Search results for: 'gives the format'

Sergio Felipe García tells us how he captured this brilliant shot for a commissioned clothing brand in this 'How I Got This Picture interview'. Image Title Cenizas de un verano” (“Ashes of a Summer” in english) TECHNICAL INFO FILM USED ILFORD HP5+ FORMAT 35mm CAMERA Hanimex Amphibian LENS 35mm f2.8 EXPOSURE TIME 1/125s at f11 LOCATION El Médano, Tenerife FIRSTLY, TELL US THE STORY BEHIND THIS IMAGE. WHAT INSPIRED YOU TO SHOOT IT? The photo series “Ashes of a Summer” emerged ...

The Main Topics My name is Maria Guțu I am a Moldovan born and  based photographer, focusing on long term documentary projects.  In 2022 I finished my studies at the Docdocdoc School of Modern Photography, Saint Petersburg, earlier, in 2020 I graduated in cinematography at the Academy of Music, Theatre and Fine Arts from Chisinau, Moldova where I have been studying for 4 years. The main topics in my work are remote places, youth, the notion of the home and the relation between humans and the environment...

La Santísima Tragedia Fanesca: A Celebration of Cultural Syncretism Through Fashion and Photography. Fanesca: Una celebración del sincretismo cultural a través de la moda y la fotografía. Latin American Society Fanesca is an evocative body of work created by London-based photographer Lucho Dávila, exploring cultural syncretism and the evolution of identity in contemporary Latin America. Through this ongoing autoethnographic project, Dávila reflects on his Spanish and Ecuadorian heritage, cap...

2025 ULTRA LARGE FORMAT (ULF) AND CUSTOM FILM CAMPAIGN IS NOW OPEN It's that time of year where we once again give photographers with the many vintage, collectible, and home-made cameras out there the opportunity to order selected custom sizes of ILFORD ultra large format sheet film and other specialist products without the constraints of the usual minimum order quantities. You have until Monday 30th June 2025 to place orders with participating resellers. WHEN WILL I RECEIVE MY ORDER? We will ...

Connected Shooting film is an act of patience, a commitment to slowing down in a world that moves too fast. With digital photography, you can take hundreds, thousands, of images in a matter of minutes. There’s no real cost to over-shooting, no pressure to be deliberate. But film demands something different. Each frame is finite, precious. You select before you shoot, considering light, composition, and emotion in a way that feels more meditative, more connected. The Beauty of Imperfection There’s an...

Best known as grainydays on YouTube, our next In Focus interview features Jason Kummerfeldt, who has been shooting film for seven years and shares his journey through photography, from the bad to the good. SECTION 1 - BACKGROUND SHARE YOUR FAVOURITE IMAGE / PRINT SHOT ON ILFORD FILM AND TELL US WHAT IT MEANS TO YOU? This image is one of my all time favorites and one of my own few pieces I have hanging up in my cramped no-wall-space apartment: I shot it on my Mamiya 7 on ILFORD XP2 if I remember co...

For our 88th In Focus interview we're chatting to Peggy Marsh. A photographer and camera lover, Peggy founded CameraGoCamera back in 2015, initially to keep a track of her own expanding camera collection... Section 1 - Background Share your favourite image / print shot on ILFORD film and tell us what it means to you? This is hard for me as I never think anything I do is good enough. I am in a constant state of self-deprecation and can be overly critical of my images and projects. I chose the image belo...

 These are portraits from this series. This is “Burnt Orange” —- a B&W photo project on evolving identities and third culture experiences through the lens of portraiture. In my experience being able to connect and share so much of intimacy through photography, I first share that with my friends and the people I meet along my many journeys. These are portraits from this series. Portraiture as a mirror I didn’t really understand the art of portraiture before thsi project. What it means to giv...

Hand colouring The idea of adding colour to a monochrome image by hand dates back to the beginning of photography. At this time it was the only way to get a colour photograph. Although colour photography using the three colour process was put forward just short of thirty years after the first photograph by Nicephore Niepce,  it was, in its early years, expensive and difficult to produce a colour image. Hand colouring became a practical way to give the impression of colour and everything from Daguerroty...

22nd December 2015 Storm over Vestrahorn, Iceland. Selenium and Thiourea toned silver gelatine ©Tim Rudman/National Trust   ‘Iceland, an Uneasy Calm’ is a series of photographs taken in Iceland over the last eight years by Tim Rudman who is acknowledged as one of the very finest landscape photographers working today. This stunning collection will be exhibited at the National Trust Fox Talbot Museum in Lacock, Britain’s birthplace of photography, from 9 January to 10 July 2016. Tim describ...