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We speak to Jim Mortram, who is this week's In Focus interview. Jim is an award-winning Social Documentary Photographer and the creator of these photo stories: Small Town Inertia.
Section 1 - Background
Share your favourite image / print shot on ILFORD film and tell us what it means to you?
This portrait with Carl, as always for me, was made with HP5 Plus pushed to 800. When I first met Carl & began collaborating with him on sharing his story he was in a bad place. We would talk often but it was mayb...
The year 2000
The first time I photographed skateboarding was in the year 2000, following around a boy I liked with a disposable camera. My equipment and film stocks have gotten better over the last two decades, and my girlhood crush has been replaced by a deep passion for capturing the unique poses of skateboarders and their culture and community.
Dancer suspended in space
I don’t know the names of most of the tricks the skaters I photograph are attempting. I’m half-listening when someone tries to...
Shooting 35mm film Sprockets with Kentmere 400 and a medium format TLR
Including sprockets in scans is nothing new but has increased in popularity recently. While the inclusion of sprockets showing the film name looks great, as the photographic emulsion covers the full 35mm width of the film in your cassette, it is actually possible to expose your image beyond the standard 24x36mm frame and cover the entire sprocket area with your image.
I thought I’d give this a try with my TLR, so read on below to f...
Abstract Concepts
Often times, I come up with ethereal and abstract concepts for my artwork. However, I noticed that my techniques and skills in the darkroom did not match up to my artistic output. Which is such a shame. I wanted to do something about it. It is like having the urge to do a back flip but not having the progressed workouts to help you get there.
My name is Zain Al Khalifa, I use film photography as a base for my artwork. I like darkroom printing and I wanted to share an experience with yo...
Our 66th In Focus interview is with Danish photographer Lea Elm who is a writer living in England. Find out why analogue and instant camera's became an epiphany within Lea's work.
Section 1 - Background
Share your favourite image / print shot on ILFORD film and tell us what it means to you?
World - Museum -Liverpool - 2019 - HP5+
It was hard to pick just one but I decided on this one taken in 2019 on my first, and so far only, trip to Liverpool. Rachel Brewster-Wright (of @LittleVintagePhotography)...
'What are you doing?'
After 25 years it still catches me off guard. Because my work happens in public spaces, the answer comes often and without pause. Men walking by the scene will change direction and make their way to within a meter of my tripod. While to me it is evidently clear, to the viewers it is understandably strange. For my portraits of girls in rural India, this is supremely true. To set the scene, we are using medium format gear mounted on a tripod, speaking with the children being photographe...
Join us while we chat with self-taught photographer Khoi Minh Nguyen, who is our 70th In Focus interviewee. Khoi tries to approach his photography as a still image in a movie and uses this medium to document life.
Section 1 - Background
Share your favourite image / print shot on ILFORD film and tell us what it means to you?
Hasselblad 503cxi - ILFORD SFX 200
The image of my mother is my most proudest moment I had made last year. It felt like I was making work that I have been trying to make for a lon...
Brutal & Beautiful
In June of 2022, I set out on a 3500 mile motorcycle trip with my close friend David Wright. We left from Los Angeles, CA with our end destination being Glacier National Park, searching for the space in-between life’s brutal & beautiful exploration of our short time upon this world. I personally have gone through life altering changes these past few years; death, a divorce, more death, the on going pandemic and having to confront life, loss and the overwhelming notion that time...
“I’ll just fix it in the darkroom.” is the motto I’ve lived by for decades.
I Was Too Deep Into Analog
Studying photojournalism in the late 80s, I was taught to print well but never learned advanced printing techniques because we were being prepared for quick turn-around journalism assignments. Commercially available digital photography was in its infancy, so it wasn’t on my radar, and even when it became standard, I was too deep into analog to have any interest. I shot for a local paper for se...
Our 72nd In Focus interview is with Brazilian lab technician and teacher Samanta Ortega. Samanta focuses on empowering and fueling the resurgence of film photography in Brazil from the inside out.
SECTION 1 - BACKGROUND
SHARE YOUR FAVORITE IMAGE/PRINT SHOT ON ILFORD FILM AND TELL US WHAT IT MEANS TO YOU.
Invasão | ILFORD Delta 400 | Yashica Zoomate 76
There is so much I could say about this image, but no description I elaborate will ever do it justice. This was one of the frames in the first eve...