Search results for: 'trai holes'

Is a Photograph a Photograph if it Was Not Made with a Camera, Lens, or Negative? The ethereal color palette and expressionistic qualities of the work I have been making with ILFORD's photographic paper seemingly resemble the representations of light and color as seen in many landscape paintings (think J.M.W. Turner, Albert Bierstadt, Thomas Cole); however, the work in my on-going project, I Thought You Left / I Wish You Were Here, are lumen prints—a form of camera-less photography where objects or a neg...

Finding Your Niche I never expected to be doing what I do today. For some reason, it never crossed my mind that I could photograph people for a living. I struggled a lot through university. It wasn’t that I didn’t enjoy my classes, but I truly had the hardest time finding my niche until the last year or two. I knew I loved working with film. Digital was nice, but too sterile for my taste, and I felt that I could never achieve the look I was aiming for. 35mm was a step in the right direction. It provide...

Introducing Susie Jones, our 78th In Focus interviewee. Susie is an artist, songwriter and musician based in the Northwest of England, find out why analogue photography is her latest expression. SECTION 1 - BACKGROUND SHARE YOUR FAVOURITE IMAGE / PRINT SHOT ON ILFORD FILM AND TELL US WHAT IT MEANS TO YOU? Jumping straight in with the difficult questions here. I find it impossible to choose favourite images, it constantly changes. We see so much of ourselves and our current state in images and how we rela...

From hiking to darkroom printing, discover how Macy Lee created this unique print in our latest 'How I Got This Picture' interview. IMAGE TITLE Izzy at the Canyon  TECHNICAL INFO FILM USED ILFORD HP5+ FORMAT 120 CAMERA Hasselblad 500C LENS 60mm EXPOSURE TIME 5.6 F stop at 60th of a second LOCATION The Grand Canyon, South Kaibab Trail FIRSTLY, TELL US THE STORY BEHIND THIS IMAGE. WHAT INSPIRED YOU TO SHOOT IT? Izzy is one of my best friends, and this was during a long running trip we ha...

Slowing things back down Although it’s been 28 years since I first stepped into a darkroom, there’s been a significant gap in time since the last time I stepped into one. I grew up at a particular transition time, like the horse to automobile, typewriter to computer, I started my journey into photography just before the digital camera started making its way into the market and pushing film aside. Even though instant gratification has its place, I still kept that romantic notion of one day getting back ...

On the Language of Photographs A photograph is so much more than just a photograph; it holds an entire language within it. Each photograph captures a unique world that exists only in that moment, preserving the memories of the people in it, and the experiences of the photographer pressing the shutter. Today, I want to reflect on my own work and how my favourite images have defined me as an artist. What messages do they share with the world? How have the tools I’ve used to create them shaped their unique ...

Say Hello Few people feel comfortable striking up a conversation with a person they haven’t previously met. I refrain from using the word “stranger” because the way I see it, we’re all fellow humans, potential acquaintances, possible friends. And who says they’re any stranger than I am? After all, I’m the one going up to people I meet in public asking to make their portrait. A camera in hand really is a magical device that allows us to meet almost anyone, anywhere. To approach them. Say hello. ...

All the way from Los Angeles, our 83rd 'In Focus' interview is with music and surrealism photographer, Laura Moreau. SECTION 1 - BACKGROUND SHARE YOUR FAVOURITE IMAGE / PRINT SHOT ON ILFORD FILM AND TELL US WHAT IT MEANS TO YOU? This photograph features my friend Samira, taken on ILFORD SFX200 with my Mamiya 645. I was in the ocean, hoping to capture the glimmers, as I have an obsession with them. Suddenly, a massive wave came out of nowhere, and I still can’t believe I managed to jump and take the sho...

Everything Shifted I first came to photography as a teenager, experimenting casually with digital cameras. But it wasn’t until after my PhD in cinema studies focused on representations of family in American television, that I returned to it with real intent. Living in Bordeaux at the time, I had occasionally photographed concerts, mostly as a hobby. Then, during the first COVID lockdown, everything shifted. With time slowing down, I picked up my partner’s analog camera and began shooting in the garden,...

Best known as grainydays on YouTube, our next In Focus interview features Jason Kummerfeldt, who has been shooting film for seven years and shares his journey through photography, from the bad to the good. SECTION 1 - BACKGROUND SHARE YOUR FAVOURITE IMAGE / PRINT SHOT ON ILFORD FILM AND TELL US WHAT IT MEANS TO YOU? This image is one of my all time favorites and one of my own few pieces I have hanging up in my cramped no-wall-space apartment: I shot it on my Mamiya 7 on ILFORD XP2 if I remember co...