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When the streets become unbearable
I’m not so good with words, but that’s probably why I love photography. I can let the photos I make speak for themselves. The death of George Floyd, back in May of last year, hit me hard. So much so that I went out a did what I usually do when stress becomes unbearable, I make pictures. I grabbed my Nikon F and Nikon FE, grabbed some HP5 and FP4, and headed out to clear my mind, and see what I could create.
While stopping at some familiar spots in downtown Colu...
The first roll
It is January 31st, 2020. I’ve arrived in London to document the events surrounding the UK leaving the EU. Many groups were converging on Parliament Square for this historic day. My usual workflow was interrupted when fellow documentary photographer Simon King called me aside and handed me a Nikon FG, 55mm f/3.5, and a roll of Kentmere 400.
This was the first roll of film I’d exposed in my life. Unaccustomed to the mechanical redundancies and psychological immediacy that film offers, ...
Reflections on the Materiality of Film, with PANF Plus in the Montana Snow
Snow is a beautiful subject for ILFORD PANF Plus. Thankfully my quiet mountain town of Bozeman, Montana, USA—has lots of snow, and I have lots of PANF film. As snow can be such an intricate and momentary subject, it makes an appropriate subject for reflecting on the material and time-conscious process of creating an analog image.
I recently returned to film photography after a ten-year hiatus. I’ve been delighted to again...
Earlier this year in our interview with Walter Rothwell, he nominated Kris to take part in this series. We're so glad that he did. Enjoy!
Section 1 - Background
Share your favourite image / print shot on ILFORD film and tell us what it means to you?
One of my recent favourite images is this portrait of 3 young men taken on the streets of Birmingham UK. It was one of the first outings in the city post-lockdown and I wanted to really get back into a stride with my personal photography on the streets. With ...
Perhaps best known for his engaging YouTube content and Instagram channel, this week we talked to Ribsy about his film photography
SECTION 1 - BACKGROUND
Share your favourite image / print shot on ILFORD film and tell us what it means to you?
London South Bank on FP4
This is my favorite image shot on Ilford film (FP4). This shot was taken during a lovely Saturday afternoon on the South Bank in London, the week the final lockdown was eased. Immediately I think about the joy of walking around in the su...
A scene that screams colour
Have you ever been out with your camera, loaded with your favourite black and white film stock and found a scene that screams to be shot it colour? Of course you have, we have all been there!
Today I am going to introduce you to a new 150 year old process called Trichromy also known as the three colour process or more recently Trichromes (by Jasper Fforde). As with all early photographic techniques it's difficult to say who coined the process first as there were many people w...
During lockdown I rekindled my love of making photograms. It happened naturally after a summer of making cyanotypes. I was also making emulsions out of plants. My garden became a temporary darkroom. With a photogram - you expose your paper to light (sunlight for photograms), with an object on top, and the area underneath the object remains unexposed, so you end up with white paper in that area, like a shadow but in negative.
Cyanotype
A lonely weed
The local darkroom re-opened for half-day s...
After sharing a few of his images in the past, we felt we wanted to know more about Nicolas de Bouville, so he became interview number 42 in this series. We have to confess to a bit of camera envy over his collection!
Section 1 - Background
Share your favourite image / print shot on ILFORD film and tell us what it means to you?
It’s so hard to pick one image only. If I think about one of the last series I did, I really like this picture of Alejandro. I’m used to photograph Alejandro in a very differe...
There were so many people asking how this has been captured when we shared it on our Instagram feed so, we caught up with the photographer Guido Macorini and asked him.
Image title: Amariana
Technical info
Film Used
IFORD Delta 100
Format
120
Camera
Rolleicord III K3b
Lens
Schneider Xenar 75mm
Exposure time
1/4s
Other equipment
Tripod, orange filter, spot light meter
Location:
Verzegnis Lake, in the north eastern Italian Alps.
Firstly, tell us the story behind ...
Cabin Fever
Tired of COVID 'cabin fever' I needed to get out shooting so I concocted a mission to shoot a total of 36 acceptable shots in a 2 day time frame. Day one would be 12 6x6's and the second would be 35mm for 24 shots... fingers crossed.
I decided to shoot b&w film. This would not have been my choice a few years ago but the plethora of digital imagery has turned me off to the point where I'm re appreciating the disciplined 'analogue' mind set. I just flat out love and respect the w...