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Introducing our 15th interviewee and one of Film Finishing's newest team members, Paul Cliff.
Who are you? What’s your job title at HARMAN technology and how long have you worked here?
My name is Paul Cliff and I have been with the company since February 2023.
Tell us a little about your day to day role.
I work on our 120 roll film spooling machines. I love everything about it. It’s been like taking control of a classic car, learning all its idiosyncrasies and intricacies; it’s an absolute mar...
'Architecture is the masterly, correct and magnificent play of volumes brought together in light'. Le Corbusier, 1920
Concrete Photography
Brutalism as a style has received bad press. When we first hear the term, we all feel a logical rejection. The handbooks go on to explain that it comes from the French term béton brut, although the inventors of the term undoubtedly played on confusion, leaving an after-taste of je m’en fous, of bloody-mindedness, not giving a damn, in short. As a movement, as an a...
“I’ll just fix it in the darkroom.” is the motto I’ve lived by for decades.
I Was Too Deep Into Analog
Studying photojournalism in the late 80s, I was taught to print well but never learned advanced printing techniques because we were being prepared for quick turn-around journalism assignments. Commercially available digital photography was in its infancy, so it wasn’t on my radar, and even when it became standard, I was too deep into analog to have any interest. I shot for a local paper for se...
The Love Affair
I didn’t even really like racing when we planned our trip to the Monaco Grand Prix. Not racing, not Formula 1, not any of it. But I did have a very long ongoing love affair with the south of France and any opportunity to spend time along the Mediterranean was a go for me.
Something Was Unlocked
As my husband Mark and I were planning this trip to celebrate a milestone birthday, something happened to me in the lead-up; something was unlocked. It’s Mark who has the life-long love of ...
Inheritance
The thing nobody really tells you about when it comes to inheriting a legacy is the weight of it, and what follows the inevitable acceptance of it. My late grandfather Hendrikus Goris was an avid film photographer in his early 20’s - much like myself. I recently had the privilege of scanning and archiving some incredible images from his earlier years, 30+ rolls of film documenting family life with some rather editorial styled portraits sprinkled in. Most of them were shot on ILFORD film in ...
Oh, crap! What have I done?
Let’s see. I committed to do a solo photography show, with twenty-seven images. All twenty-seven are 4x5 black and white negatives, so they need to be darkroom printed. And those will be 20x24 prints. Yeah, and I need to have them matted and framed. The icing on the cake? I have just under three months to do this.
Yep, this is going to be an interesting project. But let’s back up to the beginning.
The Event
It was April 2023, three years after the pand...
Is a Photograph a Photograph if it Was Not Made with a Camera, Lens, or Negative?
The ethereal color palette and expressionistic qualities of the work I have been making with ILFORD's photographic paper seemingly resemble the representations of light and color as seen in many landscape paintings (think J.M.W. Turner, Albert Bierstadt, Thomas Cole); however, the work in my on-going project, I Thought You Left / I Wish You Were Here, are lumen prints—a form of camera-less photography where objects or a neg...
Thank you for such beautiful entries for this week's #ilfordphoto #fridayfavourites theme which was #natureonilford.
@Kirigir77434381 #ilfordphoto #fridayfavourites #natureonilford. Speedgraphic, Ross xpress 6 1/2inch F4.5, F5.6, 1/30sec, Ilford FP4+, Tokyo pyro, TPfix, Kodak mobile film scanner.
@PlantingCabbag1. A particularly overgrown corner of the Botanic Gardens, Kolkata. Orthochromatic film makes greenery look even more magical and mysterious… #ilfordphoto Ortho 80 developed in ...
What would happen if I dedicated myself entirely to film photography?
More then a year ago I had this idea in my head. What would happen if I dedicated myself entirely to film photography? After 10 years of being a sidekick to my creative output, I felt the need to give more attention to my analogue passion and the desire to change my creative habits. To challenge myself. To no longer rely on the vague promise of the digital safety net of mass storage and a camera screen that promises instant judgement of ...