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Rule breaker The chemigram process allows any photographer to be experimental, free and a little bit of a rule breaker. As a photographer who is passionate about the traditional printing process, I was always taught that my prints should be clean and crisp. So, coming across a process that allows you to be messy, hands on and experimental makes me feel like a child again. My wonderful friend introduced me to this technique and I have been completely blown away by the atmosphere you can create. Also, thi...

A well know part of the film photography community, especially on Twitter where she goes by @justgispy  We were thrilled when Margaret Fitzgerald agreed to be the subject of this week's In Focus interview. Section 1 Background Share your favourite image / print shot on ILFORD film and tell us what it means to you? I can't really say that any one photo I've taken over the years is my favourite, but this one is very memorable. Rolleiflex-TLR,-Ilford-HP5--Church-of-St.-Philibert,-Tournus,-Burgundy I...

There are so many of Ari's images that we have admired over the past 12 months so asking him to take part in this series was an easy decision. We're just glad that he said yes! Section 1 - Background Share your favourite image / print shot on ILFORD film and tell us what it means to you? As we age, time becomes more and more valuable. Every new second is a bigger portion of our future life than the one before. Time is the only thing we cannot buy more of, but we can freeze it with photography. A photog...

And suddenly, something that looked like a dandelion head floated into view, and I stood mesmerized as it hovered before me. When I peered inside, I realized that I could see a tiny winged creature within. I turned to my mother and said, “Look at that!” But all she could see was a dandelion head. Inhabitants Thirteen years ago I lost my father to Lung cancer, three years ago I lost my best friend to breast cancer. Besides cancer they both shared the same belief, that when we die, it’s lights out, th...

We had no idea when we originally started this series in April 2020 with Em from Emulsive that it would still be going strong 50 interviews later. This week's interviewee Debra Wilson was already on our radar before being nominated by Margaret Fitzgerald last month. Section 1 - Background Share your favourite image / print shot on ILFORD film and tell us what it means to you? I chose this image of Another Place on Crosby beach.  I don’t often get to the sea so although the setting is not typical for m...

A regular contributor to the film and analogue community and always helpful and encouraging to other photographers out there. This week's In Focus interview is with "photographer” Morag Perkins who, "just takes pictures". Section 1 - Background Share your favourite image / print shot on ILFORD film and tell us what it means to you? I’ve chosen this one because it’s represents a process that has been very special to me recently. Over the last 2 or 3 years I’ve found a way to use photography to ...

We first met Lucy Ridges a few years ago virtually via social media and then in person at The Photography Show and have always admired her work. Her #MyFilmStory video gave us a bit more of a view into who she is and why she shoots film and this In Focus interview builds on that. Section 1 - Background Share your favourite image / print shot on ILFORD film and tell us what it means to you? This is one of my favourite shots from my most recent project, Water’s Edge, released earlier this year. It’s an...

Our 56th In Focus interview is with Brazilian experimental photographer Breno Barros. Nominated by Clara Araujo, Breno shoot underwater portraits on film searching for experiential processes that defy traditional photography boundaries. Section 1 - Background Share your favourite image / print shot on ILFORD film and tell us what it means to you Multiple-exposure for the project “La boutique de l’âme” using Mamiya M645 and Ilford HP5+ My favourite image using Ilford film is due to an experimen...

HOW IT BEGAN I’m a great believer in serendipity. I was visiting a friend to deliver a print that she’d bought from me. At the time I was taking a lot of photos of graveyards, and she offered to show me a derelict cemetery which had been left hanging in the undergrowth on the banks of a major new road development. As we walked back through the village, I stopped an old man to ask if I could shoot his portrait, and when he very abruptly declined she said, you should meet Faye…… Fourteen month...

As a child I fell in love with the magic of the darkroom and of making Gelatin Silver prints. Watching a print develop fascinated me. In high school I had access to a darkroom working with 620 film (2.25 X 3.25 inch roll film.) and, consequently, I studied photography at Rochester Institute of Technology, School of Photography & Syracuse University School of Journalism. Studying with art-photographer Minor White opened my eyes to using photography as an art form. Minor helped me see beyond the objective...