Search results for: 'my share with'

"I have yet to see — much less produce — a colour photograph that fulfils my concepts of the objectives of art." Ansel Adams. The Tetons and Snake River (1942) Photograph by Ansel AdamsPhotograph by Ansel Adam© The Ansel Adams Publishings. Collection Center for Creative Photography Rights Trust Some of the greatest and most iconic photographs ever taken have been in black & white. Masters such as Ansel Adams, Cartier Bresson, Sir Don McCullin, Mary Ellen Mark and Sebastiao Salgado to name j...

1992 - How I met Masterji Soon after leaving my staff photographer’s position on the local newspaper where I’d been employed for the previous 5 years and with the luxury of in-house film processing no longer a convenient option I began using my local city centre professional colour lab, in Coventry. During the accumulating hours I spent in that lab waiting for my 35mm films to process, watching small colour prints dropping from the conveyor belt from the end of the machine, I very watched a short In...

 A lifelong hobby One of my lifelong hobbies is photography. I have been taking photographs since I was about 10 years old when I was given an old Kodak folding pocket camera that had belonged to an uncle, Bertrand Perrett, who was a professional photographer and painter in England. I learned to develop and print black-and-white film at school when I was a teenager back in the 1970s. The Slower Pace When digital photography came along I moved to that medium, but recently I’ve come back to film aga...

How I work I believe in self-learning, and I’m always up for something new to explore. I adhere to a strict code of conduct and don’t believe in photoshop, or do much if any post processing. It has to be an exceptional day for me to crop an image. I use Ilford’s Delta 400 for most of my work and use XP2 Super when I need my results fast. Changing times I was born in 1988, which meant that I got a first class ticket to experience the world converting from analogue to digital during m...

#Summer We're feeling summery this week at ilfordphoto.com so asked you to share you #ilfordfilm summer favourites with us. We were overwhelmed with the response. Thanks to everybody that shared. Here are our top picks. @flameforcefive The Street, Tankerton, Kent #ilfordfilm delta 400 in my bessa t #ilfordfridayfavourites #believeinfilm @Dbloomsday I went to Philly with a couple rolls of HP5+, then this happened... #believeinfilm #summer #ilfordfilm #ilfordfridayfavourites @Egilgaare #ilf...

Wow, what a fantastic response to this week's #ilfordfridayfavourites theme. We've struggled to choose from the great images that you shared this week, in our Gallery as well as on Instagram, Twitter, and Facebook but choose we have done and our favourites are shown below. ‏ @CrunchySpaces Night Crossing | Ilford XP2 #ilfordfridayfavourites #believeinfilm @Stig_Ofthedump #ilfordfridayfavourites @ILFORDPhoto HP5+ shot on Minolta XD7 #light at West Kirby #Wirral thevegasrealtor#ilfordfridayf...

Chatyn-Tau, Caucasus Peter Schön has shot many beautiful ski, snow and mountain images (among others) on black and white film. Here he shares his story behind 'Chatyn-Tau, Caucasus' in the second post in our 'How I got this picture' series. Chatyn-Tau, Caucasus © Peter Schon   Film Used – ILFORD DELTA 100 Format - 135 35mm Camera - Contax T3 Lens – Carl Zeiss Sonnar T* 35mm F2.8 Other equipment –Heliopan yellow filter (2x) Location - SE couloir (55-60°, 1900m) ...

  Earlier this year we agreed to take part in @EMULSIVEfilm community interviews and these are the results. Over to you #EMULSIVE Back in mid-May 2016, we invited you all to submit your questions to Ilford Photo for the second in a new series of community interviews here on #EMULSIVE. As with the first, the premise is simple: we collect questions from you, the film photography community, package them up and then work with the interview subject to get them answered and published. Well, we’...

A black and white film community Since film is no longer the primary domain of professionals, it’s been adopted again in earnest by passionate individuals that produce legitimate work. In this age of instant gratification, infinite dynamic range, and auto-everything, it’s nice to rely on a predictable and high-quality medium. I shoot HP5+ almost exclusively. It’s everything I want in a black and white film. It’s flexible, widely available and fits right into my workflow. I’ve played both...

We didn't see the usual glut of images for our #speed themed #ilfordfridayfavourites. However, the ones that we did receive were great. These are the ones that we liked the most @jwgalleryuk Cross country. #largeformat #4x5 #ilfordfp4 #believeinfilm #speed #ilfordfridayfavourites   @davewooff #ilfordfridayfavourites #Morris FP4 plus on a Yashica MAT   @jwgalleryuk #wakeboarding is not my usual subject matter but enjoyed the challenge of shooting action on #ilfordpanf ;) #spee...