4 and HP5 for black and white. Being stationed at a headquarters unit mean...

Taking the plunge I'd had this roll of Ilford HP4 for a good few months and was hesitant to put it through a camera. The fact that it was so pristine in it's condition made me feel that whatever I used it for had to be significant. I had to wait for the right opportunity. As the weeks passed,  I began putting unnecessary pressure on myself to plan a shoot around this one film. It was sitting on a shelf, judging me. At this point I decided to stop procrastinating and just shoot the roll, regardless of w...

Road trip? This Spring three friends and I piled ourselves and a months worth of gear into a 29 foot RV, and hauled it, and 4 snowmobiles into the Chugach mountain range near Valdez, Alaska. During one month we drove roughly 10,000 miles, shot 30 rolls of film, broke 2 snow machines, destroyed a few pairs of skis, and between the four of us broke the world record for hotdogs consumed (unconfirmed). It was challenging at times, but if we’d wanted an easy trip we would never have come this far north...

Going digital If we go back to 2002 a close photographic friend convinced me (against my better judgement) that film was a thing of the past, and that to hold my own in the professional photographic world I had to go digital. Eventually I succumbed to his argument and traded in my Leica film cameras (I had 4) and started on the dizzy road to digital photography. In those days some fifteen years ago I thought it would be just like changing film brands: OK it may take a bit of getting used to a different ...