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My love of black and white photography started back in college processing and printing images. The film of choice being FP4. and printing fibre based prints. In the beginning as a photographer most of my work was B/W. Spending much time in the dark room printing. Unfortunately time was something that was running out. As a professional you have the the funds but you don’t have the time. So I moved away from printing for a while and concentrated on shooting.
Another-day-in-the-office
One thing I learne...
Distractions To A Minimum
Whether I’m taking pictures of friends, my dogs, travel, a model, or a movie star, my goal is to make the process as simple as possible, and to keep my distractions to a minimum. While on set of a campaign shoot a few weeks ago, I was having a conversation with the talent, and he asked me how I got into photography. A question I’ve been asked before but never really gave serious thought to.
Andrew Garfield. Vanity Fair - Oscars - Beverly Hills.
First Meaningful Interacti...
These Dark Mountains
I grew up in a small valley town surrounded by the Alps in North Italy. I have always wondered what it feels like to live and work up there in the mountains, in such a stunning but also dangerous and rough natural environment. Especially after moving to Berlin in 2015, my fascination for a life still tied to nature’s rhythm started to grow. The natural landscape which I left behind, and which used to be what I would call “home”, turned into something distant. I began to question ...
My Relationship With Streetball
I love street basketball. The competition, the intense arguments and the handshakes at the end where all signs of aggression dissipate. I love the environment in which these scenes take place. From the frayed nets, the cracked asphalt, to the uneven rims, there's something compelling about basketball courts that haven’t seen repair since the day they were laid. But the true beauty of streetball happens on the sidelines between games. Here, in the waiting, is the vibrance: ...
We speak to Jim Mortram, who is this week's In Focus interview. Jim is an award-winning Social Documentary Photographer and the creator of these photo stories: Small Town Inertia.
Section 1 - Background
Share your favourite image / print shot on ILFORD film and tell us what it means to you?
This portrait with Carl, as always for me, was made with HP5 Plus pushed to 800. When I first met Carl & began collaborating with him on sharing his story he was in a bad place. We would talk often but it was mayb...
Last week's theme for #ilfordphoto #fridayfavourites was extra tough, so we decided to scrap that theme and move on to #Forbiddenfilm for this week. We wanted to see those sneaky shots you took when you shouldn't have your camera!
@PhlStrchn Replying to @ILFORDPhoto I wanted a shot framing an artist, painting and subject. A bit later I asked/gestured if it would be ok and was told it was all "Prywatny - Private". Near Most Tumski - Tumski Bridge, Wrocław. Ilford XP2 Super 120mm, Zeiss Ikon Nettar #ilf...
The year 2000
The first time I photographed skateboarding was in the year 2000, following around a boy I liked with a disposable camera. My equipment and film stocks have gotten better over the last two decades, and my girlhood crush has been replaced by a deep passion for capturing the unique poses of skateboarders and their culture and community.
Dancer suspended in space
I don’t know the names of most of the tricks the skaters I photograph are attempting. I’m half-listening when someone tries to...
Shooting 35mm film Sprockets with Kentmere 400 and a medium format TLR
Including sprockets in scans is nothing new but has increased in popularity recently. While the inclusion of sprockets showing the film name looks great, as the photographic emulsion covers the full 35mm width of the film in your cassette, it is actually possible to expose your image beyond the standard 24x36mm frame and cover the entire sprocket area with your image.
I thought I’d give this a try with my TLR, so read on below to f...
Abstract Concepts
Often times, I come up with ethereal and abstract concepts for my artwork. However, I noticed that my techniques and skills in the darkroom did not match up to my artistic output. Which is such a shame. I wanted to do something about it. It is like having the urge to do a back flip but not having the progressed workouts to help you get there.
My name is Zain Al Khalifa, I use film photography as a base for my artwork. I like darkroom printing and I wanted to share an experience with yo...
Our 65th In Focus interview is with film photographer and laboratorist Amanda Monasterio, who used multiple exposures in their work to represent feelings and temporality.
Section 1 - Background
Share your favourite image / print shot on ILFORD film and tell us what it means to you?
My favorite image ever photographed with ILFORD is definitely this one and it's from my project called "Asterismos" (Asterisms). This project draw parallels between the imaginary of being and inhabiting a body. My ancestors, t...