Search results for: 'wa but'

Loading...

Items 81 to 90 of 521 total

Page
Show per page
  • Farhya Tariq Tarey give us the lowdown on how he captured this striking portrait.     Technical info   Film Used  -  Ilford FP4+ Format -  4x5 Camera -  Wista Lens - 180mm Nikkor f5.6 Exposure time  - 1/125 Location  - Columbus, Ohio Firstly, tell us the story behind this image. What inspired you to shoot it? This image is part of long term project. The project highlights the relationship between African & African Americans women and their sca...
  • A medium for the moment  I always travel with my 35mm SLR and a stack of Ilford HP5 and Ilford FP4 film. I definitely prefer the look and process of shooting film when traveling and photographing on the street and I find my small SLR with it’s 50mm lens is small and inconspicuous enough to capture intimate street portraits. Shooting everything on the same 50mm lens and film medium gives my work a consistent look and feel. I have always found shooting film slows down my process, it forces me to think mor...
  • It looks like you found this weeks #ilfordfridayfavourites #immense theme a tough one, as we didn't see the usual high number of entries. That said, there were still some great shots to be found... @Stig_Ofthedump Its a big world out there ! #immense #ilfordfridayfavourites Delta 100, RSS Pinhole 6x12, River Dee delta shot from West Kirby   @AdibMufty St. Vitus Cathedral ?: Hasselblad 500cm ?: Ilford Hp5+ EI 800   @iankasnoff 8x10 direct positive in Study Butte, TX. Clouds a...
  • The Grand Canyon at Plateau Point Technical info   Film Used:  ILFORD FP4+ Format: 4x5 Camera: Wista 45DX Lens: Rodenstock: 90mm f/4.5 Exposure time: 1/60th Other equipment: Red filter Location: Plateau Point, Grand Canyon National Park     Firstly, tell us the story behind this image. What inspired you to shoot it? One weekend at the last minute I decided to do a full moon hike to Plateau Point in the Grand Canyon. My plan was to hike down around ...
  • Window Cleaners shot on ILFORD XP2S An unknown language When I started in photography I was always put off from film, by the balance (in my mind anyway), between the effort and time taken out of my workflow in developing, and the rolling cost. As well as my dependence and already intimate comprehension of digital systems. Film was an unknown language, and not one I was prepared to learn at the time. Expanding my understanding Recently however I have been looking for different ways to expand my und...
  • ILFORD Photo UK student photographer of the year The increasing popularity of film photography in schools and colleges has seen a record number of darkroom prints submitted to the annual ILFORD PHOTO student photography competition. The high standard of entries from schools, colleges and universities across the country has made the selection of a winner a very difficult task. However, a unanimous winner has been chosen and the title of ‘ILFORD PHOTO UK Student Photographer of the Year 2017/18’ has b...
  • Double exposures can be really tricky to get right. Lucy Ridges shares the secrets behind her ship / nude image below. Ship Technical information Shot on: FP4 plus medium format film Camera Mamiya RB 67 Exposure time Double exposure, each exposure 1/60 F5.6 Other equipment With bowens studio flash (1 x large soft box) I shot this image at my photographic studio in Manchester, located within Rogue Artist Studios The story behind the image My work for many years has encompassed a love for mul...
  • Small but perfectly formed is what we were looking for with this weeks #fridayfavourites theme #macro. @artXchemistry #fridayfavourites #ilfordphoto #macro #believeinfilm Pentax 645, 150/3.5, Vivitar close up lenses.  HP5+, scanned film.   @dmbloor Froggy went a courting. Mamiya C220 TLR - 80mm Sekor lens - #FP4Plus #macro #ilfordphoto #fridayfavourites   @calor_gas_terry My @ILFORDPhoto #fridayfavourites #macro photo - my wedding ring on FP4+, LC29 1+19   @thisJason...
  • An experiment in chemical possibilities When I took up a camera after a few years’ hiatus in 1990, I was surprised to discover that I could no longer get a black & white film developed through the nearest camera shop, never mind through the local pharmacy.  If memory serves, I was told it would cost $40 for a single film. Naturally, I returned to processing my own film just I had done when I first took up a camera in the early 1970s. The world had moved on, and colour film was the default medium f...
  • We thought we knew what images we'd get this week with our theme of #stilllife. We should know better by now! You always manage to surpass our expectations. Thank you to everybody that shared with us on Twitter and Instagram @ShootingGrain Pineapple: Mamiya C330s, 80mm on Ilford FP4 #fridayfavourites  #stilllife   @JasjitCo Pyramid Canon AE-1 w/50mm 1.8 - Ilford Panf+ #fridayfavourites #ilfordphoto #stilllife   @petrgo #BW #analog #blackandwhite #hasselblad #istillshotfilm #p...

Items 81 to 90 of 521 total

Page
Show per page