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Photographic Paper FAQ's
Which paper product is best/suitable for photograms.
All of our ILFORD photographic papers will easily produce photograms, so the choice will depend on which surface finish you prefer and whether or not you want fibre or resin coated. Resin coated paper is lower cost, easy to process and dry flat and would be a good choice for starting out.
Does reciprocity affect paper?
Paper products are designed for much longer exposure times than film and are less sensitive to reciprocity...
Processing your own film can speed up your workflow and give you quicker access to your negatives. It is also typically more cost effective and best of all there is nothing like the sense of satisfaction you will gain by taking control over the full end-to-end process of your photography.
While trying it for the first time might be a daunting prospect, fear not. Below is our guide on what equipment, chemistry and method would be suitable for anyone new to processing films. For more detail, you can downlo...
A lifelong hobby
One of my lifelong hobbies is photography. I have been taking photographs since I was about 10 years old when I was given an old Kodak folding pocket camera that had belonged to an uncle, Bertrand Perrett, who was a professional photographer and painter in England. I learned to develop and print black-and-white film at school when I was a teenager back in the 1970s.
The Slower Pace
When digital photography came along I moved to that medium, but recently I’ve come back to film aga...
Images with feeling
The most attractive element of analogue is its delicacy. The analogue process has remained so ingrained into my practice, I can't imagine working in any other way. Seeking images which stir a feeling within and seeing that image through each stage of the process to finally create a hand-made darkroom print.
The print may not be perfect, I do not tirelessly work on test strips creating a technically perfect image, I never leave the confines of the darkroom to inspect the print once it...
An experiment in chemical possibilities
When I took up a camera after a few years’ hiatus in 1990, I was surprised to discover that I could no longer get a black & white film developed through the nearest camera shop, never mind through the local pharmacy. If memory serves, I was told it would cost $40 for a single film. Naturally, I returned to processing my own film just I had done when I first took up a camera in the early 1970s. The world had moved on, and colour film was the default medium f...
Beginnings
I came to analog photography late. I enjoy being able to feel the film and create with my hands, and the suspense of not knowing how the final shots look until you develop the film. Shooting film changes the style of how I work. I take less pictures and think more. It is more immersive, I have more time to feel their characters, their experiences.
I shoot all my projects in medium format film. I do use digital, but only for commercial photography or for working on reports.
Materials ag...
Sharing the skills and the passion
My name is Hank Webber and, together with my wife Marie, we own and operate Webbers Photography
Within my family, I’m a third generation photographer. It all started with my Grandfather in the 1920’s who then passed the skills and passion to my Dad and his brother, my Uncle Joe. They, in turn, blessed me with the same passion; skills are ever evolving. Each of them believed that as they triggered their camera shutters, they were capturing a moment in time that woul...
For the second of our Lockdown Session interviews we cornered another well known face in the film community, Hamish Gill. (We're just glad he could fit us into his hectic schedule)!
Section 1 - The Beginning
Share your favourite image / print shot on ILFORD film and tell us what it means to you?
Image by Hamish Gill shot on HP5+
That’s a tricky question. The above image is the one that immediately came to mind. I don’t darkroom print myself, but I did print at a workshop at AG Photographic a few ...
Shooting Infrared film
Infrared photography has always been a unique and niche art form, allowing a photographer to capture images seemingly from another dimension. I say niche because capturing that "perfect" image requires a different approach to pre-visualizing your scene, an understanding of the limitations of infrared and the ability to adjust your settings effectively for changing conditions. For these reasons many photographers are reluctant to give IR film a try. This article will not only demo...