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Earlier this year we agreed to take part in @EMULSIVEfilm community interviews and these are the results.
Over to you #EMULSIVE
Back in mid-May 2016, we invited you all to submit your questions to Ilford Photo for the second in a new series of community interviews here on #EMULSIVE. As with the first, the premise is simple: we collect questions from you, the film photography community, package them up and then work with the interview subject to get them answered and published.
Well, we’...
Tranquility
Alan Brock searches for a sense of calm in his images. He shares how he achieves it below
Technical info
Film Used: Delta 100
Format: 4x5
Camera: Intrepid 4x5 II
Lens: Nikkor 180mm f/5.6. Shot at f/45
Exposure time: 40s
Other equipment: Gitzo 1545T Tripod
Location: Parksville Lake Tennessee
Firstly, tell us the story behind this image. What inspired you to shoot it?
I like to search for a sense of calm in my images. In a lot of ways this fits my...
We recently had the pleasure of turning the tables on one of the stalwarts of the film photography community when we asked Em if he'd be the first of our interviews in the 'Lockdown Sessions'. We're so glad that he agreed.
What made you set up Emulsive.org and what were your initial plans for it?
My-first-roll...-Of-35mm-film-Fuji-Superia-X-TRA-400-by-EMULSIVE
EMULSIVE started as an idea in early 2015. I thought I should put up a blog where I could post a few photos and blog about stuff that I'd lea...
For the second of our Lockdown Session interviews we cornered another well known face in the film community, Hamish Gill. (We're just glad he could fit us into his hectic schedule)!
Section 1 - The Beginning
Share your favourite image / print shot on ILFORD film and tell us what it means to you?
Image by Hamish Gill shot on HP5+
That’s a tricky question. The above image is the one that immediately came to mind. I don’t darkroom print myself, but I did print at a workshop at AG Photographic a few ...
Introduction
I often see echoed this absurd idea that somehow film photography is more “pure.” Anyone who has ever been a part of a film photography Facebook group has surely come across a post along the lines of “how much editing in post do you think is OK with film?” And, without fail, there will be at least one response from the analog bourgeois which goes something like “if you’re going to edit *that* much, you might as well shoot digital. Why are you even shooting film?!”
Sadly, we of...
Guy's Instagram caught our eye, with it's mix of 'camera porn', black and white film shots, and classic cars.
We knew he was busy preparing for the launch of his clothing label, Ratino, later this year as well as publishing his quarterly car journal The Road Rat, so we were really pleased when he agreed to take time out of his busy schedule to take part.
SECTION 1 - THE BEGINNING
SHARE YOUR FAVOURITE IMAGE / PRINT SHOT ON ILFORD FILM AND TELL US WHAT IT MEANS TO YOU?
I think this shot of Chris playing...
In our 14th and possibly final Lockdown Session (before we move to a new format), we are bringing you Kit Young who was nominated by Ashley Carr back in week 9.
We've followed Kit for a while on Instagram. He's a fantastic darkroom printer and is always happy to share how get gets to the finished prints from his negatives.
SECTION 1 - THE BEGINNING
SHARE YOUR FAVOURITE IMAGE / PRINT SHOT ON ILFORD FILM AND TELL US WHAT IT MEANS TO YOU?
There are a lot, so I’ll pick this relatively recent print o...
Summer of Photograms
My end goal with my photography, at least for as long as I can remember, was to make darkroom prints. I love the thought processes in darkroom printing, the excitement when I manage to find the combination of burning, dodging and other printing techniques that turns my imagined image into a print that I can share. Preferring the tactile nature of darkroom craft, I never cottoned on to digital photo processing or printing.
Then in the spring of 2019 I developed a long term illness th...