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An experiment in chemical possibilities
When I took up a camera after a few years’ hiatus in 1990, I was surprised to discover that I could no longer get a black & white film developed through the nearest camera shop, never mind through the local pharmacy. If memory serves, I was told it would cost $40 for a single film. Naturally, I returned to processing my own film just I had done when I first took up a camera in the early 1970s. The world had moved on, and colour film was the default medium f...
An Interest in Large Format
Large format is an immensely rewarding and enjoyable way to make a photograph. It can also feel overwhelming when you’re just starting out, but it doesn’t have to be complicated. This article is for anyone with an interest in large format.
I got into 4x5 because I wanted to challenge myself, and to try something new. Over the last two years it has become my favourite way to take a photograph. There’s something special about slowing down and being so deliberate with each...
Heading West
Last September my family and I headed west. It had been a few years since we’d visited the West Country, we had come to love it when our family was young, and now that they were grown we decided to return to see if it still has a special place in our hearts.
While my teenagers packed their essentials - clothes and iPhones, and my other half packed enough books to keep a large reading group going, I set about doing the important task of packing my camera equipment.
My focus was on which...
HUNTING ISLAND XVI, 2018
Technical info
Film Used Ilford Delta 100
Format 4x5
Camera Chamonix 045N-2
Lens Fujinon SW-90
Exposure time Approx.2 minutes
Other equipment Sand & shells, to taste.
Location: Hunting Island, South Carolina, US.
Tell us the story behind this image. What inspired you to shoot it?
This March, I was in Charleston, South Carolina, and had a day to burn. I started looking around for somewhere cool to check o...
I don’t know about you, but I have a “box of shame”. It’s where I keep all the photographic odds and ends of kit that I never use, but can’t bring myself to throw away. Well I’ve always felt it would come in handy one day, and it seems that day has come! This story really gets going when I decided I wanted to do something fun with my Konica Pop*, an 80’s classic point and click camera I picked up in a charity shop a few years ago.
Odds and Ends
By utilising some of these long-neglected items...
In the summer of 2017 my friends, novice climbers, asked me to climb Elbrus with them. This is the highest mountain peak in Russia and Europe. The idea sounded great, especially because I have loved mountains since my childhood. But my campaign plan immediately included a large-format camera, with which I have been travelling for many years (mostly, of course, by car with a camera in the trunk).
For a while I wondered if I should take a big camera with me too. Would it be better to take a Hasselblad? But...
Image: Double exposure portrait series
Technical info
Film Used: ILFORD XP2
Format: 35mm film
Camera: NIKON F3T Lens: 50mm NIKOR-S 1.4 Exposure time: 1/60
Aperture: 5.6
Other equipment: -
Location: Kyiv, Ukraine
Firstly, tell us the story behind this image. What inspired you to shoot it?
I was attracted for a long time to the visual capabilities of multiple exposures. But I had no concept of how I could go beyond the simple multiple overlapping of frames, until I visited Marcel Ducham...
The Photography Show 14-17 March
There's not long to go until this years Photography Show at the NEC in Birmingham and it's going to be a great one. (If we do say so ourselves)!
There is going to be a far greater analogue / film presence at the show this year as the organisers have agreed to the inclusion of a dedicated ‘Analogue Spotlight’ area which will include some pods for smaller brands and a spotlight speaker area for those brands to do demos.
Come and see us!
We will be there on stand B93 ...
In late 2019, we invited the global analogue film photography community to take part in our latest survey. This time we focused specifically on darkroom printing.
The survey ran for 1 month and had an incredible 5,439 responses from 87 countries around the world. A huge thank you to everyone who took the time to offer your insights and share the survey for us.
Why darkroom printing?
We have seen sustained and continuous growth in film for a number of years. However, darkroom printing has not yet cap...