Search results for: 'it love to with a both'

A regular contributor to the film and analogue community and always helpful and encouraging to other photographers out there. This week's In Focus interview is with "photographer” Morag Perkins who, "just takes pictures". Section 1 - Background Share your favourite image / print shot on ILFORD film and tell us what it means to you? I’ve chosen this one because it’s represents a process that has been very special to me recently. Over the last 2 or 3 years I’ve found a way to use photography to ...

It’s after 5 on a Sunday in December and I’m deep into the 11th frame of my camera and cup number 6 of a house blend of coffee. I’ve put off writing this piece for  long enough. I’m grateful to ILFORD for reaching out and as a long time user of HP5 Plus, this is a milestone that I’m excited to share with my children, family and friends. A thirst for life My name is James aka @dirtykics and I’ve toyed with cameras for the better part of my 20’s into my 30’s, until a difficult point in my ...

We asked you to show us your #sprockets for our latest #ilfordphoto #fridayfavourites theme.  It's fantastic to see so many of you shooting black and white 35mm films in such variety of cameras and formats. @itsnotaphoto  A 126 cartridge reloaded with 35mm FP4 Plus to make a diptych complete with #sprocket holes, shot in a Kodak Instamatic 25. #ilfordphoto #fridayfavourites #sprockets   @bsanfordjr Captured my son pole vaulting using HP5 Plus. Then made a print on Ilford MGRC 8x10 glossy ...

Our 56th In Focus interview is with Brazilian experimental photographer Breno Barros. Nominated by Clara Araujo, Breno shoot underwater portraits on film searching for experiential processes that defy traditional photography boundaries. Section 1 - Background Share your favourite image / print shot on ILFORD film and tell us what it means to you Multiple-exposure for the project “La boutique de l’âme” using Mamiya M645 and Ilford HP5+ My favourite image using Ilford film is due to an experimen...

This week's #fridayfavourites theme was #croppednegs. When we take our negs into the darkroom or, share them on social media we often crop to show part of the frame, it was exciting to see how you chose to crop your negatives. @ironketti So this weeks #ilfordphoto #fridayfavourites is #croppednegs This is not something I do often but it is not unknown. All of these were originally for @_JasonAvery 's #Camerachallenge and are taken on #120 #XP2super with my yashicamat 124g   @justgipsy #cr...

As a child I fell in love with the magic of the darkroom and of making Gelatin Silver prints. Watching a print develop fascinated me. In high school I had access to a darkroom working with 620 film (2.25 X 3.25 inch roll film.) and, consequently, I studied photography at Rochester Institute of Technology, School of Photography & Syracuse University School of Journalism. Studying with art-photographer Minor White opened my eyes to using photography as an art form. Minor helped me see beyond the objective...

My Approach It was during a group exhibition that I discovered the practice of cyanotype. The Espace Liberté Gallery located in Crest in the south of France is a contemporary art space open to all graphic and plastic disciplines. The theme proposed by Au Jour le Jour was an ephemeris where 31 chosen artists (painters, illustrators, photographers, plastic artists) had to illustrate 12 randomly selected dates with their art. Two constraints were imposed: a maximum size of 20cm on each side and the same sell...

Allysse Riordan is our 58th In Focus interview. An image maker, writer, sound artist, and microadventurer (not necessarily in that order). Allysse's work takes us on a journey in a particular space and time, noticing the small details of life, meeting strangers, exploring new landscapes, and delving into their inner world Section 1 - Background Share your favourite image / print shot on ILFORD film and tell us what it means to you? It is difficult to choose one favourite image. They shift and change as ...

Decisions. Some are small. Some are life-changing. We make them subconsciously. We make them intentionally. But either way we choose a path. There’s always an upside and always a downside. Most importantly, we look for promise in the upside, and we try and glean some value from the downside, but we can never escape the moment of decision. Ilford-FP4-Plus-Leica-M7-90mm-Leitz-Canada-Elmarit Seize the opportunity In the fall of 2019, I had to decide whether to say yes to a guy’s trip to Wyoming with ...

This is a story about serendipity, generosity, community, and several rolls of Ilford FP4 film. It begins in April 2020, during our first Covid-19 lockdown when a request from a sibling for an old family photo led me to dig around in my messy 35mm archive. I discovered quite a few forgotten negatives and slides from my life during the 1970’s, when I was young and single. They had been randomly stored and dragged around in house moves whilst I focussed on marriage, motherhood and a career in Social Work. E...