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HARMAN technology Limited, trading as ILFORD PHOTO, is a global market leader and the only manufacturer in the world to provide a full range of black & white film, darkroom paper, photochemistry and ancillary products.
For over 137 years, generations of customers have demanded the very best. And this is why they continue to choose ILFORD. Operating from our manufacturing headquarters in Cheshire, UK. Our products are shipped around the globe and into the discerning hands of beginners, enthusiasts, stud...
26th July 2016
ILFORD Photo (HARMAN technology Ltd) are delighted to introduce 'ILFORD inspires’, a series of events aimed at broadening the appeal of black and white film photography to a wider audience.
The first of these events takes place on August 4th in Philadelphia, PA and features an insight into and showcase of the incredible work of artist, educator and master printer Chuck Kelton.
Chuck’s feature talk will describe his experiences working with some of the most iconic photographers of...
30th January 2015
The results are in from the ILFORD PHOTO film survey and they are positive.
At the end of 2014 we conducted a comprehensive international survey to help us better understand film users. Thousands of users from over 70 countries completed the survey for us and the results were inspiring.
Our belief that support for traditional film is growing was confirmed by the 30% of respondents who were aged under 35, with 60% of them using film for less than 5 years.
For many of those the...
Film and single use cameras
How long after exposing can I leave my film before processing?
For best results, we always advise processing soon after exposure although in practice most films can be left for several months. One exception is ILFORD PANF Plus, we would always advise processing this film as soon as possible and certainly within 3 months of the film being exposed.
How do I account for film reciprocity during long exposures?
This information can be found in the Film Reciprocity Failure Compensa...
The first stage of making a darkroom print is to determine the exposure time.
If you have already created a contact sheet of your negatives, and they appear correctly exposed, then you should have a rough idea of the necessary exposure (provided you haven’t moved the enlarger head or aperture setting after exposing the contact sheet). Note: If you change the degree of enlargement you will also need to adjust the exposure. Some enlargers have scales printed on their columns to make this easier.
Another...
Silver halide has been used in photographic film and paper for over 150 years and remains a vital ingredient found in all high-quality products. Silver halide crystals in gelatin form part of an emulsion which is used to coat the paper or film. On exposure to light (i.e. in a camera or darkroom), the crystals react turning into silver and forming the image.
Silver halide prints
There are many ways to produce black & white prints with options varying in quality. Traditional black & white silver ha...
All ILFORD Inspires content has a common goal: To inspire people to try traditional analogue black and white photography by showcasing the power and potential of this highly creative medium.
New York Silver Stories
Working with the talented team at Exploredinary, this series features four short documentaries telling the stories of silver gelatin darkroom printers in New York City.
The Bronx Documentary Center - Turning Negatives into Positives
Founded by Michael Kamber, the BDC is a non-profit aimed at ...
This competition is now closed for entries.
You can view all of the International winners here and see all of the finalists in our competition gallery
Welcome to our 2017 black and white film student photography competition 'Lyrically Speaking'.
Please click on the relevant link below to download the entry pack for your country. This includes posters, the brief, entry labels and the terms and conditions.
Argentina
Hong Kong
Kong Kong (English)
Italy
Philippines
Por...
Man of science
I love alternative photographic techniques like dry plates and brushed on emulsions. I am a darkroom fanatic – always exploring new ways to mash up digital with traditional analog techniques. I love all kinds of print processes – cyanotypes, salts, van dykes to name a few. I shoot all formats right from 35mm half frames up to 8×10 large format.
I am also an avid camera collector but prefer to be a user rather than an admirer of my cameras. I currently use a Nikon F3, Leica M-A, Hasse...
Self-portraiture as Catharsis
My photography is a form of therapy, a personal, emotional and sometimes turbulent struggle with the complexity of emotions. I feel my life and art have become intertwined and to bury this mental state deep within would only allow it to thrive but through my use of photography, I am offered a sense of catharsis.
My self-depictions manifest within the same four walls, my bedroom. The room I believe is the keeper of my trapped and repressed emotions. This often heavily constr...