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People often ask me why I love street photography so much, my answer is always “you never know what you are going to come across, depending on where you are and sometimes that can be from minute to minute” let me explain…
Photography is my passion
I am very lucky that after a career spanning 28 years as a professional advertising photographer I now feed my soul teaching my passion which is street photography in some of Europe’s most exciting cities, often in areas people wouldn’t norma...
A black border often enhances a print and does not involve any sort of mounting or overlay.
Ink or tape borders
The easiest way to produce narrow black borders is to rule them with a pen directly onto your finished print: an India-ink pen gives the most solid line, but most permanent (all surface) spirit based markers are much less expensive and will do the job.
For slightly wider black borders, narrow, self-adhesive strips are available from graphic arts suppliers. Supplied in dispensers, of various w...
One of the best things about film photography is that the creative process doesn't end in the camera. Processing your images in a darkroom is not only great fun, but it also allows you to exercise complete creative control over the final look of your image.
We cover some of the essentials needed to set up a darkroom in our beginner's guide and have also developed a series of short animations which cover essential darkroom equipment, darkroom safety tips as well as how an enlarger works.
Below, we cov...
Lifelong love of black and white
Growing up in the late fifties and sixties, one of my favourite movies was The Day the Earth Stood Still, a lot of which was shot at night in black and white. That early exposure to film noir inspired a lifelong love of black and white photography, especially at night.
When I first started shooting pictures in 1967, though, the only option for night photography without a tripod was “pushing” 400 ASA film and using specialized developers. While what was essentially un...
My first time in Afghanistan
For the last couple of years, I have been travelling and exploring the people and culture of the Middle East and Central Asia. Visiting these countries is always inspiring and fascinating to me. In 2016, I visited Afghanistan for the first time.
At this time I switched from photographing both digital and analog to one hundred percent analog. The reason is simple. I love the handling, the manual process of film photography. It feels real and timeless. It is also practical, t...
I’m Anil Mistry and I’m a photographer. I shoot a whole variety of work, including headshots, documentary, portraits and personally initiated projects. Whatever interests me and helps me to improve my body of work.
I’ve been asked to talk about an area of my photographic work that I have a real passion for. In my case, that's the capturing of street portraits.
Why do I take street portraits?
There’s two main reasons I do it, and I’ll try to go through them succinctly:
It’s not easy
...
Tranquility
Alan Brock searches for a sense of calm in his images. He shares how he achieves it below
Technical info
Film Used: Delta 100
Format: 4x5
Camera: Intrepid 4x5 II
Lens: Nikkor 180mm f/5.6. Shot at f/45
Exposure time: 40s
Other equipment: Gitzo 1545T Tripod
Location: Parksville Lake Tennessee
Firstly, tell us the story behind this image. What inspired you to shoot it?
I like to search for a sense of calm in my images. In a lot of ways this fits my...
Farhya
Tariq Tarey give us the lowdown on how he captured this striking portrait.
Technical info
Film Used - Ilford FP4+
Format - 4x5
Camera - Wista
Lens - 180mm Nikkor f5.6
Exposure time - 1/125
Location - Columbus, Ohio
Firstly, tell us the story behind this image. What inspired you to shoot it?
This image is part of long term project. The project highlights the relationship between African & African Americans women and their sca...
A medium for the moment
I always travel with my 35mm SLR and a stack of Ilford HP5 and Ilford FP4 film. I definitely prefer the look and process of shooting film when traveling and photographing on the street and I find my small SLR with it’s 50mm lens is small and inconspicuous enough to capture intimate street portraits. Shooting everything on the same 50mm lens and film medium gives my work a consistent look and feel. I have always found shooting film slows down my process, it forces me to think mor...