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  • Next up, for our 85th In Focus interview, we spoke with freelance event and project manager, Ali Monk. SECTION 1 - BACKGROUND SHARE YOUR FAVOURITE IMAGE / PRINT SHOT ON ILFORD FILM AND TELL US WHAT IT MEANS TO YOU? This has probably been my favourite image I have taken since it was shot back in 2021. I had been spending the day with one of my favourite people in Brighton. Lockdown was over and we could spend time with loved ones again doing all the things we hadn’t been able to do for a while. My frien...
  • Our next In Focus interview features Justin Lockey. As well as being  the lead guitarist of the indie rock band Editors, Justin is also a photographer, writer, director and producer. When he’s not doing any one of those things he’s asleep, or messing around with cameras, or reading about lenses and optical formulas. SECTION 1 - BACKGROUND SHARE YOUR FAVOURITE IMAGE / PRINT SHOT ON ILFORD FILM AND TELL US WHAT IT MEANS TO YOU? I took this in Venice last year, I was playing around with a rolleiflex ...
  • Push it to the limits A brand new film is a wonderful prospect in the current analogue photography marketplace, and I am always eager to discover what a modern emulsion, concocted in this decade, can bring to my documentary photography workflow. When Kentmere 200 was announced, I knew I had to time my first efforts carefully in order to have something more than street snaps and mundanity to show for it, to really push it to the limits of what I demand from the film stocks I have become used to. Versatil...
  • A Timeless Story This editorial came from a desire to tell a timeless story. Through mood and atmosphere, using the expressive tools of analog photography, I wanted to create a visual world that felt both intimate and slightly surreal.  One where the character and setting merged to suggest a narrative without spelling it out. Working with ILFORD FP4 Plus allowed me to craft this vision with precision and texture, embracing the constraints and beauty of natural light and medium format film. Each Frame M...
  • The biggest weekend TRNSMT is arguably the biggest weekend of the year for music in Scotland, and yet this was my first time shooting the festival. I was very excited to be shooting it, especially for bands like Fontaines D.C., Confidence Man, VLURE, and Wet Leg. Ordinarily I’ll be shooting individual gigs, photographing one artist, on one stage, over the space of maybe an hour. So while my subject was essentially the same this weekend, it was a very different workflow, with a lot more performances to s...
  • Let’s start easy. Tell us A little about the darkroom, what it’s called and how it started. The darkroom is a central part of the activities of SAIM (The Shoreditch Academy of Image Making). SAIM was established in 2020 as an independent photography school by its two founders Ian Jackson and Adrian Mott. Both with long careers as commercial photographers plus extensive experiences as postgraduate University teachers. As a private London school SAIM’s unique offer is a permanent darkroom and studio ...
  • Hey, my name is David, better known as @Twostopsover, and ILFORD asked me to share a bit about my 3D printed dual format camera. Who am I? A quick intro about myself: I’m a cinematographer working in the commercial space, and in 2017 I rediscovered analog photography and fell head over heels in love with it. I think what excites me so much about shooting film is the process, and even more so, how much room there is to experiment. I mean, with which digital camera can you swap out the entire sensor wit...
  • A black and white journey into the depths When I leave home for a day of diving, I always feel a mix of excitement and detachment. A moment alone at dawn, when everyone is still asleep, becomes a kind of quiet ritual: methodically packing my gear, performing last checks, loading film and setting off towards a world apart. My photography was born from a simple desire: to share those moments — their quiet magic, and the subtle mix of lightness and oppression that comes with the depths. Swallowed by ...
  • Let’s start easy. Tell us A little about the darkroom, what it’s called and how it started. Negative Development  is a community darkroom in Manchester. The project took shape after I began searching for a community space, and when none could be found, the idea became to create one. The first studio was a small unit in Pollard Yard, Ancoats, with two enlargers and a focus on one to one workshops. From there, the darkroom has grown through regular use and our loyal community. We now work from a more c...

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