Search results for: 'and position'

1992 - How I met Masterji Soon after leaving my staff photographer’s position on the local newspaper where I’d been employed for the previous 5 years and with the luxury of in-house film processing no longer a convenient option I began using my local city centre professional colour lab, in Coventry. During the accumulating hours I spent in that lab waiting for my 35mm films to process, watching small colour prints dropping from the conveyor belt from the end of the machine, I very watched a short In...

I’m a passionate film photographer. There are plenty of us about and indeed plenty of reasons for choosing film as a medium. Many of these reasons are quoted ad nauseam by any and every film photographer. One of the biggest problems I have with digital photography is that it's given film photographers a soap box to waffle on about how much better film is… Yawn… I’m going to make some assumptions about the audience of this blog, and as such I’m not going to repeat all of the justifications usually ...

My name is Charles, I do film concert photography since September 2014. I chose analog over digital because I like to do things with my hands instead of using a computer. I mostly use HP5+ film (pushed to 1600 ISO) which I find very powerful in difficult light conditions, it’s a good compromise between precision, grain, and dynamic range. Concert photography is easy and difficult at the same time. It’s easy to take a picture of a charismatic singer on stage, but is this enough to have a great photo...

Jokulsarlon Two For our inaugural 'How I got this picture' post, we're talking to Dave Kirby about Jokulsarlon Two. One of the beautiful images in his Iceland series.   Jokulsarlon Two ©Dave Kirby Film Used – ILFORD FP4+ Format - 120 film in 6x6 format Camera - Bronica SQ-A Lens – 80mm PS Exposure time – 57s Other equipment – The cheapest, naffest tripod money could buy (now broken), 10 stop filter, hat!   Location Jokulsarlon, South Coast, Iceland....

Chatyn-Tau, Caucasus Peter Schön has shot many beautiful ski, snow and mountain images (among others) on black and white film. Here he shares his story behind 'Chatyn-Tau, Caucasus' in the second post in our 'How I got this picture' series. Chatyn-Tau, Caucasus © Peter Schon   Film Used – ILFORD DELTA 100 Format - 135 35mm Camera - Contax T3 Lens – Carl Zeiss Sonnar T* 35mm F2.8 Other equipment –Heliopan yellow filter (2x) Location - SE couloir (55-60°, 1900m) ...

A former life . . . Before my life as a photographer I worked in Social Services for many years advocating and caring for adults with severe intellectual and psychical disabilities. It was an aim of mine after completing my photography studies to somehow incorporate my former work with my new creative profession. A film connection Shortly after going freelance I was contacted by a Diversional Therapist from a Sydney hospital who had a client with a Traumatic Brain Injury who, before a tragic accident som...

Window Cleaners shot on ILFORD XP2S An unknown language When I started in photography I was always put off from film, by the balance (in my mind anyway), between the effort and time taken out of my workflow in developing, and the rolling cost. As well as my dependence and already intimate comprehension of digital systems. Film was an unknown language, and not one I was prepared to learn at the time. Expanding my understanding Recently however I have been looking for different ways to expand my und...

Images with feeling The most attractive element of analogue is its delicacy. The analogue process has remained so ingrained into my practice, I can't imagine working in any other way. Seeking images which stir a feeling within and seeing that image through each stage of the process to finally create a hand-made darkroom print. The print may not be perfect, I do not tirelessly work on test strips creating a technically perfect image, I never leave the confines of the darkroom to inspect the print once it...

Double exposures can be really tricky to get right. Lucy Ridges shares the secrets behind her ship / nude image below. Ship Technical information Shot on: FP4 plus medium format film Camera Mamiya RB 67 Exposure time Double exposure, each exposure 1/60 F5.6 Other equipment With bowens studio flash (1 x large soft box) I shot this image at my photographic studio in Manchester, located within Rogue Artist Studios The story behind the image My work for many years has encompassed a love for mul...

Tree #8 Technical info: Film Used: Ilford FP4 Format: 6x7 Camera: Mamiya 7ii Lens: 43mm Exposure time: 3 min Other equipment: Lee Filter holder, Lee 4 stop nd, Lee Red #25 filter, B&W 105mm Polarizer, Gitzo Tiopod, Acratech Ballhead. Location: Zion National Park Tell us the story behind this image. What inspired you to shoot it? A couple good friends of mine who know Zion quite well introduced me to this fantastic little tree last Fall. The tree is about 9 feet tall and high up on a ridge ...