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Connected Shooting film is an act of patience, a commitment to slowing down in a world that moves too fast. With digital photography, you can take hundreds, thousands, of images in a matter of minutes. There’s no real cost to over-shooting, no pressure to be deliberate. But film demands something different. Each frame is finite, precious. You select before you shoot, considering light, composition, and emotion in a way that feels more meditative, more connected. The Beauty of Imperfection There’s an...

Up next in our Community Focus series: we're in London with Rapid Eye, founded out of love for printing in 1996! Find out more below. SECTION 1 - BACKGROUND LET’S START EASY. TELL US A LITTLE ABOUT THE DARKROOM, WHAT IT’S CALLED AND HOW IT STARTED. Rapid Eye started in 1996 by Lee Williams, born out of a love for printing. I was printing myself with a small team for a few clients but I also loved hosting other printers and photographers. Eventually a small community started to form and we let out som...

A Timeless Story This editorial came from a desire to tell a timeless story. Through mood and atmosphere, using the expressive tools of analog photography, I wanted to create a visual world that felt both intimate and slightly surreal.  One where the character and setting merged to suggest a narrative without spelling it out. Working with ILFORD FP4 Plus allowed me to craft this vision with precision and texture, embracing the constraints and beauty of natural light and medium format film. Each Frame M...

For the 7th interview in our Community Focus series we're heading to Oslo to chat to  Cyan Darkroom. Let’s start easy. Tell us a little about the darkroom, what it’s called and how it started. Cyan darkroom is part of Cyan studio that is a co-op community photostudio and workspace. The studio was opened in 1998 and has always had a darkroom attached.  In 2020 we got hold of a separate space where we built a much larger darkroom, hoping that the timing was right to attract enough new users. After a...

Whilst on a road trip from Lake Isabell to San Francisco, Eugene Nikiforov came across this beautiful scene and chose to capture it on ILFORD SFX 200 film. Learn more about his technique in our latest 'How I got this picture post below. Image Title:  Central Valley, California Technical info Film Used :  Ilford SFX 200    Format: 6x17 Camera: Linhof Technorama 617s III Lens : Schneider Apo-Symmar L 180mm f/5.6 Exposure time: 2 seconds   Other equipment : R72 Infrared Filter Location: W...

This week, we invited you to share any images captured with our products using #fridayfavourites, or to join in with this week’s #shotinthedark theme, letting you know we'd give a little extra love to the themed entries. The incredible response showed us just how much you’ve missed our themed weeks, so you can expect plenty more coming your way in future! @kellachrome.bsky.social‬ Cornwall Corner Store, Bellingham, WA ? Crown Graphic ?️ Ilford HP5+ 4x5 Sheet Film #fridayfavourites #shotintheda...

We're now 10 interviews into this series and its been fantastic to hear about so many community darkrooms and the work that they do. This time we're heading to Turkey to speak to Fotohane Darkroom. Let’s start easy. Tell us A little about the darkroom, what it’s called and how it started. The project is called Fotohane Darkroom. It’s a mobile and analog photography workshop based in Mardin, in southeastern Turkey, near the Syrian border. We work mainly with Syrian, Iraqi, and Turkish Kurdish child...