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We've really enjoyed this series and finding our more about some of the members in our community. Although we are moving out of Lockdown now we will be keeping it running, just in a slightly different format, so keep an eye out for the changes in the coming weeks.
This week we spoke to Robbie Jeffers who was nominated a few weeks ago by Ray Barbee.
SECTION 1 - THE BEGINNING
SHARE YOUR FAVOURITE IMAGE / PRINT SHOT ON ILFORD FILM AND TELL US WHAT IT MEANS TO YOU?
It’s difficult for me to narrow ...
My dream camera
I was introduced into photography when I was just a teenager by my uncle Massimo —· AKA zio Max. That’s how I have acquired basic knowledge about film photography, and developed the skills that helped me to start a career as an independent — and self-taught — filmmaker.
Filmmaking and video production became my main occupation, while photography remained a deep passion, which kept coming back from time to time in my professional career.
In the last few years I have been too...
Another Lockdown Session with a difference this week in the form of a video. We were really pleased when Aislinn nominated Rachel to take part back in week 4.
She's such an active member of our community and always happy to help others and share her advice and experience.
Just in case you wanted to check out Rachel's shout outs here are the links.
GIVE A SHOUT OUT TO YOUR 3 FAVOURITE FILM PHOTOGRAPHERS (NOT PHOTOGRAPHY HUBS) CURRENTLY ACTIVE ON IG
Lucy Ridges
Tina Rowe
Marina Llopis
...
How I got this picture
Fanal, Madeira
Technical info
Film Used: Ilford HP5+
Format: 120
Camera: Rolleiflex 3,5E
Lens: 75mm F3,5
Exposure time: 1/125s
Other equipment: none (I could roam around freely and look for compositions)
Location: Fanal, Madeira
Firstly, tell us the story behind this image. What inspired you to shoot it?
Ever since I saw an image of the Laurisilva forest in Fanal on the island of Madeira, I knew that I wanted to explore this place for myself. It is o...
In our 14th and possibly final Lockdown Session (before we move to a new format), we are bringing you Kit Young who was nominated by Ashley Carr back in week 9.
We've followed Kit for a while on Instagram. He's a fantastic darkroom printer and is always happy to share how get gets to the finished prints from his negatives.
SECTION 1 - THE BEGINNING
SHARE YOUR FAVOURITE IMAGE / PRINT SHOT ON ILFORD FILM AND TELL US WHAT IT MEANS TO YOU?
There are a lot, so I’ll pick this relatively recent print o...
We taking a closer look at Brett Hillyard this week who was nominated by Robbie Jeffers in our Lockdown Sessions back in week 12.
BACKGROUND
Share your favourite image / print shot on ILFORD film and tell us what it means to you?
One of my favorite images over the last couple weeks is from a portrait session I had with Jeff Yokoyama. He goes by“Yoki” and his retail store “YokiShop” is located in Newport Beach. His shop is filled with eclectic art and cool custom clothes that he designs in the bac...
Summer of Photograms
My end goal with my photography, at least for as long as I can remember, was to make darkroom prints. I love the thought processes in darkroom printing, the excitement when I manage to find the combination of burning, dodging and other printing techniques that turns my imagined image into a print that I can share. Preferring the tactile nature of darkroom craft, I never cottoned on to digital photo processing or printing.
Then in the spring of 2019 I developed a long term illness th...
When we saw that Kit Young had chosen Tyler as his nomination it definitely made us smile. We've shared several of Tyler's IG images in the past and enjoy browsing his feed when we get the chance.
Background
Share your favourite image / print shot on ILFORD film and tell us what it means to you?
Picking only one is an impossible choice! A favourite of mine is a contact print made from an 8x10 negative using FP4+, Ilford MGFB Glossy paper and selenium toned. I used my Chamonix 810V field camera and the ex...
Earlier this year my go-to black and white film of choice had its priced hiked astronomically, making it an un-affordable option for my daily choice. I set about exploring some different options, which included revisiting HP5 (a film, I must confess heretically that I have never gelled with), pushing FP4 to 400, Foma 400 and 200 pushed, and - the film for this short piece - ILFORD’s XP2.
I might not have even reached for a roll of XP2 had I not discovered the experiments of another analogue photogr...