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The Dynamic
There is something distinctly different about photographs of cities versus rural areas. The variations of negative space, the intensity of nature versus people, and the rhythm of light that exists in these places; all contribute to the dynamic of a photograph.
Personal Goal
Last March, I made a trip to Colorado and the Grand Canyon to visit two of my best friends. I went on this trip carrying more black and white film. My favourite ILFORD film is HP5+. It’s my personal goal to photograp...
Wilber (@ccs_wilber) wheelies down a hill in Medellin.
BikeLife
The first time I learned about Bikelife was at Parque Nacional, Bogotá’s most emblematic park. It was a Sunday and there must have been at least a hundred of them. They almost all fit the same profile: very young, baggy clothes, no helmet. A disproportionate number sported ‘El 7’, a kind of neo-mullet that’s popularity in Colombia predates the current mullet resurgence in the rest of the world.
12-o’clock wheelies...
All the way from Los Angeles, our 83rd 'In Focus' interview is with music and surrealism photographer, Laura Moreau.
SECTION 1 - BACKGROUND
SHARE YOUR FAVOURITE IMAGE / PRINT SHOT ON ILFORD FILM AND TELL US WHAT IT MEANS TO YOU?
This photograph features my friend Samira, taken on ILFORD SFX200 with my Mamiya 645. I was in the ocean, hoping to capture the glimmers, as I have an obsession with them. Suddenly, a massive wave came out of nowhere, and I still can’t believe I managed to jump and take the sho...
'PRIDE & PREJUDICE' Winner announced
For the 2024/25 ILFORD Photo student photography competition we set the theme of 'Pride & Prejudice'. Borrowing the title from Austen's classic novel, we wanted to see how you interpreted its central themes of Pride and Prejudice and how it is reflected in the today's world. Could be morality, social standing, race, religion, or sexuality that embodied the 'Pride & Prejudice' through your lens.
As always, they rose to the challenge and entries started c...
Up next in our Community Focus series: we're in London with Rapid Eye, founded out of love for printing in 1996! Find out more below.
SECTION 1 - BACKGROUND
LET’S START EASY. TELL US A LITTLE ABOUT THE DARKROOM, WHAT IT’S CALLED AND HOW IT STARTED.
Rapid Eye started in 1996 by Lee Williams, born out of a love for printing. I was printing myself with a small team for a few clients but I also loved hosting other printers and photographers. Eventually a small community started to form and we let out som...
A Timeless Story
This editorial came from a desire to tell a timeless story. Through mood and atmosphere, using the expressive tools of analog photography, I wanted to create a visual world that felt both intimate and slightly surreal. One where the character and setting merged to suggest a narrative without spelling it out. Working with ILFORD FP4 Plus allowed me to craft this vision with precision and texture, embracing the constraints and beauty of natural light and medium format film.
Each Frame M...
For the 7th interview in our Community Focus series we're heading to Oslo to chat to Cyan Darkroom.
Let’s start easy. Tell us a little about the darkroom, what it’s called and how it started.
Cyan darkroom is part of Cyan studio that is a co-op community photostudio and workspace. The studio was opened in 1998 and has always had a darkroom attached. In 2020 we got hold of a separate space where we built a much larger darkroom, hoping that the timing was right to attract enough new users. After a...