Search results for: 'especi and forc'

The Greatest Gift In 1984, at age of 10 my foster parents, to whom I was never close, gave me a camera. It is the greatest gift they gave to me. Since then, I have photographed the world to make sense of it and my place in it. Now, forty years later, I respect photography to the extent it should be respected. It has become an integrated part of who I am, it has shaped me into what I am and I have shaped it - we are one and I would arguably feel nothing in life without this powerful mechanism. I come from a...

On the Language of Photographs A photograph is so much more than just a photograph; it holds an entire language within it. Each photograph captures a unique world that exists only in that moment, preserving the memories of the people in it, and the experiences of the photographer pressing the shutter. Today, I want to reflect on my own work and how my favourite images have defined me as an artist. What messages do they share with the world? How have the tools I’ve used to create them shaped their unique ...

Our next Community Focus interview takes us to Berlin, where we had the opportunity to chat with Queer Analog Darkroom. They've created an inclusive space for individuals who face barriers to accessing knowledge about analog photography due to discrimination and marginalization, ensuring everyone has the opportunity to learn and create. SECTION 1 - BACKGROUND LET’S START EASY. TELL US A LITTLE ABOUT THE DARKROOM, WHAT IT’S CALLED AND HOW IT STARTED. Queer Analog Darkroom (QAD) - is a self-organized, ...

A Room in Barcelona by Tiffany Roubert: Capturing Intimacy on ILFORD Delta 3200 There’s something about film photography that forces you to be present. The tangible process, the limitations, the patience required, each frame becomes deliberate, considered. A little while ago, I shot a project called A Room in Barcelona, entirely on film. More precisely, entirely on ILFORD Delta 3200. The premise was simple: create intimacy with a total stranger in a confined space. No grand backdrops, no elaborate set de...

Everything Shifted I first came to photography as a teenager, experimenting casually with digital cameras. But it wasn’t until after my PhD in cinema studies focused on representations of family in American television, that I returned to it with real intent. Living in Bordeaux at the time, I had occasionally photographed concerts, mostly as a hobby. Then, during the first COVID lockdown, everything shifted. With time slowing down, I picked up my partner’s analog camera and began shooting in the garden,...