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We recently had the pleasure of turning the tables on one of the stalwarts of the film photography community when we asked Em if he'd be the first of our interviews in the 'Lockdown Sessions'. We're so glad that he agreed.
What made you set up Emulsive.org and what were your initial plans for it?
My-first-roll...-Of-35mm-film-Fuji-Superia-X-TRA-400-by-EMULSIVE
EMULSIVE started as an idea in early 2015. I thought I should put up a blog where I could post a few photos and blog about stuff that I'd lea...
For the second of our Lockdown Session interviews we cornered another well known face in the film community, Hamish Gill. (We're just glad he could fit us into his hectic schedule)!
Section 1 - The Beginning
Share your favourite image / print shot on ILFORD film and tell us what it means to you?
Image by Hamish Gill shot on HP5+
That’s a tricky question. The above image is the one that immediately came to mind. I don’t darkroom print myself, but I did print at a workshop at AG Photographic a few ...
We've been following Dan Rubin's photography for a while now so were really pleased when he agreed to take part in our Lockdown Sessions.
SECTION 1 - THE BEGINNING
SHARE YOUR FAVOURITE IMAGE / PRINT SHOT ON ILFORD FILM AND TELL US WHAT IT MEANS TO YOU?
Shinagawa Station, Tokyo, 2016. Ilford HP5+ @ 400, Leica M6, Summicron-M 50/2 (Scanned by Canadian Film Lab)
This was my first full day in Tokyo, on my first visit to Japan in 2016. The memory of wandering through the station during rush hour...
Introduction
I often see echoed this absurd idea that somehow film photography is more “pure.” Anyone who has ever been a part of a film photography Facebook group has surely come across a post along the lines of “how much editing in post do you think is OK with film?” And, without fail, there will be at least one response from the analog bourgeois which goes something like “if you’re going to edit *that* much, you might as well shoot digital. Why are you even shooting film?!”
Sadly, we of...
Balance
Like many photographers these days, I balance a busy day job alongside a family life. I try to be good a community member, share my thoughts and experiences and sometimes, perhaps, inspire one or two. In the background I have long held an aspiration to become a successful professional photographer, something i'm still working towards.
Like all of us I suspect, finding something to focus on, photographically, can be a challenge when life is so busy. The majority of my casual photography currently...
Inherent bias
Photography has long been used strategically as a tool and method of capturing and sharing slices of truth, small morsels of reality, inherently containing the bias of the photographer. By making decisions about what to shoot, how to shoot, what to edit, how to edit, and what to share with the viewer, photographers have historically held a unique position of being able to weaponize the art of photography by crafting and even manipulating truths. In the United States of America specifically, p...
We love Sandy's beautiful large format shots, they always seem to have hidden depths. We are excited that he agreed to take part in the In Focus / Lockdown Sessions series and become our 20th interviewee.
BACKGROUND
SHARE YOUR FAVOURITE IMAGE / PRINT SHOT ON ILFORD FILM AND TELL US WHAT IT MEANS TO YOU?
There’s a few I could post that I feel encapsulate the sort of feeling or thought process I have when I’m working on photos, but for me, so far? It’s this image.
Photography means a lot of di...
Interview 23 is with Michael Weitzman. A film photographer, darkroom teacher and alternate and experimental process enthusiast. Michael was nominated back in June by Brett Hillyard.
BACKGROUND
SHARE YOUR FAVOURITE IMAGE / PRINT SHOT ON ILFORD FILM AND TELL US WHAT IT MEANS TO YOU?
Northern Line. This photograph shouldn’t have happened, but I wanted to shoot in extreme conditions. It was 5 or 10 below zero with 15 - 20 MPH wind off the Missouri River in Great Falls Montana dead of winter. I came up to ...