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As a child I fell in love with the magic of the darkroom and of making Gelatin Silver prints. Watching a print develop fascinated me. In high school I had access to a darkroom working with 620 film (2.25 X 3.25 inch roll film.) and, consequently, I studied photography at Rochester Institute of Technology, School of Photography & Syracuse University School of Journalism. Studying with art-photographer Minor White opened my eyes to using photography as an art form. Minor helped me see beyond the objective...
My Approach
It was during a group exhibition that I discovered the practice of cyanotype. The Espace Liberté Gallery located in Crest in the south of France is a contemporary art space open to all graphic and plastic disciplines. The theme proposed by Au Jour le Jour was an ephemeris where 31 chosen artists (painters, illustrators, photographers, plastic artists) had to illustrate 12 randomly selected dates with their art. Two constraints were imposed: a maximum size of 20cm on each side and the same sell...
Allysse Riordan is our 58th In Focus interview. An image maker, writer, sound artist, and microadventurer (not necessarily in that order). Allysse's work takes us on a journey in a particular space and time, noticing the small details of life, meeting strangers, exploring new landscapes, and delving into their inner world
Section 1 - Background
Share your favourite image / print shot on ILFORD film and tell us what it means to you?
It is difficult to choose one favourite image. They shift and change as ...
My name is Jason Avery and I am an analogue landscape photographer based in East Anglia England. I have been working with film for a few years now, learning my craft as an artist. One of the many reasons why I decided to choose film instead of digital as a medium for my work was the darkroom experience. I have heard the quote “The darkroom is a magical place” over and over again and I can safely say that that is totally true. I have been hooked since the moment I developed my first print in my tiny dark...
Finnish Darkroom Association
In Finland during the early 2000's, as elsewhere, analog photography practice was pushed aside by digital photography. The 2010's saw a rapid decline in the use of darkroom techniques by artists and the almost total disappearance of professional darkrooms and film labs.
In 2016, with five other female photography artists all specialising in analogue photography and darkroom work. We founded the Finnish Darkroom Association.
The original idea came from photography artist ...
“Were it not for the shadows, there would be no beauty.”- In Praise of Shadows- Junichiro Tanizaki.
Blackbird
A universe at our feet
If there is anything the pandemic has taught us, it is perhaps, that everything we need, can be found right where we are. There is something to be said for focusing down on the small things, the seasonal changes, the birds calling, the nature all around us and the people within our local communities. When we take the time to focus down, we can find a whole universe c...
Who are you? What’s your job title HARMAN technology and how long have you worked here?
My name is Hannah Gross and I am one of the newest members of the team at HARMAN Technology. I started working here two months ago, and my job title is ‘Digital Marketing Assistant’.
HP5 +
Tell us a little about your day to day role.
As I have been here for such a small amount of time, I am still learning and getting used to my day to day role. I work within a small team, mainly helping and assisting where n...
Six Weeks Ago
It started six weeks ago. A Sinar Norma 4x5 Large Format Camera off eBay arrives and my paper negative journey begins.
I had spent the previous weeks poring over the in-depth forums and articles on large format photography, now it was time to put it into practice. My first shoot was on ILFORD MGRC paper. I hastily sat a teddy bear on a table, pointed 2 x 400 watt Elinchrom strobes and a 400 watt continuous light and fired. So 1200 watts in total at 1/30 of a second, that should do it. Flas...
Monika Danos is our 60th In Focus interview. When not taking care of daily life, her love for trees and gardens means that she can be found chasing shadows with her pinhole camera, or printing in the darkroom. Patterns and lines that are created by light and shadow influence her style of work. Photography and the cyanotype prints gives Monika the opportunity to share what she see's in nature and in her daily life.
Section 1 - Background
Share your favourite image / print shot on ILFORD film and tell us wh...
How It Began
When Covid-19 started, I had just made plans to follow the Bristol Roller Derby team around the UK to shoot their games. I suddenly had no focus for my photography and I wanted to make sure that I had a project to work on. I also wanted to do something with the LGBTQ+ community. In Bristol and had been photographing a friend during their transition. I thought, maybe as lockdown lifts people will want to get out and have their portraits taken. And that is how the idea for the project came about...