Search results for: 'matt speed'

Our 57th In Focus interview is with Simon Smars from Stockholm who is a professional fine art photographer. Simon works exclusively with limited edition handmade black and white silver gelatin fiber prints, using traditional darkroom techniques. He creates a mixture of minimalistic scapes paired with a melancholic somber, with scenes often stripped to its bare essence. SECTION 1 - BACKGROUND Share your favourite image / print shot on ILFORD Film and tell us what it means to you? C I G (1: f.13 · 10-sto...

I have not ever owned a digital still photography camera; therefore, my entire life as a photographer centers on 25 years of loading & unloading film cameras, processing & developing film while embracing a love that taught me how to listen to the harmonious sounds of a darkroom. My volition to stay with film does not have anything to do with being against or disliking digital & everything to do with loving the process of film ever since I was a teenager. At the age of 44, this is a tangible pro...

For this weeks #fridayfavourites, we allowed any shot made on our ILFORD or KENTMERE films can be entered for #filmfreedom. @PhotoStephens Replying to @ILFORDPhoto Skater, Charlton #SE7 #fridayfavourites #filmfreedom HP5 35mm     @mattweddis DOUBLE JUSTIN An in-camera double exposure on 4x5 film. Portrait with 180mm Nikkor W. Silhouette with 90mm Super Angulon. It’s a bit creepy, but so is he. ?: Chamonix 45F-2 ?: Ilford FP4 #doubleexposureonfilm #doubleexposure #multipleexposure #...

The theme for this weeks #fridayfavourites was #summershots. The sun has been shining, everyone is starting to go on holiday and break up from school, so we want you to share your photographs taken in the sunshine. @KennethWajda @ILFORDPhoto #believeinfilm #fridayfavourites #summershots #ilfordhp5 #rolleiflex #colorado @Matthewburt_ #ilfordphoto #summershots #fridayfavourites C: Kodak VR35 F: Ilford HP5plus iso 400 @lemonidasg Nothing feels more like summer, than jumping in the sea. @ILFORDPhoto...

Shooting 35mm film Sprockets with Kentmere 400 and a medium format TLR Including sprockets in scans is nothing new but has increased in popularity recently. While the inclusion of sprockets showing the film name looks great, as the photographic emulsion covers the full 35mm width of the film in your cassette, it is actually possible to expose your image beyond the standard 24x36mm frame and cover the entire sprocket area with your image. I thought I’d give this a try with my TLR, so read on below to f...

 A History on the Road In May of 2023, I loaded up the car and I headed off to the North Cascades. The freeway had just reopened after a long, icy winter. I was desperate to break out of my work routine and follow my creative pursuits. Growing up in the American Southwest I spent my childhood in the back of my father’s pick up on our family’s retreats. Being from a blue-collar middle class family, we were never going anywhere fancy. We made pilgrimages to Arkansas in my youth where abandoned and di...

#printedinthedark was the perfect theme for all our darkroom enthusiasts for this week's #ilfordphoto #fridayfavourites. You are all extremely talented and, we can see the passion in your prints. Take a look at a few of our favourites this week: @PlymouthDarkro1. Taken with a Ihagee Duplex on FP4+, then onto you FB Classic. #Fridayfavourites #printedinthedark   @sbills15. Prints from last Sunday's Darkroom session. Printed on ILFORD's MGFB Classic 11x14 paper and toned i...

One Specific Speed Rating Us film photographers are used to the limitations of our medium. In fact, we often regard them as strengths, and not weaknesses. But even we can’t really take issue with the suggestion that as soon as we begin to expose a roll of film we are limited to one specific speed rating, making it more difficult to adapt to quickly changing light conditions. On digital: no problem. Just whack the ISO up to some implausibly high number, and keep shooting. Sadly we just can’t do that mid...

Concrete Jungle At the crack of dawn, the sleepless vagrant remains glued to the stone of the pavement. A long road with no intersection, apha indlela ayibuzwa kwabaphambili. As the light creeps into the skyline, all a city dweller sees is blood and grime. With so much dog shit in the streets, beggars are still scrapping for bones to chew. A muffled groan & moaning of a trapped miner, buskers are constantly offbeat & in a permanent state of gloom and cynicism. The nostalgic aroma of the communityâ€...

The Nod The rope is thick and heavy, and coated with resin applied to heat it up and make it sticky. The cowboy wraps this bullrope around his right hand and ties himself in. A thin leather glove protects him from burning his hand if the rope slips. He settles himself on the back of the 1500 pound Brahman bucking bull named Spooky Lukey, and Spooky Lukey hasn’t been ridden yet this season, or last year for that matter. When he’s set, he gives The Nod. The Nod starts off one of the greatest sequences in...