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Nashville born Joseph Patrick or Photojojo was nominated by Laura E Partain back in October of 2020. Known for his creative shot choices and great use of light, we're excited to find out more about him.
Section 1 - Background
Share your favourite image / print shot on ILFORD film and tell us what it means to you?
This is one of my favorite shots. Here it was a combination of a few things coming together perfectly to create an image that perfectly aligned with my vision. The model is a friend I met the ye...
The idea came to me after searching for companies to have a photobook made. I wanted something of the highest quality. Something that had the physical feel of Photographs: Annie Leibovtiz 1970-1990, or Helmut Newton Portraits. Two beautifully printed books that happened to be sitting in the community darkroom I own. After searching the internet for hours and looking at reviews and products of various companies, I was no further along to making a selection than when I started. My mind wandered as I stared at...
In this blog article, Kit Young provides insight into his latest book, Where the Rain Clouds Gather (OD Books) , which was made entirely from scanning hand-made silver gelatin prints.
The Concept
At times the past year has raced past in a haze. Streets have emptied and we have retreated to our cocoons. Cooped up. Waiting for the storm raging outside to subside. The images in Where the Rain Clouds Gather, my second publication, appear as if from a dream state. Moments in time, brought to life in the dark...
After a 25 year hiatus of shooting stills, I returned to pushing on with my personal photography in 2016 and more recently using film once again. Part of that process has involved a scanner which led me to revisit some of my 1980s images which had never before been published.
1987
In 1987 as a nineteen year old, I volunteered for an occupational therapy department in a Psychiatric Hospital, leading weekly ‘photo therapy’ workshops for a small group of patients. The aim was to encourage the group to ex...
When the streets become unbearable
I’m not so good with words, but that’s probably why I love photography. I can let the photos I make speak for themselves. The death of George Floyd, back in May of last year, hit me hard. So much so that I went out a did what I usually do when stress becomes unbearable, I make pictures. I grabbed my Nikon F and Nikon FE, grabbed some HP5 and FP4, and headed out to clear my mind, and see what I could create.
While stopping at some familiar spots in downtown Colu...
Remote Work
In 2020, during the pandemic, the world has quickly switched to remote work, video conferencing and calls. People had obtained a digital image and, although it existed before, the clearest visual expression of it has incarnated in video calls. The man has an alter ego in video calls. Almost a mandatory virtual image-mask, which is broadcast to the world and could become another folder in the categories of August Sander.
Endless distractions
Our vision of people today is modified through...
The first roll
It is January 31st, 2020. I’ve arrived in London to document the events surrounding the UK leaving the EU. Many groups were converging on Parliament Square for this historic day. My usual workflow was interrupted when fellow documentary photographer Simon King called me aside and handed me a Nikon FG, 55mm f/3.5, and a roll of Kentmere 400.
This was the first roll of film I’d exposed in my life. Unaccustomed to the mechanical redundancies and psychological immediacy that film offers, ...
Taking Risks
Through a series of what felt like small and inconsequential life choices I have found myself recently in positions where the logical course of action involved putting my health and even my life at risk, in service of making photographs.
I, like many others I'm sure, want to be a great photographer. To me this means that I look with a respectful eye over my own body of work, and accept it for what it is: (hopefully) the absolute best I can accomplish.
A retrospective
This is something I r...
Earlier this year in our interview with Walter Rothwell, he nominated Kris to take part in this series. We're so glad that he did. Enjoy!
Section 1 - Background
Share your favourite image / print shot on ILFORD film and tell us what it means to you?
One of my recent favourite images is this portrait of 3 young men taken on the streets of Birmingham UK. It was one of the first outings in the city post-lockdown and I wanted to really get back into a stride with my personal photography on the streets. With ...
Light in the Dark
Most fine art photography starts with the photographer and finishes in the darkroom. For me it’s the other way round. My story began with seeking out the light in the dark and becoming one of Britain’s most respected black and white printers. Today, I look for the dark in the light, as a photographer in my own right.
I have put together a show to mark 50 years in my Fitzrovia darkroom which opens (and closes) at the Fitzrovia Chapel on Wednesday, June 30. Then again on Monday 26th-...