Search results for: 'magic'

22nd December 2015 Storm over Vestrahorn, Iceland. Selenium and Thiourea toned silver gelatine ©Tim Rudman/National Trust   ‘Iceland, an Uneasy Calm’ is a series of photographs taken in Iceland over the last eight years by Tim Rudman who is acknowledged as one of the very finest landscape photographers working today. This stunning collection will be exhibited at the National Trust Fox Talbot Museum in Lacock, Britain’s birthplace of photography, from 9 January to 10 July 2016. Tim describ...

How I work I believe in self-learning, and I’m always up for something new to explore. I adhere to a strict code of conduct and don’t believe in photoshop, or do much if any post processing. It has to be an exceptional day for me to crop an image. I use Ilford’s Delta 400 for most of my work and use XP2 Super when I need my results fast. Changing times I was born in 1988, which meant that I got a first class ticket to experience the world converting from analogue to digital during m...

The last six years I picked up my first camera about six years ago, and I haven't looked back since. Well, not on my choice of beginning Photography, but I have looked back on my choice of cameras. Over the past six years, I've achieved quite a bit, and I've enjoyed every moment of it - from my first exhibition to running my own photography gallery. However, I'd always felt that there was something that I was missing out on. Photography, for me, is an art form that allows you to be creative and passion...

Man of science I love alternative photographic techniques like dry plates and brushed on emulsions. I am a darkroom fanatic – always exploring new ways to mash up digital with traditional analog techniques. I love all kinds of print processes – cyanotypes, salts, van dykes to name a few. I shoot all formats right from 35mm half frames up to 8×10 large format. I am also an avid camera collector but prefer to be a user rather than an admirer of my cameras. I currently use a Nikon F3, Leica M-A, Hasse...

A family of photographers It’s difficult for me to imagine my family members without their cameras. I grew up in a family of photographers. This seemed so natural to me, that, as a child, I thought all my friends at school had photo labs at their grandparents’ house. For years, underneath my bed, sat my great grandfather’s wooden photographic chamber, along with its imposing tripod. Ilford FP4 Plus / Hasselblad 500CM / Sonnar 150mm Fujifilm Acros 100 / Hasselblad 500CM / Distagon 50mm &nbs...

It looks like you found this weeks #ilfordfridayfavourites #immense theme a tough one, as we didn't see the usual high number of entries. That said, there were still some great shots to be found... @Stig_Ofthedump Its a big world out there ! #immense #ilfordfridayfavourites Delta 100, RSS Pinhole 6x12, River Dee delta shot from West Kirby   @AdibMufty St. Vitus Cathedral ?: Hasselblad 500cm ?: Ilford Hp5+ EI 800   @iankasnoff 8x10 direct positive in Study Butte, TX. Clouds a...

Heading West Last September my family and I headed west. It had been a few years since we’d visited the West Country, we had come to love it when our family was young, and now that they were grown we decided to return to see if it still has a special place in our hearts. While my teenagers packed their essentials - clothes and iPhones, and my other half packed enough books to keep a large reading group going, I set about doing the important task of packing my camera equipment. My focus was on which...

For today's #ilfordphoto #fridayfavourites we asked you to share your #darkroomprints with us. There is something special about taking your negatives into the darkroom and creating a print. I don't think that anybody forgets the first time that they saw the 'magic' happen. If you haven't printed before but fancy giving it a go check out our simple how to video and then find a local darkroom and put it in to practice! @tiboalberny Here's an old one on Ilford MG4 RC De Luxe paper painted with Ilford...

Beginnings I came to analog photography late. I enjoy being able to feel the film and create with my hands, and the suspense of not knowing how the final shots look until you develop the film. Shooting film changes the style of how I work.  I take less pictures and think more. It is more immersive, I have more time to feel their characters, their experiences. I shoot all my projects in medium format film.  I do use digital, but only for commercial photography or for working on reports. Materials ag...

There was this one scene I wanted to capture.  I stumbled upon it walking up Old Man Coniston in the Lake District just before reaching the peak.  Out of nowhere (unless you’ve studied an OS map) a body of water appears when approaching from the east. As we reached the water’s edge, the sun was bursting through the clouds for the first time in days. The light was fantastic, catching 2 large boulders protruding from the perfectly flat, reflective water with the hill layers mirrored on the surface. ...